Dominic Bentley-Hussey
Biographic Data
| ID | 11041091 |
|---|---|
| NAME | Dominic Bentley-Hussey |
| GIVEN NAMES | Dominic |
| FAMILY NAME | Bentley-Hussey |
| SIGNATURE | BENTLEY-HUSSEY D |
| AFFILIATIONS | Ghent University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
The Revue britannique (1825–1901)
Although both periodicals and translation are being recovered as areas of interest in Romantic Studies, their intersection remains neglected. As de Clerck states, ‘none of the studies on Romantic literary magazines actively engaged with the national border-crossing dynamics of the medium’, that is to say, with the large extent to which Romantic periodicals featured translations (de Clerck, Citation2020, p. 348). This article examines the Revue br…
Keats’s ‘On First Looking into Chapman’s Homer’ and romantic (in)visibility
The Romantic period redefined translation in a way that is epochal; that is, its reconfiguration of translation betokened a shift from the early modern period to a fully experienced modernity. In British Romanticism, in particular, this redefinition paradoxically combines a marginalisation and a celebration of translation. This article examines this paradox and shows that even as many British Romantic writers rhetorically carved out a space for t…
No prominent works on this page.
Keats’s ‘On First Looking into Chapman’s Homer’ and romantic (in)visibility
The Romantic period redefined translation in a way that is epochal; that is, its reconfiguration of translation betokened a shift from the early modern period to a fully experienced modernity. In British Romanticism, in particular, this redefinition paradoxically combines a marginalisation and a celebration of translation. This article examines this paradox and shows that even as many British Romantic writers rhetorically carved out a space for t…
The Revue britannique (1825–1901)
Although both periodicals and translation are being recovered as areas of interest in Romantic Studies, their intersection remains neglected. As de Clerck states, ‘none of the studies on Romantic literary magazines actively engaged with the national border-crossing dynamics of the medium’, that is to say, with the large extent to which Romantic periodicals featured translations (de Clerck, Citation2020, p. 348). This article examines the Revue br…
Translation Studies and Practices (2 works) · 19th-century periodicals (1 work) · Art (1 work) · Art history (1 work) · British Romantic literature (1 work) · Comparative and World Literature (1 work) · French periodicals (1 work) · Geography (1 work) · literary reception (1 work) · Literature and Culture Studies (1 work)