Susan M Marren
Biographic Data
| ID | 1106152 |
|---|---|
| NAME | Susan M Marren |
| GIVEN NAMES | Susan M |
| FAMILY NAME | Marren |
| SIGNATURE | MARREN S M |
| AFFILIATIONS | University of Arkansas at Fayetteville |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1998 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 1 |
The Prostitute as Muse and Model
What you see in his pictures is her mind jumping that far back to when she would dare to imagine the future, parading with love or money on a beautiful anonymous cloth arm. Remembering all that as
Where a Man is a Man
This essay reads Charles Chesnutt’s Paul Marchand, F.M.C. not as a historical romance (as Chesnutt’s contemporaneous publishers deemed it) but rather as a peculiarly modernist passing novel. It argues that the novel’s hybrid possibilities stage a confrontation between an eighteenth-century standard of impartial “right reason” and the racially pluralistic world of nineteenth-century New Orleans
Black Life in Postwar Little Rock
The Dialect of Modernism
The Prostitute as Muse and Model
What you see in his pictures is her mind jumping that far back to when she would dare to imagine the future, parading with love or money on a beautiful anonymous cloth arm. Remembering all that as
The Dialect of Modernism
Black Life in Postwar Little Rock
Where a Man is a Man
This essay reads Charles Chesnutt’s Paul Marchand, F.M.C. not as a historical romance (as Chesnutt’s contemporaneous publishers deemed it) but rather as a peculiarly modernist passing novel. It argues that the novel’s hybrid possibilities stage a confrontation between an eighteenth-century standard of impartial “right reason” and the racially pluralistic world of nineteenth-century New Orleans
The Prostitute as Muse and Model
What you see in his pictures is her mind jumping that far back to when she would dare to imagine the future, parading with love or money on a beautiful anonymous cloth arm. Remembering all that as
Art (4 works) · Art history (3 works) · History (3 works) · Literature (2 works) · Philosophy (2 works) · Sociology (2 works) · Aesthetics (1 works) · American Environmental and Regional History (1 works) · American History and Culture (1 works) · Archaeology (1 works)