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James O Young

Biographic Data

ID1108228
NAMEJames O Young
GIVEN NAMESJames
FAMILY NAMEO Young
SIGNATUREYOUNG J O
AFFILIATIONSUniversity of Victoria
ORCID0000-0002-6801-9985
VERIFIEDYes
TOTAL WORKS31
TOTAL CITATIONS14
AUTHOR COUNT28
EDITOR COUNT3
FIRST PUBLICATION YEAR1974
LATEST PUBLICATION YEAR2025
H-INDEX2
  • The Myth of the Aesthetic

    Open Access•James O Young•ARTICLE•Erkenntnis•2025

  • A History of Western Philosophy of Music

    Open Access•James O Young•BOOK•History of Western Philosophy of…•2023

    This book presents a comprehensive, accessible survey of Western philosophy of music from Pythagoras to the present. Its narrative traces themes and schools through history, in a sequence of five chapters that survey the ancient, medieval, early modern, modern and contemporary periods. Its wide-ranging coverage includes medieval Islamic thinkers, Continental and analytic thinkers, and neglected female thinkers such as Vernon Lee (Violet Paget). A…

  • History of Western Philosophy of Music

    James O Young•BOOK•History of Western Philosophy of…•2023

  • New Objections to Cultural Appropriation in the Arts

    Open Access•James O Young•ARTICLE•The British Journal of Aesthetics•2021

    Some writers have objected to cultural appropriation in the arts on the grounds that it violates cultures’ property rights. Recently a paper by Erich Matthes and another by C. Thi Nguyen and Matthew Strohl have argued that cultural appropriation does not violate property rights but that it is nevertheless often objectionable. Matthes argues that cultural appropriation contributes to the oppression of disadvantaged cultures. Nguyen and Strohl argu…

  • Philosophy of Music: A History

    Open Access•James O Young•ARTICLE•The British Journal of Aesthetics•2021

    A good, single volume history of the philosophy of music would be nice to have, but I do not think that the book under review here is it. (Full disclosure: I am currently in the process of writing a history of the philosophy of music.) For a start, at 169 pages including bibliography and index, it is simply too short to do justice to 2500 years of philosophy of music. Too many important figures are completely missing from Martinelli’s volume. Man…

  • Jean-Baptiste Du Bos’ Critical Reflections on Poetry and Painting and Hume’s Treatise

    Open Access•James O Young, Margaret Cameron•ARTICLE•The British Journal of Aesthetics•2018

    It has long been known that Jean-Baptiste Du Bos (and, in particular, his book Critical Reflections on Poetry and Painting) exercised a considerable influence on Hume’s essays and, in particular, on the ‘Of the Standard of Taste’ and ‘Of Tragedy’. It has also been noted that some passages in the Treatise bear marks of Du Bos’ influence. In this essay, we identify many more passages in the Treatise that bear unmistakable signs of Du Bos’ influence…

  • Batteux: The Fine Arts Reduced to a Single Principle: The Fine Arts Reduced to a Single Principle

    Charles Batteux, James O Young•BOOK•The Fine Arts Reduced to a Single…•2015

  • The Fine Arts Reduced to a Single Principle

    Charles Batteux, James O Young•CHAPTER•The Fine Arts Reduced to a Single…•2015

    "The Fine Arts Reduced to a Single Principle" published on by null.

  • The Ancient and Modern System of the Arts

    James O Young•ARTICLE•The British Journal of Aesthetics•2015•Cited by: 6

    Paul Oskar Kristeller famously argued that the modern 'system of the arts' did not emerge until the mid-eighteenth century, in the work of Charles Batteux. On this view, the modern conception of the fine arts had no parallel in the ancient world, the middle-ages or the modern period prior to Batteux. This paper argues that Kristeller was wrong. The ancient conception of the imitative arts completely overlaps with Batteux's fine arts: poetry, pain…

  • Kivy on Musical Genius

    James O Young•ARTICLE•The British Journal of Aesthetics•2011

    Journal Article Kivy on Musical Genius Get access James O. Young James O. Young Department of Philosophy,University of Victoria [email protected] Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 51, Issue 1, January 2011, Pages 1–12, https://doi.org/10.1093/aesthj/ayq052 Published: 01 January 2011

  • ‘Nothing Comes from Nowhere’: Reflections on Cultural Appropriation as the Representation of Other Cultures

    Open Access•James O Young, Susan Haley et al.•OTHER•The Ethics of Cultural…•2009

    This chapter contains sections titled: Introduction Is ‘subject appropriation’ a misnomer? Subject appropriation and misrepresentation Cultural Appropriation and Assimilation Harm and Accurate Representation Privacy Authenticity and Subject Appropriation Envoy Conclusion References

