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Paul Wolffram

Biographic Data

ID110192
NAMEPaul Wolffram
GIVEN NAMESPaul
FAMILY NAMEWolffram
SIGNATUREWOLFFRAM P
AFFILIATIONSVictoria University of Wellington
ORCID0000-0002-2022-0794
VERIFIEDYes
TOTAL WORKS10
TOTAL CITATIONS7
AUTHOR COUNT10
EDITOR COUNT0
FIRST PUBLICATION YEAR2006
LATEST PUBLICATION YEAR2026
H-INDEX2
  • Performing Change

    Open Access•Paul Wolffram•ARTICLE•Visual Anthropology•2026

    Sorcery accusation-related violence (SARV) remains a serious and expanding form of violence in Papua New Guinea. The issue is most acute in the Highlands, where accusations intersect with gender inequality, social precarity and shifting media environments. At the same time, smartphones and social media platforms such as Facebook, TikTok, WhatsApp, and YouTube have become increasingly significant in the circulation of violent imagery and accusatio…

  • Dreaming a Narrative and Conjuring an Image

    Paul Wolffram•ARTICLE•Visual Anthropology•2018•Cited by: 1•References: 18

    This article explores long-term creative engagement, through filmmaking, with a community in Papua New Guinea. It examines the process and results of three feature film projects done in collaboration with Melanesian communities. The films discussed here have employed diverse methods to engage with people creatively. All three of these ethnographic films seek to privilege local epistemologies through their construction, narrative approaches and su…

  • Buai

    Open Access•Paul Wolffram•ARTICLE•Shima•2017

    Buai is a form of sorcery known throughout the New Guinea Island region of Papua New Guinea. This socially sanctioned form of magical practice is predominantly used for creative ends, particularly the conjuring of music and dance material. In many parts of New Ireland and among the Lak people of Southern New Ireland, Buai is relied upon to deliver new songs and dances for community celebrations and ritual performance. The practitioners of Buai, k…

  • Poems

    Open Access•Paul Wolffram•ARTICLE•Anthropology & Humanism•2015

  • Music in Pacific Island Cultures

    Paul Wolffram•ARTICLE•Ethnomusicology•2013

    Book Review| January 01 2013 Music in Pacific Island Cultures: Experiencing Music, Expressing Culture Music in Pacific Island Cultures: Experiencing Music, Expressing Culture. Brian Diettrich, Jane Freeman Moulin, and Michael Webb. 2011. New York: Oxford University Press. xxix, 195 pp., figures, illustrations, maps, transcriptions, photos, glossary, bibliography, references, resources, index. One compact disc. Paper, $29.95. Paul Wolffram Paul Wo…

  • Pakeha, Palagi, Whiteskin

    Paul Wolffram•ARTICLE•Canberra Anthropology•2013•Cited by: 3•References: 9

    This paper argues for conscious descriptions of the processes of socialisation that ethnographers undergo within their host communities. It also explores the roles of identity and self in the ethnographic process as applied to the other and to the researcher. As understandings are arrived at through a process of engagements and through relationships the key quantities in these exchanges deserve a closer consideration than they have traditionally …

  • There Once was an Island

    Paul Wolffram•ARTICLE•Canberra Anthropology•2012•Cited by: 1

    Director: Briar March (2010) Duration: 80 mins, PAL DVD There Once was an Island is set on the remote island of Takū (Mortlock Islands). The film documents a community coming to terms with their ra

  • The Poet's Salary (Le Salaire du Poete)

    Paul Wolffram•ARTICLE•Canberra Anthropology•2012

    "The Poet's Salary (Le Salaire du Poete)." The Asia Pacific Journal of Anthropology, 13(1), pp. 102–103

  • Melanesian Music; The Melanesian Interest Group of the American Anthropology Association

    Paul Wolffram•ARTICLE•Canberra Anthropology•2009

    Melanesian Music Available at http://www.melanesianmusic.org The Melanesian Interest Group of the American Anthropology Association at Available at http://mignet.blogspot.com Melanesian Music (http

  • He's not a White Man, He's A Small Bird Like You and Me

    Open Access•Paul Wolffram•ARTICLE•Yearbook for Traditional Music•2006•Cited by: 2•References: 6

    In the Lak region of southern New Ireland, Papua New Guinea, music and dance performance is not a discreet element of society; it is in performances that communities show others who they are, what they consist of and how powerful they can be. It is also in a performance that "individuals" (in the Lak sense of the term) display their identity and reveal their spiritual capacity. In addition it is in performance that the visible reality of humans m…

  • Pakeha, Palagi, Whiteskin

    Paul Wolffram•ARTICLE•Canberra Anthropology•2013•Cited by: 3•References: 9

    This paper argues for conscious descriptions of the processes of socialisation that ethnographers undergo within their host communities. It also explores the roles of identity and self in the ethnographic process as applied to the other and to the researcher. As understandings are arrived at through a process of engagements and through relationships the key quantities in these exchanges deserve a closer consideration than they have traditionally …

  • He's not a White Man, He's A Small Bird Like You and Me

    Open Access•Paul Wolffram•ARTICLE•Yearbook for Traditional Music•2006•Cited by: 2•References: 6

