Gary Rosenshield
Biographic Data
| ID | 1100457 |
|---|---|
| NAME | Gary Rosenshield |
| GIVEN NAMES | Gary |
| FAMILY NAME | Rosenshield |
| SIGNATURE | ROSENSHIELD G |
| AFFILIATIONS | University of Wisconsin–Madison |
| VERIFIED | No |
| TOTAL WORKS | 46 |
| TOTAL CITATIONS | 12 |
| WORKS AS AUTHOR | 46 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1970 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Merezhkovsky and Napoleon
Tolstoi, Napoleon, and Hero-Worship
Crime e castigo
Gary Rosenshield é PhD pela Universidade de Wisconsin-Madison e foi professor emérito do departamento de Língua e Literatura Eslavas na mesma universidade. Autor de Western Law, Russian Justice: Dostoesvky, the Jury Trial, and the Law e Pushkin and the Genres of Madness: The Masterpieces of 1833. Publicou também o estudo Crime and Punishment: The Techniques of the Omniscient Author (Lisse: The Peter de Ridder Press, 1978), do qual foram traduzido…
Dostoevskii and the Book of Job
Injury, Pain, and Change in War and Peace
Physical pain plays an important but unusual role in the War and Peace . In the pre‐twentieth century literary landmarks in which physical pain figures prominently, pain is closely linked to the idea of justice. In Dante, it is condign justice; in Aeschylus, Sophocles, and Dostoevsky, injustice that threatens the national or world order. In Tolstoy, by contrast, pain is much more closely associated with revelation, transformation, and truth. We c…
Revisiting the Dialectic of Pain and Truth
In his excellent article on the function of pain in The Death of Ivan Ilyich , David Danaher argues that the increasing pain from which Ivan Ilyich suffers throughout the story both kills and resurrects him. Focusing primarily on linguistic devices, Danaher finds support for his thesis in Tolstoy’s use of figurative motifs such as journey and enclosure, oppositions such as light and dark, and thematic words and their derivatives, all of which he …
Western Law, Russian Justice
Gary Rosenshield offers a new interpretation of Dostoevsky's greatest novel, The Brothers Karamazov. He explores Dostoevsky's critique and exploitation of the jury trial for his own ideological agenda, both in his journalism and his fiction, contextualizing his portrayal of trials and trial participants (lawyers, jurors, defendants, judges) in the political, social, and ideological milieu of his time. Rosenshield presents Dostoevsky's critique in…
"Religious Portraiture in Dostoevsky's "Notes from the House of the Dead
Pushkin and the Genres of Madness
In 1833 Alexander Pushkin began to consider the topic of madness, a subject little explored in Russian literature before his time. He brilliantly plumbed both the destructive and creative sides of madness, a strange fusion of violence and insight. Gary Rosenshield illustrates the surprising valorization of madness in the prose novella The Queen of Spades and the lyric God Grant That I Not Lose My Mind and analyzes the poem The Bronze Horseman for…
Dostoevsky the Thinker
Vladimir Solovyov
Judith Deutsch Kornblatt, Gary Rosenshield; Vladimir Solovyov: Confronting Dostoevsky on the Jewish and Christan Questions, Journal of the American Academy
Crime and Redemption, Russian and American Style
Gary Rosenshield, Crime and Redemption, Russian and American Style: Dostoevsky, Buckley, Mailer, Styron and Their Wards, The Slavic and East European Journal, Vol. 42, No. 4 (Winter, 1998), pp. 677-709
Dostoevskii and the Kornilova Case
Dostoevskii's "The Funeral of the Universal Man" and "An Isolated Case" and Chekhov's "Rothschild's Fiddle
Gary Rosenshield, Dostoevskii, Chekhov, Dostoevskii's "The Funeral of the Universal Man" and "An Isolated Case" and Chekhov's "Rothschild's Fiddle": The Jewish Question, The Russian Review, Vol. 56, No. 4 (Oct., 1997), pp. 487-504
The Master and Margarita and the Poetics of Aporia
Despite some early critical reservations, Bulgakov's The Master and Margarita has become one of the icons of postrevolutionary Russian literature. The bibliography of scholarly commentary on the work-mostly adulatory, and in some cases even hagiographical-is vast. Bulgakov has become, especially for western critics, the epitome of the artistmartyr. Persecuted by the Soviet writing establishment, he was able, through his long suppressed satiric ma…
