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Marco Gargano

Biographic Data

ID110808
NAMEMarco Gargano
GIVEN NAMESMarco
FAMILY NAMEGargano
SIGNATUREGARGANO M
AFFILIATIONSUniversity of Milan
ORCID0000-0002-6349-914X
VERIFIEDYes
TOTAL WORKS11
TOTAL CITATIONS14
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2026
H-INDEX2
  • The Rediscovered Portrait of Itō Mancio (1585) by Domenico Tintoretto: A Non-Invasive Investigation into the First Japanese Ambassador in Europe

    Open Access•Alice Pertica, Anna Piccirillo et al.•ARTICLE•Heritage•2026

    The portrait of Itō Mancio (1585) by Domenico Tintoretto depicts the leader of the first Japanese embassy sent to Europe between 1582 and 1590. Rediscovered in 2008 within the Trivulzio family collection in Milan, Italy, after centuries of changing ownership, the easel painting was commissioned by the Venetian Senate to Jacopo Tintoretto and his workshop following the embassy‘s stay in Venice. Prior to its display in the Italy Pavilion at Expo 20…

  • The Lady with an Ermine – Portrait of Cecilia Gallerani: Research into Leonardo da Vinci’s painting materials and techniques

    Open Access•Julio M Del Hoyo-Meléndez, Marco Gargano et al.•ARTICLE•Spotlight•2024

    The Lady with an Ermine is one of the greatest masterpieces by the Italian artist Leonardo da Vinci from around 1489-1490, depicting Cecilia Gallerani, most likely at the time when she was the mistress of Ludovico Sforza, Duke of Milan. This painting belongs to a group of four portraits of women painted by Leonardo along with the Mona Lisa, Ginevra de' Benci and La Belle Ferronnière. It was acquired by Prince Adam Jerzy Czartoryski around 1800 in…

  • The northern-Italy Renaissance in a panel by Defendente Ferrari: A complete study with a multi-analytical investigation

    Open Access•Tiziana Cavaleri, Claudia Pelosi et al.•ARTICLE•Journal of Archaeological Science…•2022•Cited by: 1•References: 1

  • An analytical investigation of a wooden panel painting attributed to the workshop of Lucas Cranach the Elder

    Open Access•Anna Klisińska-Kopacz, Michał Obarzanowski et al.•ARTICLE•Journal of Cultural Heritage•2022•Cited by: 5•References: 2

  • First applications of non-invasive techniques on Algerian heritage manuscripts: The LMUHUB Ulahbib ancient manuscript collection from Kabylia region (Afniq n Ccix Lmuhub)

    Open Access•Lynda Idjouadiene, Toufik A Mostefaoui et al.•ARTICLE•Journal of Cultural Heritage•2021•References: 2

  • Multi-analytical investigation of panel, pigments and varnish of The Martyirdom of St. Catherine by Gaudenzio Ferrari (16th century)

    Open Access•Marco Gargano, L Bonizzoni et al.•ARTICLE•Journal of Cultural Heritage•2020

  • UV-IR image enhancement for mapping restorations applied on an Egyptian coffin of the XXI Dynasty

    Open Access•Nicola Ludwig, Jacopo Orsilli et al.•ARTICLE•Archaeological and Anthropological…•2019•Cited by: 2•References: 14

  • The Giotto's workshop in the XXI century: Looking inside the "God the Father with Angels" gable

    Open Access•Marco Gargano, A Galli et al.•ARTICLE•Journal of Cultural Heritage•2019•References: 15

  • Does electro-osmosis work in moisture damage prevention? Applicability of infrared-based methods to verify water distribution under electric fields

    Open Access•Jacopo Melada, Marco Gargano et al.•ARTICLE•Journal of Cultural Heritage•2018•Cited by: 1•References: 30

  • Characterization of aged textile for archeological shelters through thermal, optical and mechanical tests

    Open Access•Marco Gargano, Elisabetta Rosina et al.•ARTICLE•Journal of Cultural Heritage•2017•References: 6

  • A perceptual approach to the fusion of visible and NIR images in the examination of ancient documents

    Open Access•Marco Gargano, Duilio Bertani et al.•ARTICLE•Journal of Cultural Heritage•2015•Cited by: 5•References: 22

  • An analytical investigation of a wooden panel painting attributed to the workshop of Lucas Cranach the Elder

    Open Access•Anna Klisińska-Kopacz, Michał Obarzanowski et al.•ARTICLE•Journal of Cultural Heritage•2022•Cited by: 5•References: 2

  • A perceptual approach to the fusion of visible and NIR images in the examination of ancient documents

    Open Access•Marco Gargano, Duilio Bertani et al.•ARTICLE•Journal of Cultural Heritage•2015•Cited by: 5•References: 22

  • UV-IR image enhancement for mapping restorations applied on an Egyptian coffin of the XXI Dynasty

