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Sona Stephan Hoisington

Biographic Data

ID1094155
NAMESona Stephan Hoisington
GIVEN NAMESSona Stephan
FAMILY NAMEHoisington
SIGNATUREHOISINGTON S S
AFFILIATIONS1University of Illinois at Chicago Circle
VERIFIEDNo
TOTAL WORKS22
TOTAL CITATIONS9
WORKS AS AUTHOR21
WORKS AS EDITOR1
FIRST PUBLICATION YEAR1974
LATEST PUBLICATION YEAR2003
H-INDEX2
  • Ever Higher

    Open Access•Sona Stephan Hoisington•ARTICLE•Slavic Review•2003•Cited by: 5•References: 4

    In this article, Sona Hoisington focuses on the evolution of the project for the Palace of Soviets and its metamorphoses during the four stages of the competition (1931-33) and after. Rather than interpreting the project as the repudiation of modernist architecture, as many scholars have done, Hoisington argues that the design evolved from the modern and functional to the eclectic and monumental. Drawing on archival materials, she demonstrates th…

  • The Salon Album of Vera Sudeikin-Stravinsky

    Sona Stephan Hoisington, John E Bowlt•ARTICLE•The Slavic and East European…•1997

  • A Plot of Her Own

    Donna Tussing Orwin, Sona Stephan Hoisington•ARTICLE•The Slavic and East European…•1996

  • Alexander Bestuzhev-Marlinsky and Russian Byronism

    Sona Stephan Hoisington, Lewis Bagby•ARTICLE•The Slavic and East European…•1996

  • A Plot of Her Own

    Mary F Zirin, Sona Stephan Hoisington•ARTICLE•The Russian Review•1996

  • A Plot of Her Own

    Sona Stephan Hoisington•EDITOR•BOOK•A Plot of Her Own•1995

  • Russian Avant-Garde Books, 1917-34

    Sona Stephan Hoisington, Susan Compton•ARTICLE•The Russian Review•1994

    This study of Russian design and literature of the 1920s and 1930s emphasizes continuity with the preceding futurist years, and explores the development of graphic design and photomontage in books and journals about theatre and architecture, as well as collections of avant-garde writing

  • Andrei Platonov

    Sona Stephan Hoisington, Thomas Seifrid•ARTICLE•The Slavic and East European…•1993

    Preface List of abbreviations Introduction: the problem of reading Platonov 1. Consciousness and matter: Platonov in Voronezh and Tambov (1917-26) 2. Learning the language of being (1926-7) 3. Chevengur and the utopian genre 4. Platonov and the culture of the Five-Year Plan (1929-31) 5. 'Socialist Realist' Platonov (1934-51) Conclusion Notes Select bibliography Index

  • Russian Views of Pushkin's Eugene Onegin

    Brett Cooke, Sona Stephan Hoisington et al.•ARTICLE•The Slavic and East European…•1993

    Foreword by Caryl Emerson Preface Acknowledgments Introduction Nineteenth-Century Views Eugene Onegin: An Encyclopedia of Russian Life Vissarion Belinsky Pushkin and Belinsky: Eugene Onegin Dmitry Pisarev Pushkin Fyodor Dostoevsky Twentieth-Century Views On the Composition of Eugene Onegin Yury Tyntanov The Structure of Eugene Onegin Yury Lotman Discourse in Eugene Onegin Mikhail Bakhtin The Stylistic World of the Novel Sergey Bocharov The Transf…

  • Zamjatin's Modernist Palette

    Sona Stephan Hoisington, Lynn Imbery•ARTICLE•The Slavic and East European…•1992•Cited by: 2

  • Risunki russkix pisatelej XVII-nacala XX veka. Al'bom

    Sona Stephan Hoisington, R V Duganov•ARTICLE•The Slavic and East European…•1990

  • Russian Literary Politics and the Pushkin Celebration of 1880

    Sona Stephan Hoisington, Marcus C Levitt•ARTICLE•The Slavic and East European…•1990

  • Pushkin

    Victor Terras, Natan Iakovlevich Eidel'man et al.•ARTICLE•The Russian Review•1990

  • Ice and Flame

    Sona Stephan Hoisington, Jay Clayton et al.•ARTICLE•The Slavic and East European…•1987

  • Parody in Evgenii Onegin

    Sona Stephan Hoisington•ARTICLE•Canadian Slavonic Papers•1987

    Among many examples of parody in Evgenii Onegin perhaps the most interesting and significant is the lyric poem which the poet Lenskii wrote on the eve of his duel with Onegin.1 Critics have pointed out that Lenskii's poem was actually a parody by Pushkin of the elegy.2 No critic, however, has analyzed the text closely to determine how the parody was achieved, or demonstrated the larger function this elegiac parody played in Evgenii Onegin. The el…

