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Alicia Blum‐Ross

Biographic Data

ID11059179
NAMEAlicia Blum‐Ross
GIVEN NAMESAlicia
FAMILY NAMEBlum‐Ross
SIGNATUREROSS A B
VERIFIEDNo
TOTAL WORKS1
TOTAL CITATIONS9
WORKS AS AUTHOR1
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2013
H-INDEX1
  • It Made Our Eyes Get Bigger

    Open Access•Alicia Blum‐ro, Alicia Blum‐Ross•ARTICLE•Visual Anthropology Review•2013•Cited by: 9•References: 7

    Drawing on two years of ethnographic research in L ondon, this article describes how participatory youth filmmaking projects act as a deliberate intervention into young people's experiences of place and space. I propose that filmmaking can be understood as a means for young people to reconstruct and reimagine both familiar and unfamiliar spaces by utilizing the specific sensorial affordances of filmmaking. Acknowledging that producing a film is n…

  • It Made Our Eyes Get Bigger

    Open Access•Alicia Blum‐ro, Alicia Blum‐Ross•ARTICLE•Visual Anthropology Review•2013•Cited by: 9•References: 7

    Drawing on two years of ethnographic research in L ondon, this article describes how participatory youth filmmaking projects act as a deliberate intervention into young people's experiences of place and space. I propose that filmmaking can be understood as a means for young people to reconstruct and reimagine both familiar and unfamiliar spaces by utilizing the specific sensorial affordances of filmmaking. Acknowledging that producing a film is n…

  • It Made Our Eyes Get Bigger

    Open Access•Alicia Blum‐ro, Alicia Blum‐Ross•ARTICLE•Visual Anthropology Review•2013•Cited by: 9•References: 7

    Drawing on two years of ethnographic research in L ondon, this article describes how participatory youth filmmaking projects act as a deliberate intervention into young people's experiences of place and space. I propose that filmmaking can be understood as a means for young people to reconstruct and reimagine both familiar and unfamiliar spaces by utilizing the specific sensorial affordances of filmmaking. Acknowledging that producing a film is n…

Aesthetics (1 work) · Affordance (1 work) · Anthropology (1 work) · Art (1 work) · Artificial Intelligence (1 work) · Children's Rights and Participation (1 work) · Citizen journalism (1 work) · Cognitive psychology (1 work) · Computer Science (1 work) · Embodied cognition (1 work)

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