Freud, Lacan, and Romantic Psychoanalysis
Gary Rosenshield, Freud, Lacan, and Romantic Psychoanalysis: Three Psychoanalytic Approaches to Madness in Pushkin's The Queen of Spades, The Slavic and East European Journal, Vol. 40, No. 1 (Spring, 1996), pp. 1-26
The Bronze HorsemanandThe Double
In his discussion ofThe Double,Joseph Frank remarks that Dostoevskii's decision to change the original subtitle fromThe Adventures of Mr. Goliadkin(Prikliucheniia Gospodina Goliadkina) toA Petersburg Poem(Peterburgskaia poema) had, among other things, the "advantage of correctly assigningThe Doubleits place in the Russian literary tradition initiated byThe Bronze Horseman."IfThe Doubleis truly in the Petersburg tradition ofThe Bronze Horseman, it…
The Poetics of Madness
The Brothers Karamazov
Fyodor Dostoevsky completed his final novel-- The Brothers Karamazov--in 1880. A work of universal appeal and significance, his exploration of good and evil immediately gained an international readership and today remains harrowingly alive in the face of our present day worries, paradoxes, and joys, observes Dostoevsky scholar Robin Feuer Miller. In this engaging and original book, she guides us through the complexities of Dostoevsky's masterpiec…
Mystery and Commandment in The Brothers Karamazov
Mystery and Commandment in The Brothers Karamazov: Leo Baeck and Fedor Dostoevsky Get access Gary Rosenshield Gary Rosenshield Search for other works by this author on: Oxford Academic Google Scholar Journal of the American Academy of Religion, Volume LXII, Issue 2, Summer 1994, Pages 483–508, https://doi.org/10.1093/jaarel/LXII.2.483 Published: 01 July 1994
Mikhail Bakhtin
The Idiot
The Imprisonment of the Law
Crime and Punishment
Chaos, Apocalypse, The Laws of Nature
Addressing what he sees as serious disjunctures in characterization and narrative technique, Joseph Frank has called Idiot "the most disorganized," of Fedor Dostoevskii's major works. The first part of the novel so differs from the last three parts, Frank holds, that it may "best be read as an independent novella." Although, undoubtedly, many subtle structural, thematic, and rhetorical elements tie the novel together, Idiot does seem at times to …
Isai Fomich Bumshtein
Interest in Dostoevsky's attitude toward and artistic representation of Jews was renewed by the appearance of David Goldstein's Dostoyevsky and the Jews.' Goldstein's book is in many ways typical of the literature on the subject.2 Most of those who have written on Dostoevsky and the Jews have been Jews who admired Dostoevsky's work but who were disturbed by the image of the Jew they found in his fiction and late journalism. Gornfel'd, Shteinberg,…
"Religious Portraiture in Dostoevsky's "Notes from the House of the Dead
The Master and Margarita and the Poetics of Aporia
Despite some early critical reservations, Bulgakov's The Master and Margarita has become one of the icons of postrevolutionary Russian literature. The bibliography of scholarly commentary on the work-mostly adulatory, and in some cases even hagiographical-is vast. Bulgakov has become, especially for western critics, the epitome of the artistmartyr. Persecuted by the Soviet writing establishment, he was able, through his long suppressed satiric ma…
The Poetics of Madness
The Brothers Karamazov
Fyodor Dostoevsky completed his final novel-- The Brothers Karamazov--in 1880. A work of universal appeal and significance, his exploration of good and evil immediately gained an international readership and today remains harrowingly alive in the face of our present day worries, paradoxes, and joys, observes Dostoevsky scholar Robin Feuer Miller. In this engaging and original book, she guides us through the complexities of Dostoevsky's masterpiec…
Mikhail Bakhtin
The Realization of the Collective Self