  • The Ethics of Cultural Appropriation

    Open Access•James O Young, Conrad G Brunk•BOOK•Ethics of Cultural Appropriation•2009

  • Ethics of Cultural Appropriation

    Conrad G Brunk, James O Young•BOOK•Ethics of Cultural Appropriation•2009

  • Cultural Appropriation and the Arts

    James O Young•BOOK•Cultural Appropriation and the Arts•2008

  • The Collected Works of Jeremy Bentham: The Correspondence of Jeremy Bentham, Vol. 12: July 1824 to June 1828: July 1824 to June 1828

    George Canning, Sydney Smith et al.•BOOK•The Collected Works of Jeremy…•2006

  • The ‘Great Divide’ in Music

    James O Young•ARTICLE•The British Journal of Aesthetics•2005

    Journal Article The 'Great Divide' in Music Get access James O. Young James O. Young James O. Young, Department of Philosophy, University of Victoria, PO Box 3045, Victoria, BC, Canada V8W 3P4. Email: [email protected] Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 45, Issue 2, APRIL 2005, Pages 175–184, https://doi.org/10.1093/aesthj/ayi019 Published: 01 January 2005

  • At Memory's Edge: After-Images of the Holocaust in Contemporary Art and Architecture

    Gavriel D Rosenfeld, James O Young et al.•REVIEW•German Studies Review•2001

    James Young explores Germany's fraught efforts to memorialize the Holocaust, and also asks how late 20th century artists can remember an event they never knew directly but which is shaped through images in films, photographs and museums

  • Art, Knowledge, and Exemplification

    James O Young•ARTICLE•The British Journal of Aesthetics•1999

    Journal Article ART, KNOWLEDGE, AND EXEMPLIFICATION Get access James O. Young James O. Young Department of Philosophy, University of VictoriaPO Box 3045, Victoria, BC, Canada V8W 3P4 Email: [email protected]. Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 39, Issue 2, April 1999, Pages 126–137, https://doi.org/10.1093/bjaesthetics/39.2.126 Published: 01 April 1999

  • Defining Art Responsibly

    James O Young•ARTICLE•The British Journal of Aesthetics•1997•Cited by: 1

    Journal Article DEFINING ART RESPONSIBLY Get access James O. Young James O. Young Philosophy Department, University of VictoriaPO Box 3045, Victoria, British Columbia, Canada V8W 3P4 Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 37, Issue 1, January 1997, Pages 57–65, https://doi.org/10.1093/bjaesthetics/37.1.57 Published: 01 January 1997

  • Questioning foundations: Truth, subjectivity, and culture

    James O Young•ARTICLE•History of European Ideas•1995

  • Artworks and Artworlds

    James O Young•ARTICLE•The British Journal of Aesthetics•1995

    Journal Article ARTWORKS AND ARTWORLDS Get access James O. Young James O. Young Philosophy Department, University of VictoriaPO Box 3045, Victoria, British Columbia V8W 3P4, Canada Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 35, Issue 4, October 1995, Pages 330–337, https://doi.org/10.1093/bjaesthetics/35.4.330 Published: 01 October 1995

  • Should white men play the blues

    Open Access•James O Young•ARTICLE•The Journal of Value Inquiry•1994

  • The World We Found: The Limits of Ontological TalkMark Sacks La Salle, IL: Open Court, 1989, x + 198 p

    Open Access•James O Young•ARTICLE•Dialogue•1992

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Coherence, anti-realism and the Vienna Circle

    Open Access•James O Young•ARTICLE•Synthese•1991•References: 8

  • In Defence of Colourization

    James O Young•ARTICLE•The British Journal of Aesthetics•1988

    Journal Article IN DEFENCE OF COLOURIZATION Get access James O. Young James O. Young Dept of Philosophy, University of VictoriaPO Box 1700, Victoria, British Columbia, V8W 2Y2, Canada. Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 28, Issue 4, AUTUMN 1988, Pages 368–372, https://doi.org/10.1093/bjaesthetics/28.4.368 Published: 01 April 1988

Next
  • The Ancient and Modern System of the Arts

    James O Young•ARTICLE•The British Journal of Aesthetics•2015•Cited by: 6

    Paul Oskar Kristeller famously argued that the modern 'system of the arts' did not emerge until the mid-eighteenth century, in the work of Charles Batteux. On this view, the modern conception of the fine arts had no parallel in the ancient world, the middle-ages or the modern period prior to Batteux. This paper argues that Kristeller was wrong. The ancient conception of the imitative arts completely overlaps with Batteux's fine arts: poetry, pain…

