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Carole Fabricant

Biographic Data

ID1099444
NAMECarole Fabricant
GIVEN NAMESCarole
FAMILY NAMEFabricant
SIGNATUREFABRICANT C
AFFILIATIONSUniversity of California, Riverside
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS8
AUTHOR COUNT8
EDITOR COUNT1
FIRST PUBLICATION YEAR1975
LATEST PUBLICATION YEAR2010
H-INDEX2
  • Swift's Irish Writings

    Open Access•Carole Fabricant, Robert Mahony•BOOK•Swift's Irish Writings•2010

    This edition presents Jonathan Swift's most important Irish writings in both prose and verse, together with an introduction, head notes and annotations that shed new light on the full context and sign

  • Geographical Projects in the Later Eighteenth Century

    Carole Fabricant•CHAPTER•Age of Projects•2008

  • Colonial Sublimities and Sublimations

    Carole Fabricant•ARTICLE•ELH•2005•References: 4

    Colonial Sublimities and Sublimations:Swift, Burke, and Ireland Carole Fabricant To say that certain striking affinities between Jonathan Swift and Edmund Burke can be attributed to their common ties to an Anglo-Irish tradition is a useful if problematic way of beginning my discussion: useful, in that it spotlights the single most important element shaping these affinities, i.e., Ireland; problematic, in that Burke was not in fact Anglo-Irish but…

  • Swift the Irishman

    Open Access•Carole Fabricant•CHAPTER•The Cambridge companion to…•2003

    The most revealing aspects of Swift's relationship to Ireland are the contradictions at its very core, suggested by his own often conflicting statements about his place of birth and the antithetical attitudes he expressed about his native land, as well as by the widely divergent views about him put forward by readers over the years, their disagreements often hinging on whether they locate him in a primarily Irish or English context. This chapter,…

  • Speaking for the Irish Nation

    Carole Fabricant•ARTICLE•ELH•1999•Cited by: 3•References: 7

    Speaking for the Irish Nation: The Drapier, the Bishop, and the Problems of Colonial Representation Carole Fabricant When Swift, as M. B. Drapier, addresses “the Whole People of Ireland” in his famous Fourth Letter, written to bring about defeat of William Wood’s coinage scheme, whom exactly is he speaking to? 1 And, more germane to my concerns here, whom is he speaking for? The general consensus has been that “the Whole People” refers only to th…

  • Riding the Waves of (Post)Colonial Migrancy

    Carole Fabricant•ARTICLE•Diaspora A Journal of Transnational…•1998•Cited by: 1

    Diaspora 7:1 1998 Riding the Waves of (Post)Coloniai Migrancy: Are We All Really in the Same Boat?1 Carole Fabricant University of California, Riverside I would like to begin by juxtaposing two very different pictures of global travel taken from recent articles in the popular media and considering their implications both for contemporary postcolonial theory and for our readings of "third world" fictional texts.2 In one article from the summer of …

  • Pursuing Innocent Pleasures

    Carole Fabricant, Peter Martin et al.•ARTICLE•Eighteenth-Century Studies•1987

  • Swift's Landscape

    A B England, Carole Fabricant•ARTICLE•Eighteenth-Century Studies•1984•Cited by: 4

    An argument for a re-evaluation of Jonathan Swift's place in 18th-century literary history. Combining history, biography and literary criticism, it sets out to restore his life and writing to their proper landscape, by emphasising the influence on Swift of his Irish involvements and environs

  • The Garden as City

    Carole Fabricant•ARTICLE•ELH•1975

  • Swift's Landscape

    A B England, Carole Fabricant•ARTICLE•Eighteenth-Century Studies•1984•Cited by: 4

    An argument for a re-evaluation of Jonathan Swift's place in 18th-century literary history. Combining history, biography and literary criticism, it sets out to restore his life and writing to their proper landscape, by emphasising the influence on Swift of his Irish involvements and environs

  • Speaking for the Irish Nation

    Carole Fabricant•ARTICLE•ELH•1999•Cited by: 3•References: 7

    Speaking for the Irish Nation: The Drapier, the Bishop, and the Problems of Colonial Representation Carole Fabricant When Swift, as M. B. Drapier, addresses “the Whole People of Ireland” in his famous Fourth Letter, written to bring about defeat of William Wood’s coinage scheme, whom exactly is he speaking to? 1 And, more germane to my concerns here, whom is he speaking for? The general consensus has been that “the Whole People” refers only to th…

