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Ronald Sukenick

Biographic Data

ID1099528
NAMERonald Sukenick
GIVEN NAMESRonald
FAMILY NAMESukenick
SIGNATURESUKENICK R
AFFILIATIONSUniversity of Colorado System
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS1
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1968
LATEST PUBLICATION YEAR1994
H-INDEX1
  • Excerpts from the Writers' Roundtable

    Peter Glassgold, Mark Jay Mirsky et al.•ARTICLE•South Atlantic Quarterly•1994

    Research Article| April 01 1994 Excerpts from the Writers’ Roundtable Peter Glassgold; Peter Glassgold Search for other works by this author on: This Site Google Mark Jay Mirsky; Mark Jay Mirsky Search for other works by this author on: This Site Google Bob Perelman; Bob Perelman Search for other works by this author on: This Site Google Ronald Sukenick Ronald Sukenick Search for other works by this author on: This Site Google South Atlantic Quar…

  • Novel as Novel

    Ronald Sukenick•ARTICLE•ANQ A Quarterly Journal of Short…•1992

  • Down and In

    B Mch, Ronald Sukenick•ARTICLE•Poetics Today•1988

  • In Form

    Brian Mchale, Ronald Sukenick•ARTICLE•Poetics Today•1985

    Form must never be taken for granted, but must be created as the work itself is shaped: The writer works not from a priori ideas about what will happen and what form it will take, but in and through the text. Sukenick, one of our most original contemporary novelists, describes these essays as the comments of a fiction writer about writing, not those of a critic on what has been written. They are more or less reports on experiencethose of one enga…

  • Frontispiece

    Ronald Sukenick•ARTICLE•SubStance•1980

  • Eight Digressions on the Politics of Language

    Ronald Sukenick•ARTICLE•New Literary History•1979

    L ITERARY VALUES serve the interests of classes, groups, professions, institutions, industries, and this is neither bad nor avoidable. But it is a factor consistently omitted from discussion of contemporary literature-and that omission in itself, no doubt, is in somebody's interest. From this point of view, literary judgment can be read as a code, a code it might be in the interest of some literary people to maintain, and of others to break. In a…

  • Twelve Digressions toward a Study of Composition

    Ronald Sukenick•ARTICLE•New Literary History•1975•Cited by: 1

    ORM is itself a metaphor and that of fiction is perhaps the most inclusive for our society. The form of the traditional novel is a metaphor for a society that no longer exists. Mario Praz has described the detective story as a bourgeois fairy tale, but one could apply the description as well to the novel of social realism. Its present function is to sustain a series of comforting illusions, among which one might include the feeling that the indiv…

  • Wallace Stevens

    Joseph N Riddel, Ronald Sukenick•ARTICLE•American Literature•1968

  • Twelve Digressions toward a Study of Composition

    Ronald Sukenick•ARTICLE•New Literary History•1975•Cited by: 1

    ORM is itself a metaphor and that of fiction is perhaps the most inclusive for our society. The form of the traditional novel is a metaphor for a society that no longer exists. Mario Praz has described the detective story as a bourgeois fairy tale, but one could apply the description as well to the novel of social realism. Its present function is to sustain a series of comforting illusions, among which one might include the feeling that the indiv…

  • Wallace Stevens

    Joseph N Riddel, Ronald Sukenick•ARTICLE•American Literature•1968

  • Twelve Digressions toward a Study of Composition

    Ronald Sukenick•ARTICLE•New Literary History•1975•Cited by: 1

    ORM is itself a metaphor and that of fiction is perhaps the most inclusive for our society. The form of the traditional novel is a metaphor for a society that no longer exists. Mario Praz has described the detective story as a bourgeois fairy tale, but one could apply the description as well to the novel of social realism. Its present function is to sustain a series of comforting illusions, among which one might include the feeling that the indiv…

  • Eight Digressions on the Politics of Language

    Ronald Sukenick•ARTICLE•New Literary History•1979

    L ITERARY VALUES serve the interests of classes, groups, professions, institutions, industries, and this is neither bad nor avoidable. But it is a factor consistently omitted from discussion of contemporary literature-and that omission in itself, no doubt, is in somebody's interest. From this point of view, literary judgment can be read as a code, a code it might be in the interest of some literary people to maintain, and of others to break. In a…

  • Frontispiece

    Ronald Sukenick•ARTICLE•SubStance•1980

  • In Form

    Brian Mchale, Ronald Sukenick•ARTICLE•Poetics Today•1985

    Form must never be taken for granted, but must be created as the work itself is shaped: The writer works not from a priori ideas about what will happen and what form it will take, but in and through the text. Sukenick, one of our most original contemporary novelists, describes these essays as the comments of a fiction writer about writing, not those of a critic on what has been written. They are more or less reports on experiencethose of one enga…

  • Down and In

    B Mch, Ronald Sukenick•ARTICLE•Poetics Today•1988

  • Novel as Novel

    Ronald Sukenick•ARTICLE•ANQ A Quarterly Journal of Short…•1992

  • Excerpts from the Writers' Roundtable

    Peter Glassgold, Mark Jay Mirsky et al.•ARTICLE•South Atlantic Quarterly•1994

    Research Article| April 01 1994 Excerpts from the Writers’ Roundtable Peter Glassgold; Peter Glassgold Search for other works by this author on: This Site Google Mark Jay Mirsky; Mark Jay Mirsky Search for other works by this author on: This Site Google Bob Perelman; Bob Perelman Search for other works by this author on: This Site Google Ronald Sukenick Ronald Sukenick Search for other works by this author on: This Site Google South Atlantic Quar…

History (5 works) · Art (4 works) · Philosophy (3 works) · Computer Science (2 works) · Contemporary Literature and Criticism (2 works) · Linguistics (2 works) · Literature (2 works) · Poetry Analysis and Criticism (2 works) · Aesthetics (1 work) · Art history (1 work)

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