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Kevin Everod Quashie

Biographic Data

ID1107552
NAMEKevin Everod Quashie
GIVEN NAMESKevin Everod
FAMILY NAMEQuashie
SIGNATUREQUASHIE K E
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS4
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR1997
LATEST PUBLICATION YEAR2020
H-INDEX1
  • The Sovereignty of Quiet

    Kevin Everod Quashie, Kevin Quashie•BOOK•The sovereignty of quiet•2020

    African American culture is often considered expressive, dramatic, and even defiant. In The Sovereignty of Quiet , Kevin Quashie explores quiet as a different kind of expressiveness, one which characterizes a person’s desires, ambitions, hungers, vulnerabilities, and fears. Quiet is a metaphor for the inner life, and as such, enables a more nuanced understanding of black culture. The book revisits such iconic moments as Tommie Smith and John Carl…

  • The Trouble with Publicness

    Kevin Everod Quashie, Kevin Quashie•ARTICLE•African American Review•2009•Cited by: 4

    The Trouble with Publicness:Toward a Theory of Black Quiet Kevin Everod Quashie (bio) The story of this moment has been told many times: it was the 1968 Olympics in a volatile Mexico City, and two male athletes, both black Americans, make an emblematic gesture during the medal ceremony for the 200-meter race. One of them, Tommie Smith, has won the race while the other, John Carlos, was third. As the U. S. national anthem plays, both men punctuate…

  • New Bones

    Melvin Donalson, Kevin Everod Quashie et al.•ARTICLE•African American Review•2002

  • The Other Dancer As Self

    Kevin Everod Quashie, Kevin Quashie•ARTICLE•Meridians•2001

    Research Article| September 01 2001 The Other Dancer As Self: Girlfriend Selfhood in Toni Morrison's Sula and Alice Walker's The Color Purple Kevin Everod Quashie Kevin Everod Quashie kevin everod quashie is an assistant professor at Smith College in Afro-American Studies. He is co-editor of the anthology New Bones: Contemporary Writers in Black America, as well as author of articles published in Callaloo and Journal x. He is currently completing…

  • On the Cultural Studies Threshold

    Kevin Everod Quashie, Kevin Quashie•ARTICLE•Callaloo•2001

    Callaloo - Volume 24, Number 1, Winter 2001

  • Mining Magic, Mining Dreams

    Jewell Parker Rhodes, Kevin Everod Quashie et al.•ARTICLE•Callaloo•1997

    Callaloo - Volume 20, Number 2, Spring 1997

  • The Trouble with Publicness

    Kevin Everod Quashie, Kevin Quashie•ARTICLE•African American Review•2009•Cited by: 4

    The Trouble with Publicness:Toward a Theory of Black Quiet Kevin Everod Quashie (bio) The story of this moment has been told many times: it was the 1968 Olympics in a volatile Mexico City, and two male athletes, both black Americans, make an emblematic gesture during the medal ceremony for the 200-meter race. One of them, Tommie Smith, has won the race while the other, John Carlos, was third. As the U. S. national anthem plays, both men punctuate…

  • Mining Magic, Mining Dreams

    Jewell Parker Rhodes, Kevin Everod Quashie et al.•ARTICLE•Callaloo•1997

    Callaloo - Volume 20, Number 2, Spring 1997

  • The Other Dancer As Self

    Kevin Everod Quashie, Kevin Quashie•ARTICLE•Meridians•2001

    Research Article| September 01 2001 The Other Dancer As Self: Girlfriend Selfhood in Toni Morrison's Sula and Alice Walker's The Color Purple Kevin Everod Quashie Kevin Everod Quashie kevin everod quashie is an assistant professor at Smith College in Afro-American Studies. He is co-editor of the anthology New Bones: Contemporary Writers in Black America, as well as author of articles published in Callaloo and Journal x. He is currently completing…

  • On the Cultural Studies Threshold

    Kevin Everod Quashie, Kevin Quashie•ARTICLE•Callaloo•2001

    Callaloo - Volume 24, Number 1, Winter 2001

  • New Bones

    Melvin Donalson, Kevin Everod Quashie et al.•ARTICLE•African American Review•2002

  • The Trouble with Publicness

    Kevin Everod Quashie, Kevin Quashie•ARTICLE•African American Review•2009•Cited by: 4

    The Trouble with Publicness:Toward a Theory of Black Quiet Kevin Everod Quashie (bio) The story of this moment has been told many times: it was the 1968 Olympics in a volatile Mexico City, and two male athletes, both black Americans, make an emblematic gesture during the medal ceremony for the 200-meter race. One of them, Tommie Smith, has won the race while the other, John Carlos, was third. As the U. S. national anthem plays, both men punctuate…

  • The Sovereignty of Quiet

    Kevin Everod Quashie, Kevin Quashie•BOOK•The sovereignty of quiet•2020

    African American culture is often considered expressive, dramatic, and even defiant. In The Sovereignty of Quiet , Kevin Quashie explores quiet as a different kind of expressiveness, one which characterizes a person’s desires, ambitions, hungers, vulnerabilities, and fears. Quiet is a metaphor for the inner life, and as such, enables a more nuanced understanding of black culture. The book revisits such iconic moments as Tommie Smith and John Carl…

Art (5 works) · History (4 works) · Art history (3 works) · Race, History, and American Society (3 works) · Sociology (3 works) · Aesthetics (2 works) · American and British Literature Analysis (2 works) · Archaeology (2 works) · Astronomy (2 works) · Law (2 works)

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