  • The Concept of Authentic Performance

    James O Young•ARTICLE•The British Journal of Aesthetics•1988•Cited by: 4

    Journal Article THE CONCEPT OF AUTHENTIC PERFORMANCE Get access James O. Young James O. Young Dept of Philosophy, University of VictoriaP.O. Box 1700, Victoria, British Columbia, V8W 2Y2, Canada Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 28, Issue 3, SUMMER 1988, Pages 228–238, https://doi.org/10.1093/bjaesthetics/28.3.228 Published: 01 March 1988

  • Global Anti-Realism

    James O Young•ARTICLE•Philosophy and Phenomenological…•1987•Cited by: 2

    What is global anti-realism?: what is truth? how to answer the question the deflation of truth how to be a global anti-realist the metaphysics of anti-realism. Correspondence and coherence: reference and correspondence what is not wrong with the correspondence theory how to refute the correspondence theory coherence, truth and knowledge purported problems with coherentism. The meaning of global anti-realism: meaning and truth the interpretation o…

  • Defining Art Responsibly

    James O Young•ARTICLE•The British Journal of Aesthetics•1997•Cited by: 1

    Journal Article DEFINING ART RESPONSIBLY Get access James O. Young James O. Young Philosophy Department, University of VictoriaPO Box 3045, Victoria, British Columbia, Canada V8W 3P4 Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 37, Issue 1, January 1997, Pages 57–65, https://doi.org/10.1093/bjaesthetics/37.1.57 Published: 01 January 1997

  • Pragmatism and the Fate of Philosophy

    Open Access•James O Young•ARTICLE•Dialogue•1984•Cited by: 1•References: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Black Writers of the Thirties

    S P Fullinwider, James O Young•ARTICLE•The Journal of Southern History•1974

  • Black Writers of the Thirties

    John B Kirby, James O Young•ARTICLE•Journal of American History•1974

    Journal Article Black Writers of the Thirties. By James O. Young. (Baton Rouge: Louisiana State University Press, 1973. xiii + 257 pp. Notes, bibliographical essay, and index. $10.00.) Get access John B. Kirby John B. Kirby Denison University Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 61, Issue 3, December 1974, Pages 828–829, https://doi.org/10.2307/1900000 Published: 01 December …

  • Black Writers of the Thirties

    Theodore R Hudson, James O Young•ARTICLE•American Literature•1975

  • Pragmatism and the Fate of Philosophy

    Open Access•James O Young•ARTICLE•Dialogue•1984•Cited by: 1•References: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Global Anti-Realism

    James O Young•ARTICLE•Philosophy and Phenomenological…•1987•Cited by: 2

    What is global anti-realism?: what is truth? how to answer the question the deflation of truth how to be a global anti-realist the metaphysics of anti-realism. Correspondence and coherence: reference and correspondence what is not wrong with the correspondence theory how to refute the correspondence theory coherence, truth and knowledge purported problems with coherentism. The meaning of global anti-realism: meaning and truth the interpretation o…

  • In Defence of Colourization

    James O Young•ARTICLE•The British Journal of Aesthetics•1988

    Journal Article IN DEFENCE OF COLOURIZATION Get access James O. Young James O. Young Dept of Philosophy, University of VictoriaPO Box 1700, Victoria, British Columbia, V8W 2Y2, Canada. Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 28, Issue 4, AUTUMN 1988, Pages 368–372, https://doi.org/10.1093/bjaesthetics/28.4.368 Published: 01 April 1988

  • The Concept of Authentic Performance

    James O Young•ARTICLE•The British Journal of Aesthetics•1988•Cited by: 4

    Journal Article THE CONCEPT OF AUTHENTIC PERFORMANCE Get access James O. Young James O. Young Dept of Philosophy, University of VictoriaP.O. Box 1700, Victoria, British Columbia, V8W 2Y2, Canada Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 28, Issue 3, SUMMER 1988, Pages 228–238, https://doi.org/10.1093/bjaesthetics/28.3.228 Published: 01 March 1988

  • Coherence, anti-realism and the Vienna Circle

    Open Access•James O Young•ARTICLE•Synthese•1991•References: 8

  • The World We Found: The Limits of Ontological TalkMark Sacks La Salle, IL: Open Court, 1989, x + 198 p

    Open Access•James O Young•ARTICLE•Dialogue•1992

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Should white men play the blues

    Open Access•James O Young•ARTICLE•The Journal of Value Inquiry•1994

  • Questioning foundations: Truth, subjectivity, and culture

    James O Young•ARTICLE•History of European Ideas•1995

  • Artworks and Artworlds

    James O Young•ARTICLE•The British Journal of Aesthetics•1995

    Journal Article ARTWORKS AND ARTWORLDS Get access James O. Young James O. Young Philosophy Department, University of VictoriaPO Box 3045, Victoria, British Columbia V8W 3P4, Canada Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 35, Issue 4, October 1995, Pages 330–337, https://doi.org/10.1093/bjaesthetics/35.4.330 Published: 01 October 1995

