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Anselm Haverkamp

Biographic Data

ID1095023
NAMEAnselm Haverkamp
GIVEN NAMESAnselm
FAMILY NAMEHaverkamp
SIGNATUREHAVERKAMP A
AFFILIATIONSCardiovascular Center Frankfurt
VERIFIEDNo
TOTAL WORKS26
TOTAL CITATIONS4
AUTHOR COUNT26
EDITOR COUNT0
FIRST PUBLICATION YEAR1981
LATEST PUBLICATION YEAR2023
H-INDEX2
  • Traurige Tropen - Zum Stand einer stillgelegten Trasse

    Anselm Haverkamp•ARTICLE•Philosophische Rundschau•2023

    The 4th edition of the first volume of this work provides an update of the commentary on the preamble and articles 1 to 19 in case law and literature. The structure of the book has been retained and its content supplemented by more recent developments, such as the implications of Europeanisation and digitalisation as well as the Corona pandemic. As of the 4th edition, Frauke Brosius-Gersdorf has taken over the editorship of the commentary.

  • Latenzzeit Mittelalter

    Anselm Haverkamp•ARTICLE•Philosophische Rundschau•2020

    Kaum ein Philosoph ist aufschlußreicher für die Nachkriegsphilosophie im Deutschland der fünfziger und sechziger Jahre als Hans Blumenberg. Zwanzig Jahre nach dem Tod dieses wenig orthodoxen Zeitzeugen vervollständigt der Philosophiehistoriker Kurt Flasch seine These »Philosophie hat Geschichte« in einer ausführlichen Monographie über den jungen Blumenberg. Dabei bleibt das eigene Werk des Autors leitender Anlass. Was beide, Flasch und Blumenberg…

  • Le dernier cri - Plus de philosophie

    Anselm Haverkamp•ARTICLE•Philosophische Rundschau•2020

    The 4th edition of the first volume of this work provides an update of the commentary on the preamble and articles 1 to 19 in case law and literature. The structure of the book has been retained and its content supplemented by more recent developments, such as the implications of Europeanisation and digitalisation as well as the Corona pandemic. As of the 4th edition, Frauke Brosius-Gersdorf has taken over the editorship of the commentary.

  • La Transformation du visible « dans le voir » Le Portement de Croix de Pieter Bruegel Adoro te devote de Thomas d’Aquin Port Royal de Louis Marin

    Anselm Haverkamp•ARTICLE•Modern Language Notes•2020

    La Transformation du visible « dans le voir »Le Portement de Croix de Pieter Bruegel Adoro te devote de Thomas d’Aquin Port Royal de Louis Marin Anselm Haverkamp (bio) L’interprétation sémiotique de l’Eucharistie de Port-Royal a été tirée de l’oubli par Louis Marin1. Épochale pour l’histoire de la représentation, elle est étroitement liée à un changement de perception dans la conception du visible et de ce que Freud a appelé très justement Rücksi…

  • Klopstock/Milton – Teleskopie der Moderne

    Open Access•Anselm Haverkamp•BOOK•Klopstock/Milton – Teleskopie der…•2018

  • Metapher - Mythos - Halbzeug

    Anselm Haverkamp•BOOK•Metapher - Mythos - Halbzeug•2018

    Metaphorology is a method of text analysis and text treatment that was promoted and practiced by Hans Blumenberg but had little broader impact. It has a greater scope of relevance and deeper implications than previously recognized and practiced. Metaphor, Myth, and the Raw are core concepts that underlie the theory and are presented in chapters that can be read alone to illustrate specific problem areas.

  • Acta et Arcana

    Open Access•Anselm Haverkamp•ARTICLE•Law/text/culture•2018

    Archive Fever is a memorable title, used on the occasion of a memory conference (a most fashionable topic at the time) almost precisely 24 years ago in London, June 5th 1994, by the late Jacques Derrida. In retrospect, 24 years later, the thematic switch from memory to archive has become an evident move. Evidently, archives offer what may be called the literal, material groundwork for memories in many ways. The simplest, if somewhat metaphorical …

  • Poetik und Hermeneutik im Rückblick

    R Lachmann, Jürgen Schlaeger et al.•BOOK•Poetik und Hermeneutik im Rückblick•2017

