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David Castriota

Biographic Data

ID1107294
NAMEDavid Castriota
GIVEN NAMESDavid
FAMILY NAMECastriota
SIGNATURECASTRIOTA D
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS31
AUTHOR COUNT3
EDITOR COUNT1
FIRST PUBLICATION YEAR1996
LATEST PUBLICATION YEAR2018
H-INDEX2
  • Problems of Style: Foundations for a History of Ornament

    Alois Riegl, David Castriota et al.•BOOK•Problems of Style•2018

  • The Ara Pacis Augustae and the Imagery of Abundance in Later Greek and Early Roman Imperial Art

    Elizabeth Bartman, David Castriota•ARTICLE•The Classical World•1999

  • The Ara Pacis Augustae and the Imagery of Abundance in Later Greek and Early Roman Imperial Art

    Michael Koortbojian, David Castriota•ARTICLE•Phoenix•1997•Cited by: 10

    David Castriota examines one of the most important monuments of early Roman Imperial art, the Ara Pacis Augustae, the sculptured marble altar built to celebrate the peace, prosperity, and stability initiated by the reign of Augustus in the later first century B.C. Castriota argues that the floral decoration of the altar enclosure was profoundly significant, operating as a visual counterpart to the technique of metonymy in language. It utilised an…

  • Myth, Ethos, and Actuality: Official Art in Fifth Century B.C. Athens

    Ann Steiner, David Castriota•ARTICLE•The Classical World•1996•Cited by: 21

    Myth, Ethos, and Actuality examines the depiction of mythic themes on Athenian public monuments in the period following the Persian Wars, during the second and third quarters of the 5th century BC. Using material remains, as well as the evidence of contemporary Greek history, rhetoric and poetry, David Castriota interprets the Athenian monuments as vehicles of an official ideology intended to celebrate and justify the present in terms of the past…

  • Myth, Ethos, and Actuality: Official Art in Fifth Century B.C. Athens

    Ann Steiner, David Castriota•ARTICLE•The Classical World•1996•Cited by: 21

    Myth, Ethos, and Actuality examines the depiction of mythic themes on Athenian public monuments in the period following the Persian Wars, during the second and third quarters of the 5th century BC. Using material remains, as well as the evidence of contemporary Greek history, rhetoric and poetry, David Castriota interprets the Athenian monuments as vehicles of an official ideology intended to celebrate and justify the present in terms of the past…

  • The Ara Pacis Augustae and the Imagery of Abundance in Later Greek and Early Roman Imperial Art

    Michael Koortbojian, David Castriota•ARTICLE•Phoenix•1997•Cited by: 10

    David Castriota examines one of the most important monuments of early Roman Imperial art, the Ara Pacis Augustae, the sculptured marble altar built to celebrate the peace, prosperity, and stability initiated by the reign of Augustus in the later first century B.C. Castriota argues that the floral decoration of the altar enclosure was profoundly significant, operating as a visual counterpart to the technique of metonymy in language. It utilised an…

  • Myth, Ethos, and Actuality: Official Art in Fifth Century B.C. Athens

    Ann Steiner, David Castriota•ARTICLE•The Classical World•1996•Cited by: 21

    Myth, Ethos, and Actuality examines the depiction of mythic themes on Athenian public monuments in the period following the Persian Wars, during the second and third quarters of the 5th century BC. Using material remains, as well as the evidence of contemporary Greek history, rhetoric and poetry, David Castriota interprets the Athenian monuments as vehicles of an official ideology intended to celebrate and justify the present in terms of the past…

  • The Ara Pacis Augustae and the Imagery of Abundance in Later Greek and Early Roman Imperial Art

    Michael Koortbojian, David Castriota•ARTICLE•Phoenix•1997•Cited by: 10

    David Castriota examines one of the most important monuments of early Roman Imperial art, the Ara Pacis Augustae, the sculptured marble altar built to celebrate the peace, prosperity, and stability initiated by the reign of Augustus in the later first century B.C. Castriota argues that the floral decoration of the altar enclosure was profoundly significant, operating as a visual counterpart to the technique of metonymy in language. It utilised an…

  • The Ara Pacis Augustae and the Imagery of Abundance in Later Greek and Early Roman Imperial Art

    Elizabeth Bartman, David Castriota•ARTICLE•The Classical World•1999

  • Problems of Style: Foundations for a History of Ornament

    Alois Riegl, David Castriota et al.•BOOK•Problems of Style•2018

Art (4 works) · Ancient Mediterranean Archaeology and History (3 works) · Classical Antiquity Studies (3 works) · History (3 works) · Ancient history (2 works) · Biology (2 works) · Ecology (2 works) · Ecology (2 works) · Historical and Religious Studies of Rome (2 works) · History (2 works)

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