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Margarita Voulgaropoulou

Biographic Data

ID1107068
NAMEMargarita Voulgaropoulou
GIVEN NAMESMargarita
FAMILY NAMEVoulgaropoulou
SIGNATUREVOULGAROPOULOU M
AFFILIATIONSRuhr University Bochum
ORCID0000-0002-1843-2130
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS2
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2019
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Artistic, Commercial, and Confessional Exchanges between Venetian Crete and Western Europe

    Open Access•Margarita Voulgaropoulou•ARTICLE•Arts•2023

    In the collections of the Harvard Art Museums there is an icon of the Virgin and Child with Saints John the Baptist and Roch. Although a typical product of Cretan icon painting of the turn of the sixteenth century, the icon stands out from similar contemporary artworks due to its unusual subject matter and materiality. The iconographic analysis of the icon places it at the intersection of the Latin and Byzantine traditions and suggests that it wa…

  • A ‘Lost’ Panel and a Missing Link

    Open Access•Margarita Voulgaropoulou•ARTICLE•Arts•2021

    In his will, dating from 1490, the nobleman Francesco Scottivoli from Ancona ordered his heirs to erect a chapel in his memory at the church of San Francesco delle Scale, and have it adorned with a painted altarpiece, executed in 1508 by a painter of Greek origin residing in Ancona. In the late 18th-century a full-scale renovation of the church resulted to the dissolution of the Scottivoli chapel and the removal of the painted altarpiece, which w…

  • From Domestic Devotion to the Church Altar

    Open Access•Margarita Voulgaropoulou•ARTICLE•Religions•2019•Cited by: 2•References: 23

    Although traditionally associated with Eastern Christianity, the practice of venerating icons became deeply rooted in the Catholic societies of the broad Adriatic region from the Late Middle Ages onwards and was an indispensable part of everyday popular piety. The evidence lies in the massive amount of icons located today in public and private collections throughout the Italian Peninsula, Croatia, Slovenia, and Montenegro. At a time when Greeks w…

  • From Domestic Devotion to the Church Altar

    Open Access•Margarita Voulgaropoulou•ARTICLE•Religions•2019•Cited by: 2•References: 23

    Although traditionally associated with Eastern Christianity, the practice of venerating icons became deeply rooted in the Catholic societies of the broad Adriatic region from the Late Middle Ages onwards and was an indispensable part of everyday popular piety. The evidence lies in the massive amount of icons located today in public and private collections throughout the Italian Peninsula, Croatia, Slovenia, and Montenegro. At a time when Greeks w…

  • From Domestic Devotion to the Church Altar

    Open Access•Margarita Voulgaropoulou•ARTICLE•Religions•2019•Cited by: 2•References: 23

    Although traditionally associated with Eastern Christianity, the practice of venerating icons became deeply rooted in the Catholic societies of the broad Adriatic region from the Late Middle Ages onwards and was an indispensable part of everyday popular piety. The evidence lies in the massive amount of icons located today in public and private collections throughout the Italian Peninsula, Croatia, Slovenia, and Montenegro. At a time when Greeks w…

  • A ‘Lost’ Panel and a Missing Link

    Open Access•Margarita Voulgaropoulou•ARTICLE•Arts•2021

    In his will, dating from 1490, the nobleman Francesco Scottivoli from Ancona ordered his heirs to erect a chapel in his memory at the church of San Francesco delle Scale, and have it adorned with a painted altarpiece, executed in 1508 by a painter of Greek origin residing in Ancona. In the late 18th-century a full-scale renovation of the church resulted to the dissolution of the Scottivoli chapel and the removal of the painted altarpiece, which w…

  • Artistic, Commercial, and Confessional Exchanges between Venetian Crete and Western Europe

    Open Access•Margarita Voulgaropoulou•ARTICLE•Arts•2023

    In the collections of the Harvard Art Museums there is an icon of the Virgin and Child with Saints John the Baptist and Roch. Although a typical product of Cretan icon painting of the turn of the sixteenth century, the icon stands out from similar contemporary artworks due to its unusual subject matter and materiality. The iconographic analysis of the icon places it at the intersection of the Latin and Byzantine traditions and suggests that it wa…

Art (3 works) · Historical and Religious Studies of Rome (3 works) · Altarpiece (2 works) · Archaeology (2 works) · Art history (2 works) · Byzantine Studies and History (2 works) · Classics (2 works) · Confessional (2 works) · History (2 works) · Law (2 works)

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