J Alexander Ogden
Biographic Data
| ID | 1096596 |
|---|---|
| NAME | J Alexander Ogden |
| GIVEN NAMES | J Alexander |
| FAMILY NAME | Ogden |
| SIGNATURE | OGDEN J A |
| AFFILIATIONS | Russian Railways |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 1 |
Peasant Listening, Listening to Peasants
Nikolai Nekrasov's fascination with peasant speech culminated in his book‐length narrative poem “Komu na Rusi zhit' khorosho” (1860s–1870s). Nekrasov's words seem almost to merge with a larger world of folk production—an apparent convergence that glosses over a number of questions about the distance between the poem's actual author and audience, on the one hand, and its narrator and implied audience, on the other. The work as a whole provides a p…
The Impossible Peasant Voice in Russian Culture
Unlike the English term "stylization," Russian stilizatsiia figures prominently in literary theory. Emerging out of debates around Vsevolod Meierkhol'd's theatrical innovations and subsequently elaborated by "Silver Age" writers (Valerii Briusov, Viacheslav Ivanov, Mikhail Kuzmin), formalists (Iurii Tynianov, Boris Eikhenbaum, Viktor Gofman), and Mikhail Bakhtin, the Russian concept must be distinguished from cognate terms in other languages-some…
The Woods of Childhood
The Impossible Peasant Voice in Russian Culture
Unlike the English term "stylization," Russian stilizatsiia figures prominently in literary theory. Emerging out of debates around Vsevolod Meierkhol'd's theatrical innovations and subsequently elaborated by "Silver Age" writers (Valerii Briusov, Viacheslav Ivanov, Mikhail Kuzmin), formalists (Iurii Tynianov, Boris Eikhenbaum, Viktor Gofman), and Mikhail Bakhtin, the Russian concept must be distinguished from cognate terms in other languages-some…
The Woods of Childhood
Peasant Listening, Listening to Peasants
Nikolai Nekrasov's fascination with peasant speech culminated in his book‐length narrative poem “Komu na Rusi zhit' khorosho” (1860s–1870s). Nekrasov's words seem almost to merge with a larger world of folk production—an apparent convergence that glosses over a number of questions about the distance between the poem's actual author and audience, on the one hand, and its narrator and implied audience, on the other. The work as a whole provides a p…
Aesthetics (3 works) · Art (3 works) · History (3 works) · Literature (3 works) · Peasant (3 works) · Archaeology (2 works) · Discourse Analysis and Cultural Communication (2 works) · History (2 works) · Philosophy (2 works) · Sociology (2 works)