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Bjarne Sode Funch

Biographic Data

ID1094801
NAMEBjarne Sode Funch
GIVEN NAMESBjarne Sode
FAMILY NAMEFunch
SIGNATUREFUNCH B S
AFFILIATIONSRoskilde University
ORCID0000-0002-8999-5299
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS0
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR1970
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Unsettling Art and Its Psychological Impact

    Bjarne Sode Funch, Sabrina Hougaard•ARTICLE•Journal of Aesthetic Education•2024

    This article focuses on the experience of unsettling art and its psychological impact. Although it is widely recognized that works of art can be highly unsettling and disturbing, there seem to be no studies revealing the psychological importance of such experiences. Through a selection of interviews conducted according to phenomenological principles, a few essential features of the unsettling art experience are identified. These features include …

  • Emotions in the Psychology of Aesthetics

    Open Access•Bjarne Sode Funch•ARTICLE•Arts•2022

    Ever since Alexander Gottlieb Baumgarten (1714–1762) introduced the concept of aesthetics, the prevailing idea has been that the fine arts provide an alternative source of knowledge to the traditional sciences. Art, however, has always been closely associated with emotions. Taking Baumgarten’s treatise on poetry as a point of departure, I argue that Baumgarten laid the ground for a conception of art that emphasizes emotion rather than cognition w…

  • Hvorfor ser vi på billedkunst

    Open Access•Bjarne Sode Funch•ARTICLE•Nordisk Museologi•1970

    Why Do We Look at Art? The importance of psychology has usually been neglected within the area of art museums in spite of the fact that the visitor's experiencing of art constitutes the very basis of the art museum establishment

  • Den fænomenologiske metode i museologisk forskning

    Open Access•Bjarne Sode Funch•ARTICLE•Nordisk Museologi•1970•References: 6

    The Phenomenological Method in Museological Research The phenomenological method is closely associated with the study of human consciousness. In museum studies the phenomenological approach is essential for gaining an understanding of why museum collections are established and how they may influence the museum audience. This article introduces the structure of human consciousness and the principles of the phenomenological method. The various stag…

No prominent works on this page.

  • Hvorfor ser vi på billedkunst

    Open Access•Bjarne Sode Funch•ARTICLE•Nordisk Museologi•1970

    Why Do We Look at Art? The importance of psychology has usually been neglected within the area of art museums in spite of the fact that the visitor's experiencing of art constitutes the very basis of the art museum establishment

  • Den fænomenologiske metode i museologisk forskning

    Open Access•Bjarne Sode Funch•ARTICLE•Nordisk Museologi•1970•References: 6

    The Phenomenological Method in Museological Research The phenomenological method is closely associated with the study of human consciousness. In museum studies the phenomenological approach is essential for gaining an understanding of why museum collections are established and how they may influence the museum audience. This article introduces the structure of human consciousness and the principles of the phenomenological method. The various stag…

  • Emotions in the Psychology of Aesthetics

    Open Access•Bjarne Sode Funch•ARTICLE•Arts•2022

    Ever since Alexander Gottlieb Baumgarten (1714–1762) introduced the concept of aesthetics, the prevailing idea has been that the fine arts provide an alternative source of knowledge to the traditional sciences. Art, however, has always been closely associated with emotions. Taking Baumgarten’s treatise on poetry as a point of departure, I argue that Baumgarten laid the ground for a conception of art that emphasizes emotion rather than cognition w…

  • Unsettling Art and Its Psychological Impact

    Bjarne Sode Funch, Sabrina Hougaard•ARTICLE•Journal of Aesthetic Education•2024

    This article focuses on the experience of unsettling art and its psychological impact. Although it is widely recognized that works of art can be highly unsettling and disturbing, there seem to be no studies revealing the psychological importance of such experiences. Through a selection of interviews conducted according to phenomenological principles, a few essential features of the unsettling art experience are identified. These features include …

Aesthetic Perception and Analysis (3 works) · Psychology (3 works) · Aesthetics (2 works) · Art (2 works) · Computer Science (2 works) · Epistemology (2 works) · Philosophy (2 works) · Sociology (2 works) · Aesthetic theory (1 works) · Appeal (1 works)

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