  • Defining Art Responsibly

    James O Young•ARTICLE•The British Journal of Aesthetics•1997•Cited by: 1

    Journal Article DEFINING ART RESPONSIBLY Get access James O. Young James O. Young Philosophy Department, University of VictoriaPO Box 3045, Victoria, British Columbia, Canada V8W 3P4 Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 37, Issue 1, January 1997, Pages 57–65, https://doi.org/10.1093/bjaesthetics/37.1.57 Published: 01 January 1997

  • Art, Knowledge, and Exemplification

    James O Young•ARTICLE•The British Journal of Aesthetics•1999

    Journal Article ART, KNOWLEDGE, AND EXEMPLIFICATION Get access James O. Young James O. Young Department of Philosophy, University of VictoriaPO Box 3045, Victoria, BC, Canada V8W 3P4 Email: [email protected]. Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 39, Issue 2, April 1999, Pages 126–137, https://doi.org/10.1093/bjaesthetics/39.2.126 Published: 01 April 1999

  • At Memory's Edge: After-Images of the Holocaust in Contemporary Art and Architecture

    Gavriel D Rosenfeld, James O Young et al.•REVIEW•German Studies Review•2001

    James Young explores Germany's fraught efforts to memorialize the Holocaust, and also asks how late 20th century artists can remember an event they never knew directly but which is shaped through images in films, photographs and museums

  • The ‘Great Divide’ in Music

    James O Young•ARTICLE•The British Journal of Aesthetics•2005

    Journal Article The 'Great Divide' in Music Get access James O. Young James O. Young James O. Young, Department of Philosophy, University of Victoria, PO Box 3045, Victoria, BC, Canada V8W 3P4. Email: [email protected] Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 45, Issue 2, APRIL 2005, Pages 175–184, https://doi.org/10.1093/aesthj/ayi019 Published: 01 January 2005

  • The Collected Works of Jeremy Bentham: The Correspondence of Jeremy Bentham, Vol. 12: July 1824 to June 1828: July 1824 to June 1828

    George Canning, Sydney Smith et al.•BOOK•The Collected Works of Jeremy…•2006

  • Cultural Appropriation and the Arts

    James O Young•BOOK•Cultural Appropriation and the Arts•2008

  • ‘Nothing Comes from Nowhere’: Reflections on Cultural Appropriation as the Representation of Other Cultures

    Open Access•James O Young, Susan Haley et al.•OTHER•The Ethics of Cultural…•2009

    This chapter contains sections titled: Introduction Is ‘subject appropriation’ a misnomer? Subject appropriation and misrepresentation Cultural Appropriation and Assimilation Harm and Accurate Representation Privacy Authenticity and Subject Appropriation Envoy Conclusion References

  • The Ethics of Cultural Appropriation

    Open Access•James O Young, Conrad G Brunk•BOOK•Ethics of Cultural Appropriation•2009

  • Ethics of Cultural Appropriation

    Conrad G Brunk, James O Young•BOOK•Ethics of Cultural Appropriation•2009

  • Kivy on Musical Genius

    James O Young•ARTICLE•The British Journal of Aesthetics•2011

    Journal Article Kivy on Musical Genius Get access James O. Young James O. Young Department of Philosophy,University of Victoria [email protected] Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 51, Issue 1, January 2011, Pages 1–12, https://doi.org/10.1093/aesthj/ayq052 Published: 01 January 2011

  • Batteux: The Fine Arts Reduced to a Single Principle: The Fine Arts Reduced to a Single Principle

    Charles Batteux, James O Young•BOOK•The Fine Arts Reduced to a Single…•2015

  • The Fine Arts Reduced to a Single Principle

    Charles Batteux, James O Young•CHAPTER•The Fine Arts Reduced to a Single…•2015

    "The Fine Arts Reduced to a Single Principle" published on by null.

  • The Ancient and Modern System of the Arts

    James O Young•ARTICLE•The British Journal of Aesthetics•2015•Cited by: 6

    Paul Oskar Kristeller famously argued that the modern 'system of the arts' did not emerge until the mid-eighteenth century, in the work of Charles Batteux. On this view, the modern conception of the fine arts had no parallel in the ancient world, the middle-ages or the modern period prior to Batteux. This paper argues that Kristeller was wrong. The ancient conception of the imitative arts completely overlaps with Batteux's fine arts: poetry, pain…

Art (20 works) · Philosophy (14 works) · Epistemology (12 works) · Sociology (12 works) · Art history (11 works) · Computer Science (8 works) · Visual arts (8 works) · Philosophy (7 works) · Aesthetics (6 works) · History (6 works)

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