    In the Lak region of southern New Ireland, Papua New Guinea, music and dance performance is not a discreet element of society; it is in performances that communities show others who they are, what they consist of and how powerful they can be. It is also in a performance that "individuals" (in the Lak sense of the term) display their identity and reveal their spiritual capacity. In addition it is in performance that the visible reality of humans m…

  • Dreaming a Narrative and Conjuring an Image

    Paul Wolffram•ARTICLE•Visual Anthropology•2018•Cited by: 1•References: 18

    This article explores long-term creative engagement, through filmmaking, with a community in Papua New Guinea. It examines the process and results of three feature film projects done in collaboration with Melanesian communities. The films discussed here have employed diverse methods to engage with people creatively. All three of these ethnographic films seek to privilege local epistemologies through their construction, narrative approaches and su…

  • There Once was an Island

    Paul Wolffram•ARTICLE•Canberra Anthropology•2012•Cited by: 1

    Director: Briar March (2010) Duration: 80 mins, PAL DVD There Once was an Island is set on the remote island of Takū (Mortlock Islands). The film documents a community coming to terms with their ra

  • He's not a White Man, He's A Small Bird Like You and Me

    Open Access•Paul Wolffram•ARTICLE•Yearbook for Traditional Music•2006•Cited by: 2•References: 6

    In the Lak region of southern New Ireland, Papua New Guinea, music and dance performance is not a discreet element of society; it is in performances that communities show others who they are, what they consist of and how powerful they can be. It is also in a performance that "individuals" (in the Lak sense of the term) display their identity and reveal their spiritual capacity. In addition it is in performance that the visible reality of humans m…

  • Melanesian Music; The Melanesian Interest Group of the American Anthropology Association

    Paul Wolffram•ARTICLE•Canberra Anthropology•2009

    Melanesian Music Available at http://www.melanesianmusic.org The Melanesian Interest Group of the American Anthropology Association at Available at http://mignet.blogspot.com Melanesian Music (http

  • There Once was an Island

    Paul Wolffram•ARTICLE•Canberra Anthropology•2012•Cited by: 1

    Director: Briar March (2010) Duration: 80 mins, PAL DVD There Once was an Island is set on the remote island of Takū (Mortlock Islands). The film documents a community coming to terms with their ra

  • The Poet's Salary (Le Salaire du Poete)

    Paul Wolffram•ARTICLE•Canberra Anthropology•2012

    "The Poet's Salary (Le Salaire du Poete)." The Asia Pacific Journal of Anthropology, 13(1), pp. 102–103

  • Music in Pacific Island Cultures

    Paul Wolffram•ARTICLE•Ethnomusicology•2013

    Book Review| January 01 2013 Music in Pacific Island Cultures: Experiencing Music, Expressing Culture Music in Pacific Island Cultures: Experiencing Music, Expressing Culture. Brian Diettrich, Jane Freeman Moulin, and Michael Webb. 2011. New York: Oxford University Press. xxix, 195 pp., figures, illustrations, maps, transcriptions, photos, glossary, bibliography, references, resources, index. One compact disc. Paper, $29.95. Paul Wolffram Paul Wo…

  • Pakeha, Palagi, Whiteskin

    Paul Wolffram•ARTICLE•Canberra Anthropology•2013•Cited by: 3•References: 9

    This paper argues for conscious descriptions of the processes of socialisation that ethnographers undergo within their host communities. It also explores the roles of identity and self in the ethnographic process as applied to the other and to the researcher. As understandings are arrived at through a process of engagements and through relationships the key quantities in these exchanges deserve a closer consideration than they have traditionally …

  • Poems

    Open Access•Paul Wolffram•ARTICLE•Anthropology & Humanism•2015

  • Buai

    Open Access•Paul Wolffram•ARTICLE•Shima•2017

    Buai is a form of sorcery known throughout the New Guinea Island region of Papua New Guinea. This socially sanctioned form of magical practice is predominantly used for creative ends, particularly the conjuring of music and dance material. In many parts of New Ireland and among the Lak people of Southern New Ireland, Buai is relied upon to deliver new songs and dances for community celebrations and ritual performance. The practitioners of Buai, k…

  • Dreaming a Narrative and Conjuring an Image

    Paul Wolffram•ARTICLE•Visual Anthropology•2018•Cited by: 1•References: 18

    This article explores long-term creative engagement, through filmmaking, with a community in Papua New Guinea. It examines the process and results of three feature film projects done in collaboration with Melanesian communities. The films discussed here have employed diverse methods to engage with people creatively. All three of these ethnographic films seek to privilege local epistemologies through their construction, narrative approaches and su…

  • Performing Change

    Open Access•Paul Wolffram•ARTICLE•Visual Anthropology•2026

    Sorcery accusation-related violence (SARV) remains a serious and expanding form of violence in Papua New Guinea. The issue is most acute in the Highlands, where accusations intersect with gender inequality, social precarity and shifting media environments. At the same time, smartphones and social media platforms such as Facebook, TikTok, WhatsApp, and YouTube have become increasingly significant in the circulation of violent imagery and accusatio…

Art (6 works) · Anthropology (5 works) · Sociology (5 works) · Aesthetics (4 works) · History (4 works) · Island Studies and Pacific Affairs (4 works) · Visual arts (4 works) · Gender Studies (3 works) · Anthropological Studies and Insights (2 works) · Art history (2 works)

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