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Annalisa Oboe

Biographic Data

ID109740
NAMEAnnalisa Oboe
GIVEN NAMESAnnalisa
FAMILY NAMEOboe
SIGNATUREOBOE A
AFFILIATIONSUniversity of Padua
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS1
AUTHOR COUNT3
EDITOR COUNT1
FIRST PUBLICATION YEAR2003
LATEST PUBLICATION YEAR2014
H-INDEX1
  • “As there are hyena-men and panther-men …”

    Annalisa Oboe•ARTICLE•Journal of Postcolonial Writing•2014

    This article looks at the combined work of South African photographer Pieter Hugo and of “global Igbo” author Chris Abani in the volume Nollywood (2009). In their creative work both artists usually strive to see beyond established aesthetic and ethical paradigms and to bypass conventional modes of representation, in order to zoom in on adventurous and often shocking areas of existence in both life and art in Africa. In his collection of photograp…

  • Recharting the Black Atlantic

    Oboe/Scacchi Oboe/Scacchi, Annalisa Oboe et al.•BOOK•Recharting the Black Atlantic•2011

    Circumatlantic Connections, local lives David Hammons's Sheep Lottery at Dak'Art 2004: Reading Black Art through Leopold Sedar Senghor's Negritude Manthia Diawara From South Africa to Europe to North America and Back: Sol Plaatje, W.E.B. Du Bois, and the Routes of Romance Annalisa Oboe Negritude as Performance Practice: Rio de Janeiro's Black Experimental Theatre Judith M. Williams The Book of the Dead: Inscribing Torture into the Black Atlantic …

  • Survival is in the mouth”

    Annalisa Oboe•ARTICLE•Journal des africanistes•2010

    In her Zimbabwean novels Yvonne Vera experiments with ways of retaining the features of precolonial orality from the perspective of a postcolonial kind of writing primarily concerned with offering contemporary African women a space of freedom and self-expression. Vera’s writings work against the silencing imposed on women by patriarchy and colonialism, and all her novels, which move fluidly between orature and literature so as to blend rather tha…

  • Mongrel Signatures

    Annalisa Oboe•BOOK•Mongrel Signatures•2003•Cited by: 1

    Mongrel Signatures reviews the Australian writer Mudrooroo's career and deals with central issues of identity, authenticity and truth. After 1996, academics and writers in Australia and around the world endorsed or denied Mudrooroo's Aboriginality after research had dramatically called his Indigenous identity into question. There has also been a long silence among fans of Mudrooroo, who has not commented publicly on his racial belonging. These ch…

  • Mongrel Signatures

    Annalisa Oboe•BOOK•Mongrel Signatures•2003•Cited by: 1

    Mongrel Signatures reviews the Australian writer Mudrooroo's career and deals with central issues of identity, authenticity and truth. After 1996, academics and writers in Australia and around the world endorsed or denied Mudrooroo's Aboriginality after research had dramatically called his Indigenous identity into question. There has also been a long silence among fans of Mudrooroo, who has not commented publicly on his racial belonging. These ch…

  • Mongrel Signatures

    Annalisa Oboe•BOOK•Mongrel Signatures•2003•Cited by: 1

    Mongrel Signatures reviews the Australian writer Mudrooroo's career and deals with central issues of identity, authenticity and truth. After 1996, academics and writers in Australia and around the world endorsed or denied Mudrooroo's Aboriginality after research had dramatically called his Indigenous identity into question. There has also been a long silence among fans of Mudrooroo, who has not commented publicly on his racial belonging. These ch…

  • Survival is in the mouth”

    Annalisa Oboe•ARTICLE•Journal des africanistes•2010

    In her Zimbabwean novels Yvonne Vera experiments with ways of retaining the features of precolonial orality from the perspective of a postcolonial kind of writing primarily concerned with offering contemporary African women a space of freedom and self-expression. Vera’s writings work against the silencing imposed on women by patriarchy and colonialism, and all her novels, which move fluidly between orature and literature so as to blend rather tha…

  • Recharting the Black Atlantic

    Oboe/Scacchi Oboe/Scacchi, Annalisa Oboe et al.•BOOK•Recharting the Black Atlantic•2011

    Circumatlantic Connections, local lives David Hammons's Sheep Lottery at Dak'Art 2004: Reading Black Art through Leopold Sedar Senghor's Negritude Manthia Diawara From South Africa to Europe to North America and Back: Sol Plaatje, W.E.B. Du Bois, and the Routes of Romance Annalisa Oboe Negritude as Performance Practice: Rio de Janeiro's Black Experimental Theatre Judith M. Williams The Book of the Dead: Inscribing Torture into the Black Atlantic …

  • “As there are hyena-men and panther-men …”

    Annalisa Oboe•ARTICLE•Journal of Postcolonial Writing•2014

    This article looks at the combined work of South African photographer Pieter Hugo and of “global Igbo” author Chris Abani in the volume Nollywood (2009). In their creative work both artists usually strive to see beyond established aesthetic and ethical paradigms and to bypass conventional modes of representation, in order to zoom in on adventurous and often shocking areas of existence in both life and art in Africa. In his collection of photograp…

Postcolonial and Cultural Literary Studies (3 works) · Aesthetics (2 works) · African history and culture studies (2 works) · Art (2 works) · History (2 works) · Law (2 works) · Philosophy (2 works) · Politics (2 works) · Silence (2 works) · Sociology (2 works)

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