    Open Access•Nicola Ludwig, Jacopo Orsilli et al.•ARTICLE•Archaeological and Anthropological…•2019•Cited by: 2•References: 14

  • The northern-Italy Renaissance in a panel by Defendente Ferrari: A complete study with a multi-analytical investigation

    Open Access•Tiziana Cavaleri, Claudia Pelosi et al.•ARTICLE•Journal of Archaeological Science…•2022•Cited by: 1•References: 1

  • Does electro-osmosis work in moisture damage prevention? Applicability of infrared-based methods to verify water distribution under electric fields

    Open Access•Jacopo Melada, Marco Gargano et al.•ARTICLE•Journal of Cultural Heritage•2018•Cited by: 1•References: 30

  • A perceptual approach to the fusion of visible and NIR images in the examination of ancient documents

    Open Access•Marco Gargano, Duilio Bertani et al.•ARTICLE•Journal of Cultural Heritage•2015•Cited by: 5•References: 22

  • Characterization of aged textile for archeological shelters through thermal, optical and mechanical tests

    Open Access•Marco Gargano, Elisabetta Rosina et al.•ARTICLE•Journal of Cultural Heritage•2017•References: 6

  • Does electro-osmosis work in moisture damage prevention? Applicability of infrared-based methods to verify water distribution under electric fields

    Open Access•Jacopo Melada, Marco Gargano et al.•ARTICLE•Journal of Cultural Heritage•2018•Cited by: 1•References: 30

  • UV-IR image enhancement for mapping restorations applied on an Egyptian coffin of the XXI Dynasty

    Open Access•Nicola Ludwig, Jacopo Orsilli et al.•ARTICLE•Archaeological and Anthropological…•2019•Cited by: 2•References: 14

  • The Giotto's workshop in the XXI century: Looking inside the "God the Father with Angels" gable

    Open Access•Marco Gargano, A Galli et al.•ARTICLE•Journal of Cultural Heritage•2019•References: 15

  • Multi-analytical investigation of panel, pigments and varnish of The Martyirdom of St. Catherine by Gaudenzio Ferrari (16th century)

    Open Access•Marco Gargano, L Bonizzoni et al.•ARTICLE•Journal of Cultural Heritage•2020

  • First applications of non-invasive techniques on Algerian heritage manuscripts: The LMUHUB Ulahbib ancient manuscript collection from Kabylia region (Afniq n Ccix Lmuhub)

    Open Access•Lynda Idjouadiene, Toufik A Mostefaoui et al.•ARTICLE•Journal of Cultural Heritage•2021•References: 2

  • The northern-Italy Renaissance in a panel by Defendente Ferrari: A complete study with a multi-analytical investigation

    Open Access•Tiziana Cavaleri, Claudia Pelosi et al.•ARTICLE•Journal of Archaeological Science…•2022•Cited by: 1•References: 1

  • An analytical investigation of a wooden panel painting attributed to the workshop of Lucas Cranach the Elder

    Open Access•Anna Klisińska-Kopacz, Michał Obarzanowski et al.•ARTICLE•Journal of Cultural Heritage•2022•Cited by: 5•References: 2

  • The Lady with an Ermine – Portrait of Cecilia Gallerani: Research into Leonardo da Vinci’s painting materials and techniques

    Open Access•Julio M Del Hoyo-Meléndez, Marco Gargano et al.•ARTICLE•Spotlight•2024

    The Lady with an Ermine is one of the greatest masterpieces by the Italian artist Leonardo da Vinci from around 1489-1490, depicting Cecilia Gallerani, most likely at the time when she was the mistress of Ludovico Sforza, Duke of Milan. This painting belongs to a group of four portraits of women painted by Leonardo along with the Mona Lisa, Ginevra de' Benci and La Belle Ferronnière. It was acquired by Prince Adam Jerzy Czartoryski around 1800 in…

  • The Rediscovered Portrait of Itō Mancio (1585) by Domenico Tintoretto: A Non-Invasive Investigation into the First Japanese Ambassador in Europe

    Open Access•Alice Pertica, Anna Piccirillo et al.•ARTICLE•Heritage•2026

    The portrait of Itō Mancio (1585) by Domenico Tintoretto depicts the leader of the first Japanese embassy sent to Europe between 1582 and 1590. Rediscovered in 2008 within the Trivulzio family collection in Milan, Italy, after centuries of changing ownership, the easel painting was commissioned by the Venetian Senate to Jacopo Tintoretto and his workshop following the embassy‘s stay in Venice. Prior to its display in the Italy Pavilion at Expo 20…

Cultural Heritage Materials Analysis (9 works) · Building materials and conservation (8 works) · Conservation Techniques and Studies (8 works) · Art (7 works) · Painting (6 works) · Art history (5 works) · Visual arts (5 works) · Archaeology (4 works) · Materials Science (4 works) · Computer Science (3 works)

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