Matthew Treherne
Biographic Data
| ID | 1096293 |
|---|---|
| NAME | Matthew Treherne |
| GIVEN NAMES | Matthew |
| FAMILY NAME | Treherne |
| SIGNATURE | TREHERNE M |
| AFFILIATIONS | University of Leeds |
| ORCID | 0000-0001-7534-8501 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
Vertical Readings in Dante's Comedy
Vertical Readings in Dante's Comedy is a reappraisal of the poem by an international team of thirty-four scholars. Each vertical reading analyses three same-numbered cantos from the three canticles: Inferno i, Purgatorio i and Paradiso i; Inferno ii, Purgatorio ii and Paradiso ii; etc. Although scholars have suggested before that there are correspondences between same-numbered cantos that beg to be explored, this is the first time that the approa…
Dante studies, 2005-10
Pictorial Space and Sacred Time
This article discusses the relationship between visual image and devotion in one of Torquato Tasso's late poems, Le lagrime della beata vergine (1593). This is the only instance in Tasso's work of a sustained poetic response to a piece of devotional art. The other major example of ekphrasis in Tasso's oeuvre — his description of the friezes on the wall of Armida's garden in Gerusalemme liberata xvi (retained in its entirety in Gerusalemme conquis…
Ekphrasis and Eucharist
Ekphrasis and Eucharist
Pictorial Space and Sacred Time
This article discusses the relationship between visual image and devotion in one of Torquato Tasso's late poems, Le lagrime della beata vergine (1593). This is the only instance in Tasso's work of a sustained poetic response to a piece of devotional art. The other major example of ekphrasis in Tasso's oeuvre — his description of the friezes on the wall of Armida's garden in Gerusalemme liberata xvi (retained in its entirety in Gerusalemme conquis…
Dante studies, 2005-10
Vertical Readings in Dante's Comedy
Vertical Readings in Dante's Comedy is a reappraisal of the poem by an international team of thirty-four scholars. Each vertical reading analyses three same-numbered cantos from the three canticles: Inferno i, Purgatorio i and Paradiso i; Inferno ii, Purgatorio ii and Paradiso ii; etc. Although scholars have suggested before that there are correspondences between same-numbered cantos that beg to be explored, this is the first time that the approa…
Art (3 works) · Philosophy (3 works) · Philosophy (3 works) · Renaissance and Early Modern Studies (3 works) · Early Modern Spanish Literature (2 works) · Literature (2 works) · Renaissance Literature and Culture (2 works) · Theology (2 works) · Architecture and Art History Studies (1 work) · Art history (1 work)