Joseph A Dane
Biographic Data
| ID | 1105030 |
|---|---|
| NAME | Joseph A Dane |
| GIVEN NAMES | Joseph A |
| FAMILY NAME | Dane |
| SIGNATURE | DANE J A |
| AFFILIATIONS | Southern California University for Professional Studies |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1978 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 1 |
Blind Impressions: Methods and Mythologies in Book History
Dane, Joseph A. Blind Impressions: Methods and Mythologies in Book History. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 38, Number 1, Winter 2015, pp. 5-213), on Érudit
Roger Chartier. The Author's Hand and the Printer's Mind
This is a series of essays from 2001–2010, loosely connected (or editorially grouped) around three topics: historiography, book history, and editing. Within these categories there are recurrent topics: for example, the publishing and reception of Don Quixote (perhaps the strongest theme running through several parts of the collection). Many of these essays have been previously published, but appear here for the first time in English translation; …
Caxton's Trace: Studies in the History of English Printing . William Kuskin , Caxton
Book Signing
Book Signing Joseph A. Dane (bio) Three weeks more you gave me to construe The skilled banality of your Inscription; but its force escaped me. I could not read your name nor Mine, nor wit nor traced allusion, Just the inked erasure of the titling Itself, whose aim and labored history Made desperate sense only in my querying. I ought academize, I thought, affile My tongue, enlarging else-lost hours On, say, typography, that serif-bred Difference—n…
The Myth of Print Culture: Essays on Evidence, Textuality, and Bibliographical Method
The Denigration of John Lydgate: Implications of Printing History
Introduction: What is a Text
We are all now for methods, keenly on the watch for every least indication of disturbance in the accurate transmission of a text, sorting out by many subtle and ingenious methods the first, second, or third stage of the composition, the original draft, the first completed form, the revision of this, that, and the other purpose, and so on. But there is much more in these modern methods of research than used to be understood by bibliography, and I …
Aristophanic Parody: "Thesmophoriazusae" and the Three-Actor Rule
Thesmophoriazusae is one of Aristophanes' most parodic plays.' The dramatists Agathon and Euripides are both portrayed on stage, and four plays by Euripides Telephus, Palamedes, Helen, and Andromache are parodied extensively. Aristophanes' parody is more than a spoof on the practices of his contemporaries. Many of the conventions attacked by Aristophanes apply both to tragedy and to comedy, that is, both to the object of parody and to the parodic…
Ms, Text, Allusion: The Critical Description of Medieval Drama with Particular Reference to the Innsbruck Easterplay (1391)
The Aesthetics of Myth in the Redentin Easterplay
Aristophanic Parody: "Thesmophoriazusae" and the Three-Actor Rule
Thesmophoriazusae is one of Aristophanes' most parodic plays.' The dramatists Agathon and Euripides are both portrayed on stage, and four plays by Euripides Telephus, Palamedes, Helen, and Andromache are parodied extensively. Aristophanes' parody is more than a spoof on the practices of his contemporaries. Many of the conventions attacked by Aristophanes apply both to tragedy and to comedy, that is, both to the object of parody and to the parodic…
The Aesthetics of Myth in the Redentin Easterplay
Ms, Text, Allusion: The Critical Description of Medieval Drama with Particular Reference to the Innsbruck Easterplay (1391)
Aristophanic Parody: "Thesmophoriazusae" and the Three-Actor Rule
Thesmophoriazusae is one of Aristophanes' most parodic plays.' The dramatists Agathon and Euripides are both portrayed on stage, and four plays by Euripides Telephus, Palamedes, Helen, and Andromache are parodied extensively. Aristophanes' parody is more than a spoof on the practices of his contemporaries. Many of the conventions attacked by Aristophanes apply both to tragedy and to comedy, that is, both to the object of parody and to the parodic…
Introduction: What is a Text
We are all now for methods, keenly on the watch for every least indication of disturbance in the accurate transmission of a text, sorting out by many subtle and ingenious methods the first, second, or third stage of the composition, the original draft, the first completed form, the revision of this, that, and the other purpose, and so on. But there is much more in these modern methods of research than used to be understood by bibliography, and I …
The Denigration of John Lydgate: Implications of Printing History
The Myth of Print Culture: Essays on Evidence, Textuality, and Bibliographical Method
Book Signing
Book Signing Joseph A. Dane (bio) Three weeks more you gave me to construe The skilled banality of your Inscription; but its force escaped me. I could not read your name nor Mine, nor wit nor traced allusion, Just the inked erasure of the titling Itself, whose aim and labored history Made desperate sense only in my querying. I ought academize, I thought, affile My tongue, enlarging else-lost hours On, say, typography, that serif-bred Difference—n…
Caxton's Trace: Studies in the History of English Printing . William Kuskin , Caxton
Roger Chartier. The Author's Hand and the Printer's Mind
This is a series of essays from 2001–2010, loosely connected (or editorially grouped) around three topics: historiography, book history, and editing. Within these categories there are recurrent topics: for example, the publishing and reception of Don Quixote (perhaps the strongest theme running through several parts of the collection). Many of these essays have been previously published, but appear here for the first time in English translation; …
Blind Impressions: Methods and Mythologies in Book History
Dane, Joseph A. Blind Impressions: Methods and Mythologies in Book History. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 38, Number 1, Winter 2015, pp. 5-213), on Érudit
Art (8 works) · Literature (7 works) · History (6 works) · History (6 works) · Art history (4 works) · Aesthetics (3 works) · Computer Science (3 works) · Linguistics (3 works) · Mythology (3 works) · Philosophy (3 works)