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Peter Cannon-Brookes

Biographic Data

ID1104082
NAMEPeter Cannon-Brookes
GIVEN NAMESPeter
FAMILY NAMECannon-Brookes
SIGNATURECANNON-BROOKES P
AFFILIATIONSAbingdon
VERIFIEDNo
TOTAL WORKS28
TOTAL CITATIONS4
AUTHOR COUNT28
EDITOR COUNT0
FIRST PUBLICATION YEAR1978
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Covid-19 and the museum environment

    Peter Cannon-Brookes•ARTICLE•Museum Management and Curatorship•2023

    In mid-February 2020, as Consultant Curator of The Tabley House Collection for the University of Manchester, I was in Forlí overseeing the loan of a painting to the ‘Ulysses’ exhibition mounted in

  • Coronavirus, plastics and eco-friendly packing and transport

    Peter Cannon-Brookes•ARTICLE•Museum Management and Curatorship•2022

    "Coronavirus, plastics and eco-friendly packing and transport." Museum Management and Curatorship, 37(4), pp. 340–341

  • On the occasion ofMuseum Management and Curatorship's30th anniversary

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•2012•Cited by: 1

    As Founder Editor of this journal, the invitation extended by Robert Janes to contribute to commemorating the 30th anniversary of its publication has been warmly welcomed. At the age of 74, I remai

  • The British Art Journal and Somerset House

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•2001

  • The Jackdaw'Comes to Town

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•2001

  • Eiasm workshop on 'Managing Cultural Organizations', London, 5-6 January 2001

    Patrick J Boylan, Patrick Boylan et al.•ARTICLE•European Accounting Review•2000

  • The Museo Mandralisca at Cefalù

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•2000

    (2000). The Museo Mandralisca at Cefalu. Museum Management and Curatorship: Vol. 18, No. 4, pp. 409-415

  • Old' Heart Presented to Science Museum

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•2000

    (2000). ‘Old’ Heart Presented to Science Museum. Museum Management and Curatorship: Vol. 18, No. 4, pp. 416-418

  • Conservation II

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•2000•References: 1

  • Picture Framing

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1998

  • The Victoria and Albert Museum Silver Galleries I

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1998

  • The Kunsthaus, Zürich, Revisited

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1998

  • An Ideal Pact with a Pluriform Devil; John Malcolm of Poltalloch; 50th Anniversary of Icom; The Presentation of Contemporary Science and Technology in Museums and Science Centres; Raphael, the Cartoon…

    Riemer Knoop, Riemer R Knoop et al.•ARTICLE•Museum Management and Curatorship•1997

    (1997). An Ideal Pact with a Pluriform Devil; John Malcolm of Poltalloch; 50th Anniversary of ICOM; The Presentation of Contemporary Science and Technology in Museums and Science Centres; Raphael, the Cartoons and the Decorative Arts; The Museums & Heritage Show, 1998. Museum Management and Curatorship: Vol. 16, No. 2, pp. 192-204

  • Display

    William S Wells, Peter Cannon-Brookes et al.•ARTICLE•Museum Management and Curatorship•1997

    (1997). Display: Secret Sound; Picture Framing: “Frameworks” in London; Research: Assessing the Performance of Research in Britain's National Museums and Galleries. Museum Management and Curatorship: Vol. 16, No. 2, pp. 205-214

  • The Tokyo Metropolitan Teien Art Museum

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1997

  • The Natale Labia Museum at Muizenberg, South Africa

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1997

  • Conservation

    David S Leigh, David Leigh et al.•ARTICLE•Museum Management and Curatorship•1997

    (1997). Conservation: Studies at West Dean College; Picture Framing A Framed Portrait from the Roman Empire; Security: The Human Factor in Security Engineering. Museum Management and Curatorship: Vol. 16, No. 3, pp. 309-318

  • Security

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1997

  • The Liberal Arts Studiolo from the Ducal Palace at Gubbio; The Beaulieu Motorworks; Re-opening of the Ernst Barlach House, Hamburg

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1997

    (1997). The Liberal Arts Studiolo from the Ducal Palace at Gubbio; The Beaulieu Motorworks; Re-opening of the Ernst Barlach House, Hamburg. Museum Management and Curatorship: Vol. 16, No. 3, pp. 295-308

  • Managing quality cultural tourism

    Open Access•Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Tourism Management•1996

  • Antiquities in the market-place

    Open Access•Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Antiquity•1994•Cited by: 3

    To those of us who wish there was no commercial trade in antiquities, colleagues - and those themselves active in the market - say there always has been one and always will be. Since concern largely arises from destruction of context and loss of information, may there be a way forward that both permits the trade and preserves the context

  • Museums for a new century

    Open Access•Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Tourism Management•1986

  • Still Life Painting, from Antiquity to the Twentieth Century

    Peter Cannon-Brookes, Peter Cannon‐Brookes et al.•ARTICLE•Leonardo•1984

  • Zao Wou-Ki

    Peter Cannon-Brookes, Peter Cannon‐Brookes et al.•ARTICLE•Leonardo•1983

  • Impermanence

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Leonardo•1983

Next
  • Antiquities in the market-place

    Open Access•Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Antiquity•1994•Cited by: 3

    To those of us who wish there was no commercial trade in antiquities, colleagues - and those themselves active in the market - say there always has been one and always will be. Since concern largely arises from destruction of context and loss of information, may there be a way forward that both permits the trade and preserves the context

