Heinrich Wolfflin
Biographic Data
| ID | 1097190 |
|---|---|
| NAME | Heinrich Wolfflin |
| GIVEN NAMES | Heinrich |
| FAMILY NAME | Wolfflin |
| SIGNATURE | WOLFFLIN H |
| AFFILIATIONS | Swiss Institute for Art Research |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 0 |
On Right and Left in Images
December 01 2018 On Right and Left in Images Heinrich Wölfflin, Heinrich Wölfflin Heinrich Wölfflin (1864–1945) was a seminal Swiss art historian who taught in Basel, Berlin, Munich, and Zurich. He wrote several influential books including Renaissance und Barock (Renaissance and Baroque, 1886), Die klassische Kunst (Classic Art, 1899), and Kunstgeschichtliche Grundbegriffe (Principles of Art History, 1915), in which he formulated principles for t…
How One Should Photograph Sculpture
Whosoever is interested in the history of sculpture is at the greatest loss for good illustrations. Not that the publications [i.e., photographic prints] are missing - the things are offered for sale in all sizes and manners - but it seems to be the widely held opinion that sculptural artworks can be photographed from any side, and it is left totally to the discretion of the photographer at which angle to the figure to set up his machine. He then…
No prominent works on this page.
How One Should Photograph Sculpture
Whosoever is interested in the history of sculpture is at the greatest loss for good illustrations. Not that the publications [i.e., photographic prints] are missing - the things are offered for sale in all sizes and manners - but it seems to be the widely held opinion that sculptural artworks can be photographed from any side, and it is left totally to the discretion of the photographer at which angle to the figure to set up his machine. He then…
On Right and Left in Images
December 01 2018 On Right and Left in Images Heinrich Wölfflin, Heinrich Wölfflin Heinrich Wölfflin (1864–1945) was a seminal Swiss art historian who taught in Basel, Berlin, Munich, and Zurich. He wrote several influential books including Renaissance und Barock (Renaissance and Baroque, 1886), Die klassische Kunst (Classic Art, 1899), and Kunstgeschichtliche Grundbegriffe (Principles of Art History, 1915), in which he formulated principles for t…
Art (2 works) · Art history (2 works) · Computer Science (2 works) · Visual Culture and Art Theory (2 works) · Art History and Market Analysis (1 work) · Baroque (1 work) · Computer graphics (images) (1 work) · Historical Art and Architecture Studies (1 work) · Historical Art and Culture Studies (1 work) · Icon (1 work)