Jason Borge
Biographic Data
| ID | 10936626 |
|---|---|
| NAME | Jason Borge |
| GIVEN NAMES | Jason |
| FAMILY NAME | Borge |
| SIGNATURE | BORGE J |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
Jazz and the Great Samba Debate, and Vice Versa
This paper will argue that jazz emerges as samba’s kindred foil in Brazilian popular music discourse of the 1940s and 1950s. Eager to underscore “blood” ties between idealized samba do morro and early blues and jazz, contributors to journals such as Diretrizes and Revista da Música Popular nonetheless tended to equate postwar bebop and big band with the menacing venality of the US music industry and the “vulgar” fandom to which it was associated.…
Replaying Carlitos: Chaplin, Latin American Film Comedy and the Paradigm of Imitation
In his landmark study Hybrid Cultures, Néstor García Canclini rejects originality and its opposite – imitation – as inadequate analytical paradigms for Latin American cultural practices. This paper argues for a reevaluation of the imitation paradigm, arguing that it should be understood neither as a synonym of colonial subordination (as García Canclini implies) nor, in Homi Bhabha's sense, as a dangerously ‘destabilizing’ sign of ‘partial presenc…
Hollywood Revisions: Cinematic Imaginary in Quiroga and Monteiro Lobato
Jazz and the Great Samba Debate, and Vice Versa
This paper will argue that jazz emerges as samba’s kindred foil in Brazilian popular music discourse of the 1940s and 1950s. Eager to underscore “blood” ties between idealized samba do morro and early blues and jazz, contributors to journals such as Diretrizes and Revista da Música Popular nonetheless tended to equate postwar bebop and big band with the menacing venality of the US music industry and the “vulgar” fandom to which it was associated.…
Replaying Carlitos: Chaplin, Latin American Film Comedy and the Paradigm of Imitation
In his landmark study Hybrid Cultures, Néstor García Canclini rejects originality and its opposite – imitation – as inadequate analytical paradigms for Latin American cultural practices. This paper argues for a reevaluation of the imitation paradigm, arguing that it should be understood neither as a synonym of colonial subordination (as García Canclini implies) nor, in Homi Bhabha's sense, as a dangerously ‘destabilizing’ sign of ‘partial presenc…
Hollywood Revisions: Cinematic Imaginary in Quiroga and Monteiro Lobato
Replaying Carlitos: Chaplin, Latin American Film Comedy and the Paradigm of Imitation
In his landmark study Hybrid Cultures, Néstor García Canclini rejects originality and its opposite – imitation – as inadequate analytical paradigms for Latin American cultural practices. This paper argues for a reevaluation of the imitation paradigm, arguing that it should be understood neither as a synonym of colonial subordination (as García Canclini implies) nor, in Homi Bhabha's sense, as a dangerously ‘destabilizing’ sign of ‘partial presenc…
Jazz and the Great Samba Debate, and Vice Versa
This paper will argue that jazz emerges as samba’s kindred foil in Brazilian popular music discourse of the 1940s and 1950s. Eager to underscore “blood” ties between idealized samba do morro and early blues and jazz, contributors to journals such as Diretrizes and Revista da Música Popular nonetheless tended to equate postwar bebop and big band with the menacing venality of the US music industry and the “vulgar” fandom to which it was associated.…
Art (3 works) · Art history (3 works) · Literature (3 works) · Cinema and Media Studies (2 works) · History (2 works) · History (2 works) · Hollywood (2 works) · Philosophy (2 works) · Philosophy (2 works) · Psychoanalysis (2 works)