  • Fairy-Tale Elements in Bulgakov's The Master and Margarita

    Sona Stephan Hoisington, Sona Hoisington•ARTICLE•The Slavic and East European…•1981•Cited by: 2

  • The Borderlands of Literary Criticism

    Kazimierz Bartoszynski, Thomas H Hoisington et al.•ARTICLE•New Literary History•1980

    IN RECENT YEARS in both theoretical and methodological discussions of literature and art, there have been many attempts to define the function of and to construct a definition of critical cultural activity. These considerations are so closely related to the methodological problems of literary research, among other things to hermeneutics, that what is popularly known as literary criticism has become identified with the entire body of cognitive and…

  • Poztika russkogo romantizma

    Sona Stephan Hoisington, Iurii Mann•ARTICLE•The Slavic and East European…•1978

  • Vasily Zhukovsky

    Sona Stephan Hoisington, Irena Semenko•ARTICLE•The Russian Review•1978

  • The Familiar Letter as a Literary Genre in the Age of Pushkin

    Sona Stephan Hoisington, William Mills Todd et al.•ARTICLE•The Slavic and East European…•1977

    This text examines the tradition of familiar letter writing that developed in the early 1800s among the Arzamasians, a literary circle that included such luminaries as Pushkin, Karamzin and Turgenev, and argues that these letters constitute a distinct literary genre. Todd gives a thorough prehistory of the convention of correspondence and concentrates on the themes, strategies, and autobiographical functions of the letter for several master write…

  • The Hierarchy of Narratees in Evgenii Onegin

    Sona Stephan Hoisington•ARTICLE•Canadian-American Slavic Studies•1976

  • V. G. Belinskij

    Sona Stephan Hoisington, Sigurd Fasting•ARTICLE•The Slavic and East European…•1974

  • Ever Higher

    Open Access•Sona Stephan Hoisington•ARTICLE•Slavic Review•2003•Cited by: 5•References: 4

    In this article, Sona Hoisington focuses on the evolution of the project for the Palace of Soviets and its metamorphoses during the four stages of the competition (1931-33) and after. Rather than interpreting the project as the repudiation of modernist architecture, as many scholars have done, Hoisington argues that the design evolved from the modern and functional to the eclectic and monumental. Drawing on archival materials, she demonstrates th…

  • Zamjatin's Modernist Palette

    Sona Stephan Hoisington, Lynn Imbery•ARTICLE•The Slavic and East European…•1992•Cited by: 2

  • Fairy-Tale Elements in Bulgakov's The Master and Margarita

    Sona Stephan Hoisington, Sona Hoisington•ARTICLE•The Slavic and East European…•1981•Cited by: 2

  • V. G. Belinskij

    Sona Stephan Hoisington, Sigurd Fasting•ARTICLE•The Slavic and East European…•1974

  • The Hierarchy of Narratees in Evgenii Onegin

    Sona Stephan Hoisington•ARTICLE•Canadian-American Slavic Studies•1976

  • The Familiar Letter as a Literary Genre in the Age of Pushkin

    Sona Stephan Hoisington, William Mills Todd et al.•ARTICLE•The Slavic and East European…•1977

    This text examines the tradition of familiar letter writing that developed in the early 1800s among the Arzamasians, a literary circle that included such luminaries as Pushkin, Karamzin and Turgenev, and argues that these letters constitute a distinct literary genre. Todd gives a thorough prehistory of the convention of correspondence and concentrates on the themes, strategies, and autobiographical functions of the letter for several master write…

  • Poztika russkogo romantizma

    Sona Stephan Hoisington, Iurii Mann•ARTICLE•The Slavic and East European…•1978

  • Vasily Zhukovsky

    Sona Stephan Hoisington, Irena Semenko•ARTICLE•The Russian Review•1978

  • The Borderlands of Literary Criticism

    Kazimierz Bartoszynski, Thomas H Hoisington et al.•ARTICLE•New Literary History•1980

    IN RECENT YEARS in both theoretical and methodological discussions of literature and art, there have been many attempts to define the function of and to construct a definition of critical cultural activity. These considerations are so closely related to the methodological problems of literary research, among other things to hermeneutics, that what is popularly known as literary criticism has become identified with the entire body of cognitive and…

  • Fairy-Tale Elements in Bulgakov's The Master and Margarita

    Sona Stephan Hoisington, Sona Hoisington•ARTICLE•The Slavic and East European…•1981•Cited by: 2

