Danilo François Udovicki-Selb
Biographic Data
| ID | 11029985 |
|---|---|
| NAME | Danilo François Udovicki-Selb |
| GIVEN NAMES | Danilo François |
| FAMILY NAME | Udovicki-Selb |
| SIGNATURE | UDOVICKI-SELB D F |
| VERIFIED | No |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 1 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2001 |
| H-INDEX | 1 |
The Elusive Faces of Modernity
The occasion of the first commission that Jacques Gréber received to plan the new city centre of Ottawa-the 1937 Paris International Exposition-was the scene of the first encounter between the proponents of the New Architecture and the tenets of the "Retour à l'Ordre." The last in the long tradition of French "Universelles, " with their common eighteenth-century Illuminist legacy, the exposition Gréber planned was the first to open its doors wide…
The Elusive Faces of Modernity
The occasion of the first commission that Jacques Gréber received to plan the new city centre of Ottawa-the 1937 Paris International Exposition-was the scene of the first encounter between the proponents of the New Architecture and the tenets of the "Retour à l'Ordre." The last in the long tradition of French "Universelles, " with their common eighteenth-century Illuminist legacy, the exposition Gréber planned was the first to open its doors wide…
The Elusive Faces of Modernity
The occasion of the first commission that Jacques Gréber received to plan the new city centre of Ottawa-the 1937 Paris International Exposition-was the scene of the first encounter between the proponents of the New Architecture and the tenets of the "Retour à l'Ordre." The last in the long tradition of French "Universelles, " with their common eighteenth-century Illuminist legacy, the exposition Gréber planned was the first to open its doors wide…
Cultural Identity and Heritage (1 work) · Exposition (narrative (1 work) · Historical Art and Culture Studies (1 work) · Historical Studies and Socio-cultural Analysis (1 work)