    Die interdisziplinäre Forschungsgruppe »Poetik und Hermeneutik« und ihre Mitglieder haben die geistes- und kulturwissenschaftliche Landschaft der alten Bundesrepublik geprägt wie vielleicht sonst nur noch die Kritische Theorie. Zahlreiche Interviews mit den wichtigsten noch lebenden Akteuren erlauben einen ebenso erkenntnisreichen wie unterhaltsamen Blick hinter die Kulissen von Poetik & Hermeneutik. Unter welchen Bedingungen und mit welchen Absi…

  • Die Spur des Genitivs im Nichts - Dieter Henrich, Beckett und Hölderlin

    Anselm Haverkamp•ARTICLE•Philosophische Rundschau•2016

    Dieter Henrich: Sein oder Nichts. Erkundungen um Samuel Beckett und Hölderlin. München 2016. Beck. 493 S.

  • Blumenberg in Davos

    Anselm Haverkamp•ARTICLE•Modern Language Notes•2016

    Blumenberg in Davos:The Cassirer—Heidegger Controversy Reconsidered* Anselm Haverkamp (bio) Hans Blumenberg’s proximity to Ernst Cassirer—the almost natural neighborhood of his Metaphorology to Cassirer’s Philosophy of Symbolic Forms—is an idea that has occurred to many, and that seemed so evident for so long that it went without much further saying. The obvious proof for this proximity seemed Blumenberg’s homage, “Ernst Cassirers gedenkend” [Thi…

  • Prometheus gibt nicht auf

    Felix Heidenreich, Petra Gehring et al.•BOOK•Prometheus gibt nicht auf•2015

    Die Literatur der griechisch-römischen Antike spielt in Hans Blumenbergs Werk eine tragende, aber ambivalente Rolle. Auch wo Blumenberg kritisch über die Erkenntnisse und Methoden der Vergangenheit urteilt, legt er das denkerische Potential der Texte frei: In phänomenologischer Hinsicht erscheint die Antike geradezu als das erste Gesicht der Neuzeit, die Neuzeit als Allegorie der Antike. Der Band erschließt erstmalig systematisch Blumenbergs Anti…

  • Nothing Fails like Success Poetics and Hermeneutics—A Postwar Initiative by Hans Blumenberg

    Anselm Haverkamp•ARTICLE•Modern Language Notes•2015•Cited by: 2

  • Art is Messianicity

    Open Access•Anselm Haverkamp•ARTICLE•Oxford Literary Review•2014

    Messianicity is not. Art is. Derrida, however, was not into pictures; his relationship with art remained in the quasi-transcendental mode of frames. Romeo Castellucci's use of a painting by Antonello da Messina exposes the Derridean non-messianism through art's power to illustrate – a mode abandoned by Derrida in the Heidegger-Schapiro debate on Van Gogh. In Castellucci, on the contrary, art illustrates what ‘messianicity’ is unable to illustrate…

  • The Scandal of Metaphorology

    Anselm Haverkamp•ARTICLE•Telos•2012•Cited by: 2

    The war is over, we should go back to philosophy" was the sentiment expressed by Maurice Merleau-Ponty in one of the first issues of his and Jean-Paul Sartre's new journal Les Temps modernes in Paris, May 1945. Having escaped from a work camp, Hans Blumenberg could hardly have taken any notice of this thought, but he was certainly and decisively in agreement with Merleau-Ponty.3 Since then we have become accustomed to Adorno's verdict that after …

  • Deconstruction Is/in America

    Anselm Haverkamp, H Dodge et al.•BOOK•Deconstruction Is/in America•2012

  • To conceive of in pictures

    Open Access•Anselm Haverkamp•ARTICLE•Res: Anthropology and Aesthetics•2011

  • Anagrammatics of Violence

    Open Access•Anselm Haverkamp•CHAPTER•Politics, Metaphysics, and Death•2005

  • Richard II , Bracton, and the End of Political Theology

    Anselm Haverkamp•ARTICLE•Law & Literature•2004

    The most effective example and instrument of “political theology” is the medieval allegory of the king’s two bodies that was reconstructed by the historian Ernst Kantorowicz in 1957 from literary as well as legal sources. As a key term of political philosophy, political theology was introduced by Carl Schmitt in 1922 in his contribution to a Festschrift for Max Weber, whose concept of “Charisma” is clearly of theological origins. Centering around…

  • L'inconceptuabilité de l'être

    Anselm Haverkamp•ARTICLE•Archives de Philosophie•2004

    Le projet métaphorologique de Hans Blumenberg correspond - répond et s'oppose, comme « la Mythologie blanche » de Jacques Derrida - à l'idée heideggérienne de «l'histoire de l'être ». Le concept de « l'inconceptuabilité » révise cette critique historiquement limitée du logocentrisme, en réduisant le concept d'Etre de Heidegger ad absurdum