  • Ice and Flame

    Sona Stephan Hoisington, Jay Clayton et al.•ARTICLE•The Slavic and East European…•1987

  • Parody in Evgenii Onegin

    Sona Stephan Hoisington•ARTICLE•Canadian Slavonic Papers•1987

    Among many examples of parody in Evgenii Onegin perhaps the most interesting and significant is the lyric poem which the poet Lenskii wrote on the eve of his duel with Onegin.1 Critics have pointed out that Lenskii's poem was actually a parody by Pushkin of the elegy.2 No critic, however, has analyzed the text closely to determine how the parody was achieved, or demonstrated the larger function this elegiac parody played in Evgenii Onegin. The el…

  • Risunki russkix pisatelej XVII-nacala XX veka. Al'bom

    Sona Stephan Hoisington, R V Duganov•ARTICLE•The Slavic and East European…•1990

  • Russian Literary Politics and the Pushkin Celebration of 1880

    Sona Stephan Hoisington, Marcus C Levitt•ARTICLE•The Slavic and East European…•1990

  • Pushkin

    Victor Terras, Natan Iakovlevich Eidel'man et al.•ARTICLE•The Russian Review•1990

  • Zamjatin's Modernist Palette

    Sona Stephan Hoisington, Lynn Imbery•ARTICLE•The Slavic and East European…•1992•Cited by: 2

  • Andrei Platonov

    Sona Stephan Hoisington, Thomas Seifrid•ARTICLE•The Slavic and East European…•1993

    Preface List of abbreviations Introduction: the problem of reading Platonov 1. Consciousness and matter: Platonov in Voronezh and Tambov (1917-26) 2. Learning the language of being (1926-7) 3. Chevengur and the utopian genre 4. Platonov and the culture of the Five-Year Plan (1929-31) 5. 'Socialist Realist' Platonov (1934-51) Conclusion Notes Select bibliography Index

  • Russian Views of Pushkin's Eugene Onegin

    Brett Cooke, Sona Stephan Hoisington et al.•ARTICLE•The Slavic and East European…•1993

    Foreword by Caryl Emerson Preface Acknowledgments Introduction Nineteenth-Century Views Eugene Onegin: An Encyclopedia of Russian Life Vissarion Belinsky Pushkin and Belinsky: Eugene Onegin Dmitry Pisarev Pushkin Fyodor Dostoevsky Twentieth-Century Views On the Composition of Eugene Onegin Yury Tyntanov The Structure of Eugene Onegin Yury Lotman Discourse in Eugene Onegin Mikhail Bakhtin The Stylistic World of the Novel Sergey Bocharov The Transf…

  • Russian Avant-Garde Books, 1917-34

    Sona Stephan Hoisington, Susan Compton•ARTICLE•The Russian Review•1994

    This study of Russian design and literature of the 1920s and 1930s emphasizes continuity with the preceding futurist years, and explores the development of graphic design and photomontage in books and journals about theatre and architecture, as well as collections of avant-garde writing

  • A Plot of Her Own

    Sona Stephan Hoisington•EDITOR•BOOK•A Plot of Her Own•1995

  • A Plot of Her Own

    Donna Tussing Orwin, Sona Stephan Hoisington•ARTICLE•The Slavic and East European…•1996

  • Alexander Bestuzhev-Marlinsky and Russian Byronism

    Sona Stephan Hoisington, Lewis Bagby•ARTICLE•The Slavic and East European…•1996

  • A Plot of Her Own

    Mary F Zirin, Sona Stephan Hoisington•ARTICLE•The Russian Review•1996

  • The Salon Album of Vera Sudeikin-Stravinsky

    Sona Stephan Hoisington, John E Bowlt•ARTICLE•The Slavic and East European…•1997

  • Ever Higher

    Open Access•Sona Stephan Hoisington•ARTICLE•Slavic Review•2003•Cited by: 5•References: 4

    In this article, Sona Hoisington focuses on the evolution of the project for the Palace of Soviets and its metamorphoses during the four stages of the competition (1931-33) and after. Rather than interpreting the project as the repudiation of modernist architecture, as many scholars have done, Hoisington argues that the design evolved from the modern and functional to the eclectic and monumental. Drawing on archival materials, she demonstrates th…

Art (16 works) · Literature (9 works) · History (7 works) · Russian Literature and Bakhtin Studies (7 works) · Philosophy (5 works) · Folklore, Mythology, and Literature Studies (4 works) · Political science (4 works) · Art history (3 works) · Computer Science (3 works) · European Linguistics and Anthropology (3 works)

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