  • Riding the Waves of (Post)Colonial Migrancy

    Carole Fabricant•ARTICLE•Diaspora A Journal of Transnational…•1998•Cited by: 1

    Diaspora 7:1 1998 Riding the Waves of (Post)Coloniai Migrancy: Are We All Really in the Same Boat?1 Carole Fabricant University of California, Riverside I would like to begin by juxtaposing two very different pictures of global travel taken from recent articles in the popular media and considering their implications both for contemporary postcolonial theory and for our readings of "third world" fictional texts.2 In one article from the summer of …

  • The Garden as City

    Carole Fabricant•ARTICLE•ELH•1975

  • Swift's Landscape

    A B England, Carole Fabricant•ARTICLE•Eighteenth-Century Studies•1984•Cited by: 4

    An argument for a re-evaluation of Jonathan Swift's place in 18th-century literary history. Combining history, biography and literary criticism, it sets out to restore his life and writing to their proper landscape, by emphasising the influence on Swift of his Irish involvements and environs

  • Pursuing Innocent Pleasures

    Carole Fabricant, Peter Martin et al.•ARTICLE•Eighteenth-Century Studies•1987

  • Riding the Waves of (Post)Colonial Migrancy

    Carole Fabricant•ARTICLE•Diaspora A Journal of Transnational…•1998•Cited by: 1

    Diaspora 7:1 1998 Riding the Waves of (Post)Coloniai Migrancy: Are We All Really in the Same Boat?1 Carole Fabricant University of California, Riverside I would like to begin by juxtaposing two very different pictures of global travel taken from recent articles in the popular media and considering their implications both for contemporary postcolonial theory and for our readings of "third world" fictional texts.2 In one article from the summer of …

  • Speaking for the Irish Nation

    Carole Fabricant•ARTICLE•ELH•1999•Cited by: 3•References: 7

    Speaking for the Irish Nation: The Drapier, the Bishop, and the Problems of Colonial Representation Carole Fabricant When Swift, as M. B. Drapier, addresses “the Whole People of Ireland” in his famous Fourth Letter, written to bring about defeat of William Wood’s coinage scheme, whom exactly is he speaking to? 1 And, more germane to my concerns here, whom is he speaking for? The general consensus has been that “the Whole People” refers only to th…

  • Swift the Irishman

    Open Access•Carole Fabricant•CHAPTER•The Cambridge companion to…•2003

    The most revealing aspects of Swift's relationship to Ireland are the contradictions at its very core, suggested by his own often conflicting statements about his place of birth and the antithetical attitudes he expressed about his native land, as well as by the widely divergent views about him put forward by readers over the years, their disagreements often hinging on whether they locate him in a primarily Irish or English context. This chapter,…

  • Colonial Sublimities and Sublimations

    Carole Fabricant•ARTICLE•ELH•2005•References: 4

    Colonial Sublimities and Sublimations:Swift, Burke, and Ireland Carole Fabricant To say that certain striking affinities between Jonathan Swift and Edmund Burke can be attributed to their common ties to an Anglo-Irish tradition is a useful if problematic way of beginning my discussion: useful, in that it spotlights the single most important element shaping these affinities, i.e., Ireland; problematic, in that Burke was not in fact Anglo-Irish but…

  • Geographical Projects in the Later Eighteenth Century

    Carole Fabricant•CHAPTER•Age of Projects•2008

  • Swift's Irish Writings

    Open Access•Carole Fabricant, Robert Mahony•BOOK•Swift's Irish Writings•2010

    This edition presents Jonathan Swift's most important Irish writings in both prose and verse, together with an introduction, head notes and annotations that shed new light on the full context and sign

Archaeology (6 works) · Swift (6 works) · History (5 works) · Art (4 works) · Computer Science (4 works) · Geography (4 works) · Irish (4 works) · Philippine History and Culture (4 works) · Philosophy (4 works) · Colonialism (3 works)

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