  • Chaos by Design

    Anselm Haverkamp, Kirk Wetters•ARTICLE•Modern Language Notes•2003

    The disorder in the designations 2 of the sciences (Wissenschaften) may not be surpassed by that disorder supposed to have existed as chaos before the creation. With the support of astrophysics—in a strange but highly suggestive re-literalization of the Einsteinian conception of space—the newest metaphysics of light would have us believe that it is able to place an event prior to the first hundredth of a second of the legendary first three minute…

  • Mass Times Acceleration

    Anselm Haverkamp, Anthony Reynolds et al.•ARTICLE•Qui Parle•2000

    Research Article| June 01 2000 Mass Times Acceleration: Rhetoric as the Meta-Physics of the Aesthetic Anselm Haverkamp Anselm Haverkamp Search for other works by this author on: This Site Google Qui Parle (2000) 12 (1): 127–143. https://doi.org/10.1215/quiparle.12.1.127 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Anselm Haverkamp; Mass Times Acceleration: Rhetoric as the Meta-Physics of the Aesthetic. Qui Parle 1 June…

  • Hamlet, Hypothek der Macht

    Anselm Haverkamp•ARTICLE•Deutsche Vierteljahrsschrift für…•1999

  • Notes on the "Dialectical Image" (How Deconstructive Is It?)

    Anselm Haverkamp•ARTICLE•diacritics•1992

  • Mourning Becomes Melancholia. A Muse Deconstructed

    Anselm Haverkamp•ARTICLE•New Literary History•1990

    Anselm Haverkamp, Mourning Becomes Melancholia. A Muse Deconstructed: Keats's Ode on Melancholy, New Literary History, Vol. 21, No. 3, New Historicisms, New Histories, and Others (Spring, 1990), pp. 693-706

  • Error in Mourning-A Crux in Holderlin

    Anselm Haverkamp, Vernon Chadwick•ARTICLE•Yale French Studies•1985

Next
  • Nothing Fails like Success Poetics and Hermeneutics—A Postwar Initiative by Hans Blumenberg

    Anselm Haverkamp•ARTICLE•Modern Language Notes•2015•Cited by: 2

  • The Scandal of Metaphorology

    Anselm Haverkamp•ARTICLE•Telos•2012•Cited by: 2

    The war is over, we should go back to philosophy" was the sentiment expressed by Maurice Merleau-Ponty in one of the first issues of his and Jean-Paul Sartre's new journal Les Temps modernes in Paris, May 1945. Having escaped from a work camp, Hans Blumenberg could hardly have taken any notice of this thought, but he was certainly and decisively in agreement with Merleau-Ponty.3 Since then we have become accustomed to Adorno's verdict that after …

  • Typik und Politik im Annolied

    Thomas L Keller, Anselm Haverkamp•ARTICLE•German Studies Review•1981

  • Error in Mourning-A Crux in Holderlin

    Anselm Haverkamp, Vernon Chadwick•ARTICLE•Yale French Studies•1985

  • Mourning Becomes Melancholia. A Muse Deconstructed

    Anselm Haverkamp•ARTICLE•New Literary History•1990

    Anselm Haverkamp, Mourning Becomes Melancholia. A Muse Deconstructed: Keats's Ode on Melancholy, New Literary History, Vol. 21, No. 3, New Historicisms, New Histories, and Others (Spring, 1990), pp. 693-706

  • Notes on the "Dialectical Image" (How Deconstructive Is It?)

    Anselm Haverkamp•ARTICLE•diacritics•1992

  • Hamlet, Hypothek der Macht

    Anselm Haverkamp•ARTICLE•Deutsche Vierteljahrsschrift für…•1999

  • Mass Times Acceleration

    Anselm Haverkamp, Anthony Reynolds et al.•ARTICLE•Qui Parle•2000

    Research Article| June 01 2000 Mass Times Acceleration: Rhetoric as the Meta-Physics of the Aesthetic Anselm Haverkamp Anselm Haverkamp Search for other works by this author on: This Site Google Qui Parle (2000) 12 (1): 127–143. https://doi.org/10.1215/quiparle.12.1.127 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Anselm Haverkamp; Mass Times Acceleration: Rhetoric as the Meta-Physics of the Aesthetic. Qui Parle 1 June…

