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Boris Uspensky

Biographic Data

ID1106901
NAMEBoris Uspensky
GIVEN NAMESBoris
FAMILY NAMEUspensky
SIGNATUREUSPENSKY B
ORCID0000-0001-8229-3246
VERIFIEDYes
TOTAL WORKS13
TOTAL CITATIONS84
AUTHOR COUNT13
EDITOR COUNT0
FIRST PUBLICATION YEAR1972
LATEST PUBLICATION YEAR1986
H-INDEX2
  • Semiosis

    Edward J Brown, Morris Halle et al.•ARTICLE•Poetics Today•1986

  • A Poetics of Composition

    A Nakhimovsky, Boris Uspensky et al.•ARTICLE•The Slavic and East European…•1984

  • The Semiotics of the Russian Icon

    James H Billington, Boris Uspensky et al.•ARTICLE•The Russian Review•1979•Cited by: 1

  • The Semiotics of the Russian Icon

    Alan C Birnholz, Boris Uspensky•ARTICLE•The Slavic and East European…•1978

  • Myth - Name - Culture

    Open Access•Ju M Lotman, Boris Uspensky et al.•ARTICLE•Semiotica•1978•Cited by: 2

  • On the Semiotic Mechanism of Culture

    Yu M Lotman, Boris Uspensky et al.•ARTICLE•New Literary History•1978•Cited by: 75

    HERE ARE MANY WAYS of defining culture.1 The difference in the semantic content of the concept culture in different historical epochs and among different scholars of our time will not discourage us if we remember that the meaning of the term is derivable from the type of culture: every historically given culture generates some special model of culture peculiar to itself. Therefore, a comparative study of the semantics of the term culture over the…

  • Center-Periphery Opposition and Language Universals

    Open Access•Boris Uspensky, B A Uspensky et al.•ARTICLE•Linguistics•1977

  • A Description of a Semiotic System With Simple Syntax

    Open Access•M I LEKOMCEVA, Boris Uspensky et al.•ARTICLE•Semiotica•1976

  • Personological Classification as a Semiotic Problem

    Open Access•A M Piatigorsky, Alexander Piatigorsky et al.•ARTICLE•Semiotica•1975

  • Left' and 'Right' in Icon Painting

    Open Access•Boris Uspensky, B A Uspensky•ARTICLE•Semiotica•1975•Cited by: 4

  • A Poetics of Composition

    William E Harkins, Boris Uspensky et al.•ARTICLE•The Slavic and East European…•1974

  • Subsystems in Language, Their Interrelations and Their Correlated Universals

    Open Access•Boris Uspensky, B A Uspensky•ARTICLE•Linguistics•1972

  • Structural isomorphism of verbal and visual art

    Open Access•Boris Uspensky, B A Uspensky•ARTICLE•Poetics•1972•Cited by: 2•References: 5

  • On the Semiotic Mechanism of Culture

    Yu M Lotman, Boris Uspensky et al.•ARTICLE•New Literary History•1978•Cited by: 75

    HERE ARE MANY WAYS of defining culture.1 The difference in the semantic content of the concept culture in different historical epochs and among different scholars of our time will not discourage us if we remember that the meaning of the term is derivable from the type of culture: every historically given culture generates some special model of culture peculiar to itself. Therefore, a comparative study of the semantics of the term culture over the…

  • Left' and 'Right' in Icon Painting

    Open Access•Boris Uspensky, B A Uspensky•ARTICLE•Semiotica•1975•Cited by: 4

  • Myth - Name - Culture

    Open Access•Ju M Lotman, Boris Uspensky et al.•ARTICLE•Semiotica•1978•Cited by: 2

  • Structural isomorphism of verbal and visual art

    Open Access•Boris Uspensky, B A Uspensky•ARTICLE•Poetics•1972•Cited by: 2•References: 5

  • The Semiotics of the Russian Icon

    James H Billington, Boris Uspensky et al.•ARTICLE•The Russian Review•1979•Cited by: 1

  • Subsystems in Language, Their Interrelations and Their Correlated Universals

    Open Access•Boris Uspensky, B A Uspensky•ARTICLE•Linguistics•1972

  • Structural isomorphism of verbal and visual art

    Open Access•Boris Uspensky, B A Uspensky•ARTICLE•Poetics•1972•Cited by: 2•References: 5

  • A Poetics of Composition

    William E Harkins, Boris Uspensky et al.•ARTICLE•The Slavic and East European…•1974

  • Personological Classification as a Semiotic Problem

    Open Access•A M Piatigorsky, Alexander Piatigorsky et al.•ARTICLE•Semiotica•1975

  • Left' and 'Right' in Icon Painting

    Open Access•Boris Uspensky, B A Uspensky•ARTICLE•Semiotica•1975•Cited by: 4

  • A Description of a Semiotic System With Simple Syntax

    Open Access•M I LEKOMCEVA, Boris Uspensky et al.•ARTICLE•Semiotica•1976

  • Center-Periphery Opposition and Language Universals

    Open Access•Boris Uspensky, B A Uspensky et al.•ARTICLE•Linguistics•1977

  • The Semiotics of the Russian Icon

    Alan C Birnholz, Boris Uspensky•ARTICLE•The Slavic and East European…•1978

  • Myth - Name - Culture

    Open Access•Ju M Lotman, Boris Uspensky et al.•ARTICLE•Semiotica•1978•Cited by: 2

  • On the Semiotic Mechanism of Culture

    Yu M Lotman, Boris Uspensky et al.•ARTICLE•New Literary History•1978•Cited by: 75

    HERE ARE MANY WAYS of defining culture.1 The difference in the semantic content of the concept culture in different historical epochs and among different scholars of our time will not discourage us if we remember that the meaning of the term is derivable from the type of culture: every historically given culture generates some special model of culture peculiar to itself. Therefore, a comparative study of the semantics of the term culture over the…

  • The Semiotics of the Russian Icon

    James H Billington, Boris Uspensky et al.•ARTICLE•The Russian Review•1979•Cited by: 1

  • A Poetics of Composition

    A Nakhimovsky, Boris Uspensky et al.•ARTICLE•The Slavic and East European…•1984

  • Semiosis

    Edward J Brown, Morris Halle et al.•ARTICLE•Poetics Today•1986

Linguistics (10 works) · Philosophy (10 works) · Art (6 works) · Semiotics (6 works) · Computer Science (4 works) · Icon (3 works) · Language, Communication, and Linguistic Studies (3 works) · Literature (3 works) · Composition (language) (2 works) · Discourse Analysis and Cultural Communication (2 works)

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