Hibberd

Biographic Data

ID1101667
NAMEHibberd
FAMILY NAMEHibberd
SIGNATUREHIBBERD
AFFILIATIONSPerfect Harmony Health
ORCID0000-0002-4770-0456
VERIFIEDYes
TOTAL WORKS10
TOTAL CITATIONS3
WORKS AS AUTHOR10
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2001
LATEST PUBLICATION YEAR2013
H-INDEX1

  • Le Naufrage de la Méduse and Operatic Spectacle in 1830s Paris

    Hibberd, Sarah HibberdARTICLE19th-Century Music2013Cited by: 1

    Grand opera's love of all-consuming spectacle is evident in its cataclysmic eruptions, explosions, and shipwrecks, its magnificent processions and ceremonies, and its breathtaking reconstructions of sublime landscapes, from Auber's La Muette de Portici (1828), through Halévy's La Juive (1835), to Meyerbeer's Le Prophète (1849), and beyond. An understanding of the Parisian public's visual experiences and expectations outside the opera house can he…

  • Cherubini and the Revolutionary Sublime

    Open AccessHibberd, Sarah HibberdARTICLECambridge Opera Journal2012Cited by: 2References: 6

    France receives little attention in narratives about the sublime in the late eighteenth and the nineteenth centuries. This article will argue that the cataclysmic tableau at the climax of Cherubini's first opera for the Théâtre Feydeau in Paris, Lodoïska (1791), can be understood as part of a coherent and distinctively French discourse of the sublime, rooted in revolutionary experience that can be understood in relation to wider European trends

  • Mimomania

    Hibberd, S HibberdARTICLEMusic and Letters2007

    In his seminal book The Melodramatic Imagination (Cambridge, Mass., 1976), Peter Brooks revealed the impact of an aesthetic of emotional excess and stark ethical conflict—derived specifically from the mélodrames of the early nineteenth-century Parisian stage—on the literature of Balzac and Henry James, claiming that melodrama has been a key mode of expression in modern literature. Although Brooks devoted half of his book to a careful exploration …

  • Murder in the Cathedral? Stradella, Musical Power, and Performing the Past in 1830s Paris

    Hibberd, S HibberdARTICLEMusic and Letters2006

    Romantic fascination with the seventeenth-century composer Alessandro Stradella began in Paris with the performance of a now notorious 'air d'église' at one of François-Joseph Fétis's innovative concerts historiques in 1833. The combination of romantic adventure and musical power embodied by the Stradella legend—in which the beauty of his singing dissuades two assassins from murdering him—was subsequently explored in a short story by Jules Janin …

  • My father was a poor Parisian musician’

    Open AccessD G Charlton, David Charlton et al.ARTICLEJournal of the Royal Musical…2003References: 9

    The emergence in 1756 of the Journal encyclopédique , published in Liège (later in Bouillon), encouraged an international readership to view cultural developments across national boundaries. An anonymous review of Rameau's new version of Zoroastre was prefaced by ‘Mémoires d'un musicien’, whose author recalls significant events in his musical education and life history to date. These include extended travels to England and Italy. The narrator des…

  • Vieuxtemps, Henry

    Boris Schwarz, Hibberd et al.CHAPTERThe new Grove dictionary of music…2001

  • Lebrun, Louis-Sébastien

    D G Charlton, David Charlton et al.CHAPTERThe new Grove dictionary of music…2001

  • Vieuxtemps family

    Boris Schwarz, Hibberd et al.CHAPTERThe new Grove dictionary of music…2001

  • Vieuxtemps, (Jean-Joseph-) Lucien

    Boris Schwarz, Hibberd et al.CHAPTERThe new Grove dictionary of music…2001

  • Vieuxtemps, (Jules-Joseph-) Ernest

    Boris Schwarz, Hibberd et al.CHAPTERThe new Grove dictionary of music…2001