  • Chaos by Design

    Anselm Haverkamp, Kirk Wetters•ARTICLE•Modern Language Notes•2003

    The disorder in the designations 2 of the sciences (Wissenschaften) may not be surpassed by that disorder supposed to have existed as chaos before the creation. With the support of astrophysics—in a strange but highly suggestive re-literalization of the Einsteinian conception of space—the newest metaphysics of light would have us believe that it is able to place an event prior to the first hundredth of a second of the legendary first three minute…

  • Richard II , Bracton, and the End of Political Theology

    Anselm Haverkamp•ARTICLE•Law & Literature•2004

    The most effective example and instrument of “political theology” is the medieval allegory of the king’s two bodies that was reconstructed by the historian Ernst Kantorowicz in 1957 from literary as well as legal sources. As a key term of political philosophy, political theology was introduced by Carl Schmitt in 1922 in his contribution to a Festschrift for Max Weber, whose concept of “Charisma” is clearly of theological origins. Centering around…

  • L'inconceptuabilité de l'être

    Anselm Haverkamp•ARTICLE•Archives de Philosophie•2004

    Le projet métaphorologique de Hans Blumenberg correspond - répond et s'oppose, comme « la Mythologie blanche » de Jacques Derrida - à l'idée heideggérienne de «l'histoire de l'être ». Le concept de « l'inconceptuabilité » révise cette critique historiquement limitée du logocentrisme, en réduisant le concept d'Etre de Heidegger ad absurdum

  • Anagrammatics of Violence

    Open Access•Anselm Haverkamp•CHAPTER•Politics, Metaphysics, and Death•2005

  • To conceive of in pictures

    Open Access•Anselm Haverkamp•ARTICLE•Res: Anthropology and Aesthetics•2011

  • The Scandal of Metaphorology

    Anselm Haverkamp•ARTICLE•Telos•2012•Cited by: 2

    The war is over, we should go back to philosophy" was the sentiment expressed by Maurice Merleau-Ponty in one of the first issues of his and Jean-Paul Sartre's new journal Les Temps modernes in Paris, May 1945. Having escaped from a work camp, Hans Blumenberg could hardly have taken any notice of this thought, but he was certainly and decisively in agreement with Merleau-Ponty.3 Since then we have become accustomed to Adorno's verdict that after …

  • Deconstruction Is/in America

    Anselm Haverkamp, H Dodge et al.•BOOK•Deconstruction Is/in America•2012

  • Art is Messianicity

    Open Access•Anselm Haverkamp•ARTICLE•Oxford Literary Review•2014

    Messianicity is not. Art is. Derrida, however, was not into pictures; his relationship with art remained in the quasi-transcendental mode of frames. Romeo Castellucci's use of a painting by Antonello da Messina exposes the Derridean non-messianism through art's power to illustrate – a mode abandoned by Derrida in the Heidegger-Schapiro debate on Van Gogh. In Castellucci, on the contrary, art illustrates what ‘messianicity’ is unable to illustrate…

  • Prometheus gibt nicht auf

    Felix Heidenreich, Petra Gehring et al.•BOOK•Prometheus gibt nicht auf•2015

    Die Literatur der griechisch-römischen Antike spielt in Hans Blumenbergs Werk eine tragende, aber ambivalente Rolle. Auch wo Blumenberg kritisch über die Erkenntnisse und Methoden der Vergangenheit urteilt, legt er das denkerische Potential der Texte frei: In phänomenologischer Hinsicht erscheint die Antike geradezu als das erste Gesicht der Neuzeit, die Neuzeit als Allegorie der Antike. Der Band erschließt erstmalig systematisch Blumenbergs Anti…

  • Nothing Fails like Success Poetics and Hermeneutics—A Postwar Initiative by Hans Blumenberg

    Anselm Haverkamp•ARTICLE•Modern Language Notes•2015•Cited by: 2

  • Die Spur des Genitivs im Nichts - Dieter Henrich, Beckett und Hölderlin

    Anselm Haverkamp•ARTICLE•Philosophische Rundschau•2016

    Dieter Henrich: Sein oder Nichts. Erkundungen um Samuel Beckett und Hölderlin. München 2016. Beck. 493 S.

