Gabbi Guedes
Biographic Data
| ID | 110231 |
|---|---|
| NAME | Gabbi Guedes |
| GIVEN NAMES | Gabbi |
| FAMILY NAME | Guedes |
| SIGNATURE | GUEDES G |
| AFFILIATIONS | Universidade Federal de Pelotas |
| ORCID | 0000-0001-9175-0031 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Come to life” realism
I argue that View‐Master reels upheld the colonial legacy of previous stereoscopic depictions of Indigenous subjects while inaugurating new methods of asserting power in exhibition via its ease of use and “black‐box” structure. Further, focusing on the instrumentalization of stereoscopy allows us to think through how these images intervene in the history of the representation of Indigenous subjects across image media and histories of photographic…
Imaginário e Memória a partir dos autorretratos de Gisele Sperb
O presente artigo tem como objetivo analisar os autorretratos da Artista Visual Gisele Sperb, a partir da trajetória pictórica desenvolvida pela artista. Como referencial teórico para amparar os estudos foram utilizados os seguintes autores: Henri Bergson (1999), para discutir a construção da memória individual; Paul Ricoeur (2007), para as reflexões sobre memória e imaginação; Pierre Nora (1993) Maurice Halbwachs (2006), a partir de suas conside…
No prominent works on this page.
Come to life” realism
I argue that View‐Master reels upheld the colonial legacy of previous stereoscopic depictions of Indigenous subjects while inaugurating new methods of asserting power in exhibition via its ease of use and “black‐box” structure. Further, focusing on the instrumentalization of stereoscopy allows us to think through how these images intervene in the history of the representation of Indigenous subjects across image media and histories of photographic…
Imaginário e Memória a partir dos autorretratos de Gisele Sperb
O presente artigo tem como objetivo analisar os autorretratos da Artista Visual Gisele Sperb, a partir da trajetória pictórica desenvolvida pela artista. Como referencial teórico para amparar os estudos foram utilizados os seguintes autores: Henri Bergson (1999), para discutir a construção da memória individual; Paul Ricoeur (2007), para as reflexões sobre memória e imaginação; Pierre Nora (1993) Maurice Halbwachs (2006), a partir de suas conside…
Art (2 works) · Aesthetics (1 works) · Artificial Intelligence (1 works) · Australian History and Society (1 works) · Computer Science (1 works) · Cultural, Media, and Literary Studies (1 works) · Humanities (1 works) · Literature, Culture, and Criticism (1 works) · Realism (1 works) · Sociology (1 works)