  • On the occasion ofMuseum Management and Curatorship's30th anniversary

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•2012•Cited by: 1

    As Founder Editor of this journal, the invitation extended by Robert Janes to contribute to commemorating the 30th anniversary of its publication has been warmly welcomed. At the age of 74, I remai

  • Bram van Velde

    Peter Cannon-Brookes, Charles Juliet et al.•ARTICLE•Leonardo•1978

    « Oui j'ai tout quitte, c'est la peinture qui l'a exige. C'etait tout ou rien1. » Tres tot, Bram van Velde a senti et devine que la peinture est une exigence, une force qui pousse au-dedans de l'etre et impose ses conditions. Elle veut que tout lui soit donne, sacrifie. Tout, c'est d'abord ce qui remplit le temps d'une vie : famille, profession, securite, role ; ce que la societe appelle la vie, ce a quoi elle nous prepare, exigeante elle aussi d…

  • Chardin and the Still-Life Tradition in France

    Peter Cannon-Brookes, Peter Cannon‐Brookes et al.•ARTICLE•Leonardo•1981

  • Chardin

    Peter Cannon-Brookes, Peter Cannon‐Brookes et al.•ARTICLE•Leonardo•1982

  • Zao Wou-Ki

    Peter Cannon-Brookes, Peter Cannon‐Brookes et al.•ARTICLE•Leonardo•1983

  • Impermanence

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Leonardo•1983

  • Still Life Painting, from Antiquity to the Twentieth Century

    Peter Cannon-Brookes, Peter Cannon‐Brookes et al.•ARTICLE•Leonardo•1984

  • Museums for a new century

    Open Access•Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Tourism Management•1986

  • Antiquities in the market-place

    Open Access•Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Antiquity•1994•Cited by: 3

    To those of us who wish there was no commercial trade in antiquities, colleagues - and those themselves active in the market - say there always has been one and always will be. Since concern largely arises from destruction of context and loss of information, may there be a way forward that both permits the trade and preserves the context

  • Managing quality cultural tourism

    Open Access•Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Tourism Management•1996

  • An Ideal Pact with a Pluriform Devil; John Malcolm of Poltalloch; 50th Anniversary of Icom; The Presentation of Contemporary Science and Technology in Museums and Science Centres; Raphael, the Cartoon…

    Riemer Knoop, Riemer R Knoop et al.•ARTICLE•Museum Management and Curatorship•1997

    (1997). An Ideal Pact with a Pluriform Devil; John Malcolm of Poltalloch; 50th Anniversary of ICOM; The Presentation of Contemporary Science and Technology in Museums and Science Centres; Raphael, the Cartoons and the Decorative Arts; The Museums & Heritage Show, 1998. Museum Management and Curatorship: Vol. 16, No. 2, pp. 192-204

  • Display

    William S Wells, Peter Cannon-Brookes et al.•ARTICLE•Museum Management and Curatorship•1997

    (1997). Display: Secret Sound; Picture Framing: “Frameworks” in London; Research: Assessing the Performance of Research in Britain's National Museums and Galleries. Museum Management and Curatorship: Vol. 16, No. 2, pp. 205-214

  • The Tokyo Metropolitan Teien Art Museum

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1997

  • The Natale Labia Museum at Muizenberg, South Africa

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1997

  • Conservation

    David S Leigh, David Leigh et al.•ARTICLE•Museum Management and Curatorship•1997

    (1997). Conservation: Studies at West Dean College; Picture Framing A Framed Portrait from the Roman Empire; Security: The Human Factor in Security Engineering. Museum Management and Curatorship: Vol. 16, No. 3, pp. 309-318

  • Security

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1997

  • The Liberal Arts Studiolo from the Ducal Palace at Gubbio; The Beaulieu Motorworks; Re-opening of the Ernst Barlach House, Hamburg

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1997

    (1997). The Liberal Arts Studiolo from the Ducal Palace at Gubbio; The Beaulieu Motorworks; Re-opening of the Ernst Barlach House, Hamburg. Museum Management and Curatorship: Vol. 16, No. 3, pp. 295-308

  • Picture Framing

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1998

  • The Victoria and Albert Museum Silver Galleries I

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1998

  • The Kunsthaus, Zürich, Revisited

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1998

  • Eiasm workshop on 'Managing Cultural Organizations', London, 5-6 January 2001

    Patrick J Boylan, Patrick Boylan et al.•ARTICLE•European Accounting Review•2000

  • The Museo Mandralisca at Cefalù

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•2000

    (2000). The Museo Mandralisca at Cefalu. Museum Management and Curatorship: Vol. 18, No. 4, pp. 409-415

  • Old' Heart Presented to Science Museum

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•2000

    (2000). ‘Old’ Heart Presented to Science Museum. Museum Management and Curatorship: Vol. 18, No. 4, pp. 416-418

  • Conservation II

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•2000•References: 1

  • The British Art Journal and Somerset House

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•2001

  • The Jackdaw'Comes to Town

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•2001

Art (12 works) · History (11 works) · Archaeology (10 works) · Business (9 works) · Museums and Cultural Heritage (8 works) · Art history (7 works) · Political science (7 works) · Geography (6 works) · Visual arts (5 works) · Cultural Heritage Management and Preservation (4 works)

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