  • Blumenberg in Davos

    Anselm Haverkamp•ARTICLE•Modern Language Notes•2016

    Blumenberg in Davos:The Cassirer—Heidegger Controversy Reconsidered* Anselm Haverkamp (bio) Hans Blumenberg’s proximity to Ernst Cassirer—the almost natural neighborhood of his Metaphorology to Cassirer’s Philosophy of Symbolic Forms—is an idea that has occurred to many, and that seemed so evident for so long that it went without much further saying. The obvious proof for this proximity seemed Blumenberg’s homage, “Ernst Cassirers gedenkend” [Thi…

  • Poetik und Hermeneutik im Rückblick

    R Lachmann, Jürgen Schlaeger et al.•BOOK•Poetik und Hermeneutik im Rückblick•2017

    Die interdisziplinäre Forschungsgruppe »Poetik und Hermeneutik« und ihre Mitglieder haben die geistes- und kulturwissenschaftliche Landschaft der alten Bundesrepublik geprägt wie vielleicht sonst nur noch die Kritische Theorie. Zahlreiche Interviews mit den wichtigsten noch lebenden Akteuren erlauben einen ebenso erkenntnisreichen wie unterhaltsamen Blick hinter die Kulissen von Poetik & Hermeneutik. Unter welchen Bedingungen und mit welchen Absi…

  • Klopstock/Milton – Teleskopie der Moderne

    Open Access•Anselm Haverkamp•BOOK•Klopstock/Milton – Teleskopie der…•2018

  • Metapher - Mythos - Halbzeug

    Anselm Haverkamp•BOOK•Metapher - Mythos - Halbzeug•2018

    Metaphorology is a method of text analysis and text treatment that was promoted and practiced by Hans Blumenberg but had little broader impact. It has a greater scope of relevance and deeper implications than previously recognized and practiced. Metaphor, Myth, and the Raw are core concepts that underlie the theory and are presented in chapters that can be read alone to illustrate specific problem areas.

  • Acta et Arcana

    Open Access•Anselm Haverkamp•ARTICLE•Law/text/culture•2018

    Archive Fever is a memorable title, used on the occasion of a memory conference (a most fashionable topic at the time) almost precisely 24 years ago in London, June 5th 1994, by the late Jacques Derrida. In retrospect, 24 years later, the thematic switch from memory to archive has become an evident move. Evidently, archives offer what may be called the literal, material groundwork for memories in many ways. The simplest, if somewhat metaphorical …

  • Latenzzeit Mittelalter

    Anselm Haverkamp•ARTICLE•Philosophische Rundschau•2020

    Kaum ein Philosoph ist aufschlußreicher für die Nachkriegsphilosophie im Deutschland der fünfziger und sechziger Jahre als Hans Blumenberg. Zwanzig Jahre nach dem Tod dieses wenig orthodoxen Zeitzeugen vervollständigt der Philosophiehistoriker Kurt Flasch seine These »Philosophie hat Geschichte« in einer ausführlichen Monographie über den jungen Blumenberg. Dabei bleibt das eigene Werk des Autors leitender Anlass. Was beide, Flasch und Blumenberg…

  • Le dernier cri - Plus de philosophie

    Anselm Haverkamp•ARTICLE•Philosophische Rundschau•2020

    The 4th edition of the first volume of this work provides an update of the commentary on the preamble and articles 1 to 19 in case law and literature. The structure of the book has been retained and its content supplemented by more recent developments, such as the implications of Europeanisation and digitalisation as well as the Corona pandemic. As of the 4th edition, Frauke Brosius-Gersdorf has taken over the editorship of the commentary.

  • La Transformation du visible « dans le voir » Le Portement de Croix de Pieter Bruegel Adoro te devote de Thomas d’Aquin Port Royal de Louis Marin

    Anselm Haverkamp•ARTICLE•Modern Language Notes•2020

    La Transformation du visible « dans le voir »Le Portement de Croix de Pieter Bruegel Adoro te devote de Thomas d’Aquin Port Royal de Louis Marin Anselm Haverkamp (bio) L’interprétation sémiotique de l’Eucharistie de Port-Royal a été tirée de l’oubli par Louis Marin1. Épochale pour l’histoire de la représentation, elle est étroitement liée à un changement de perception dans la conception du visible et de ce que Freud a appelé très justement Rücksi…

Philosophy (21 works) · Art (12 works) · Epistemology (9 works) · Humanities and Social Sciences (8 works) · Humanities (7 works) · Literature (7 works) · Computer Science (6 works) · Philosophy (6 works) · Theology (5 works) · German Literature and Culture Studies (4 works)

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