Sérgio Bruno Martins
Biographic Data
| ID | 11043587 |
|---|---|
| NAME | Sérgio Bruno Martins |
| GIVEN NAMES | Sérgio Bruno |
| FAMILY NAME | Martins |
| SIGNATURE | MARTINS S B |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 1 |
Moacir dos Anjos and Agnaldo Farias in Conversation with Felipe Scovino
In this interview art historian Felipe Scovino engages in conversation with two important Brazilian critics and curators, Moacir dos Anjos and Agnaldo Farias. Dos Anjos and Farias discuss their thoughts on the 29th São Paulo Biennial, which they jointly curated, and relevant topics, such as: the temporal gap between the international reception of Brazilian artworks and Brazilian critical thought; the friction between the artwork and a foreign con…
Bursting on the Scene: An Introduction
One would be hard-pressed to deny that the time is ripe for a special issue of an art journal dedicated entirely to Brazilian art. At least, the list of supporting evidence in this respect is exten
Phenomenological Openness: Historicist Closure: Revisiting the Theory of the Non-Object
This article undertakes a critical analysis of the central Neoconcrete theoretical text, Ferreira Gullar's 1959 Theory of the Non-Object. It historically accounts for its indebtedness to senior critic Mário Pedrosa's 1949 thesis on Gestalt theory and for the development of Gullar's ideas in the course of the critical debates apropos of abstract and Concrete art in the 1950s, and also challenges the supposedly neat correspondence between Gullar's …
Hélio Oiticica: Mapping the Constructive
This article explores the trajectory of Hélio Oiticica's commitment to the notion of the constructive, from his early career to the aftermath of his 1967 work Tropicália. It addresses Oiticica's particular way of dealing with the modernist legacy in the ever‐changing Brazilian cultural context, especially after the breakdown of the concretist and neoconcretist avant‐gardes in the early 1960s. The argument is staked on a side‐by‐side examination o…
Bursting on the Scene: An Introduction
One would be hard-pressed to deny that the time is ripe for a special issue of an art journal dedicated entirely to Brazilian art. At least, the list of supporting evidence in this respect is exten
Hélio Oiticica: Mapping the Constructive
This article explores the trajectory of Hélio Oiticica's commitment to the notion of the constructive, from his early career to the aftermath of his 1967 work Tropicália. It addresses Oiticica's particular way of dealing with the modernist legacy in the ever‐changing Brazilian cultural context, especially after the breakdown of the concretist and neoconcretist avant‐gardes in the early 1960s. The argument is staked on a side‐by‐side examination o…
Moacir dos Anjos and Agnaldo Farias in Conversation with Felipe Scovino
In this interview art historian Felipe Scovino engages in conversation with two important Brazilian critics and curators, Moacir dos Anjos and Agnaldo Farias. Dos Anjos and Farias discuss their thoughts on the 29th São Paulo Biennial, which they jointly curated, and relevant topics, such as: the temporal gap between the international reception of Brazilian artworks and Brazilian critical thought; the friction between the artwork and a foreign con…
Bursting on the Scene: An Introduction
One would be hard-pressed to deny that the time is ripe for a special issue of an art journal dedicated entirely to Brazilian art. At least, the list of supporting evidence in this respect is exten
Phenomenological Openness: Historicist Closure: Revisiting the Theory of the Non-Object
This article undertakes a critical analysis of the central Neoconcrete theoretical text, Ferreira Gullar's 1959 Theory of the Non-Object. It historically accounts for its indebtedness to senior critic Mário Pedrosa's 1949 thesis on Gestalt theory and for the development of Gullar's ideas in the course of the critical debates apropos of abstract and Concrete art in the 1950s, and also challenges the supposedly neat correspondence between Gullar's …
Art (3 works) · Art history (3 works) · Art, Politics, and Modernism (3 works) · Brazilian cultural history and politics (2 works) · Computer Science (2 works) · Context (archaeology (2 works) · History (2 works) · History (2 works) · Psychology (2 works) · Sociology (2 works)