Fedor Dostoevskii was at least as great and ingenious a renovator of old forms as he was a creator of the revolutionary new form, the polyphonic novel. However fond Dostoevskii may have been of old, often "outdated" modes and genres, he never accepted or used them as he found them; rather he seems to have been attracted to them primarily for the possibilities they offered for literary experimentation. Often overlooked, at least in this regard, is…
Akul'ka
Dostoevsky and the Healing Art
The Fate of Dostoevskij's Underground Man
fate of Dostoevskij's Underground Man is generally considered to be a dismal one.' Yet we know from a letter to his brother Mixail, dated 26 March 1864, in which he berates the censors for having made significant cuts in the next-to-last chapter of Part One of Notes from the Underground, that Dostoevskij once entertained considerable hopes for his hero. The misprints are horrendous; it would have been better not to print the nextto-last chapter a…
Gorškov in Poor Folk
Nach dem Formalismus
First-Versus Third-Person Narration in Crime and Punishment
Ivan Goncharov
The Great Soviet Encyclopedia
Dostoevski's Image in Russia Today
"Point of View and the Imagination in Dostoevskij's "White Nights
The Imagination and the "I" in Zamjatin's We
Russkaia sovetskaia proza
Crime and Punishment
Crime and Punishment
Gorškov in Poor Folk
The Fate of Dostoevskij's Underground Man
fate of Dostoevskij's Underground Man is generally considered to be a dismal one.' Yet we know from a letter to his brother Mixail, dated 26 March 1864, in which he berates the censors for having made significant cuts in the next-to-last chapter of Part One of Notes from the Underground, that Dostoevskij once entertained considerable hopes for his hero. The misprints are horrendous; it would have been better not to print the nextto-last chapter a…
Isai Fomich Bumshtein
Interest in Dostoevsky's attitude toward and artistic representation of Jews was renewed by the appearance of David Goldstein's Dostoyevsky and the Jews.' Goldstein's book is in many ways typical of the literature on the subject.2 Most of those who have written on Dostoevsky and the Jews have been Jews who admired Dostoevsky's work but who were disturbed by the image of the Jew they found in his fiction and late journalism. Gornfel'd, Shteinberg,…
Tyrant and Victim in Dostoevsky
Dostoevsky and the Healing Art
Varen'ka Dobroselova
Ever since its publication the success of Fedor Dostoevskii's first novel Poor Folk has been ascribed primarily to the characterization of its "naturalistic" hero, Makar Devushkin, not to its sentimental heroine, Varen'ka Dobroselova. Although critics have continued to discover new merits in Poor Folk, in the end it is Devushkin who dominates the novel and on whom, in one way or another, most of its virtues depend. Not only is Devushkin the prota…
Prinadlezhnost' Dostoevskomu
Akul'ka
Dostoevsky as Reformer
"The Experience of Time in "Crime and Punishment
Crime and Punishment
Chaos, Apocalypse, The Laws of Nature
Addressing what he sees as serious disjunctures in characterization and narrative technique, Joseph Frank has called Idiot "the most disorganized," of Fedor Dostoevskii's major works. The first part of the novel so differs from the last three parts, Frank holds, that it may "best be read as an independent novella." Although, undoubtedly, many subtle structural, thematic, and rhetorical elements tie the novel together, Idiot does seem at times to …
The Realization of the Collective Self
Fedor Dostoevskii was at least as great and ingenious a renovator of old forms as he was a creator of the revolutionary new form, the polyphonic novel. However fond Dostoevskii may have been of old, often "outdated" modes and genres, he never accepted or used them as he found them; rather he seems to have been attracted to them primarily for the possibilities they offered for literary experimentation. Often overlooked, at least in this regard, is…
The Idiot
The Imprisonment of the Law
Art (27 works) · Russian Literature and Bakhtin Studies (24 works) · Literature (17 works) · Philosophy (16 works) · History (14 works) · Philosophy, Ethics, and Existentialism (12 works) · Psychology (12 works) · Law (9 works) · Discourse Analysis and Cultural Communication (8 works) · History (8 works)