Alison L Goodrum
Biographic Data
| ID | 11070394 |
|---|---|
| NAME | Alison L Goodrum |
| GIVEN NAMES | Alison L |
| FAMILY NAME | Goodrum |
| SIGNATURE | GOODRUM A L |
| AFFILIATIONS | Alison Goodrum is a lecturer in fashion theory at Manchester Metropolitan University, England. Her research interests are in the globalization of fashion, fashion and national identity, and fashion in Britain and New Zealand. She is currently completing a book on the British fashion industry. |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 1 |
A severity of plainness: The culture of female riding dress in America during the 1920s and 1930s
This article examines the relationship between riding dress and a particular group of women who wore it – wealthy, white, American, amateur sportswomen. It considers the cultural and historical context in which it was worn, that is, America (the USA) during the 1920s and 1930s. Drawing on archives at the National Sporting Library and Museum, Virginia, the discussion pieces together contemporary newspaper reports, sporting periodicals, personal sc…
Framing Rural Fashion: Observations from Badminton Horse Trials
This visual essay offers a perspective designed to extend and complicate the dialogue surrounding rural fashion through a consideration of just one of the spaces it (recognizably) inhabits. As a case study, the spectacle of Badminton Horse Trials provides a multitude of associations: an internationally renowned sporting event, geographically and culturally located within the English countryside; an affiliated and substantial ‘pop-up’ shopping vil…
True Brits? Authoring National Identity in Anglo-Japanese Fashion Exports
This article employs the cases of two luxury fashion retailers, Mulberry and Paul Smith, to examine the export of British goods and British identities to Japan. Anglo-Japanese trade cannot only be rationalized in economic terms. Rather, the article argues for a more nuanced understanding of the complex interrelationships between the economic, cultural, and symbolic within these transactions and the ways that contested representations of Britishne…
Exhibition Review: Flaunt: Art/Fashion/Culture
Exhibition Review: The First New Zealand Fashion Week Exhibition
(2004). Exhibition Review: The First New Zealand Fashion Week Exhibition. Fashion Theory: Vol. 8, No. 1, pp. 99-104
Framing Rural Fashion: Observations from Badminton Horse Trials
This visual essay offers a perspective designed to extend and complicate the dialogue surrounding rural fashion through a consideration of just one of the spaces it (recognizably) inhabits. As a case study, the spectacle of Badminton Horse Trials provides a multitude of associations: an internationally renowned sporting event, geographically and culturally located within the English countryside; an affiliated and substantial ‘pop-up’ shopping vil…
A severity of plainness: The culture of female riding dress in America during the 1920s and 1930s
This article examines the relationship between riding dress and a particular group of women who wore it – wealthy, white, American, amateur sportswomen. It considers the cultural and historical context in which it was worn, that is, America (the USA) during the 1920s and 1930s. Drawing on archives at the National Sporting Library and Museum, Virginia, the discussion pieces together contemporary newspaper reports, sporting periodicals, personal sc…
Exhibition Review: Flaunt: Art/Fashion/Culture
Exhibition Review: The First New Zealand Fashion Week Exhibition
(2004). Exhibition Review: The First New Zealand Fashion Week Exhibition. Fashion Theory: Vol. 8, No. 1, pp. 99-104
Exhibition Review: The First New Zealand Fashion Week Exhibition
(2004). Exhibition Review: The First New Zealand Fashion Week Exhibition. Fashion Theory: Vol. 8, No. 1, pp. 99-104
Exhibition Review: Flaunt: Art/Fashion/Culture
True Brits? Authoring National Identity in Anglo-Japanese Fashion Exports
This article employs the cases of two luxury fashion retailers, Mulberry and Paul Smith, to examine the export of British goods and British identities to Japan. Anglo-Japanese trade cannot only be rationalized in economic terms. Rather, the article argues for a more nuanced understanding of the complex interrelationships between the economic, cultural, and symbolic within these transactions and the ways that contested representations of Britishne…
Framing Rural Fashion: Observations from Badminton Horse Trials
This visual essay offers a perspective designed to extend and complicate the dialogue surrounding rural fashion through a consideration of just one of the spaces it (recognizably) inhabits. As a case study, the spectacle of Badminton Horse Trials provides a multitude of associations: an internationally renowned sporting event, geographically and culturally located within the English countryside; an affiliated and substantial ‘pop-up’ shopping vil…
A severity of plainness: The culture of female riding dress in America during the 1920s and 1930s
This article examines the relationship between riding dress and a particular group of women who wore it – wealthy, white, American, amateur sportswomen. It considers the cultural and historical context in which it was worn, that is, America (the USA) during the 1920s and 1930s. Drawing on archives at the National Sporting Library and Museum, Virginia, the discussion pieces together contemporary newspaper reports, sporting periodicals, personal sc…
Art (5 works) · Fashion and Cultural Textiles (5 works) · Aesthetics (4 works) · Cultural Industries and Urban Development (4 works) · Visual arts (4 works) · Political science (3 works) · Sociology (3 works) · Advertising (2 works) · Crafts, Textile, and Design (2 works) · Exhibition (2 works)