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John McCulloch

Biographic Data

ID11086155
NAMEJohn McCulloch
GIVEN NAMESJohn
FAMILY NAMEMcCulloch
SIGNATUREMCCULLOCH J
AFFILIATIONSThe Bulletin of Spanish Studies Trust, UK
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS0
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2010
LATEST PUBLICATION YEAR2022
H-INDEX0
  • Reading the Text As a Socially Symbolic Act

    J R Mcculloch, John McCulloch•ARTICLE•Bulletin of Spanish Studies•2022

    This article examines a selection of poems from Federico García Lorca’s Poeta en Nueva York (1929), to consider the ideology that underpins it. Drawing on Fredric Jameson’s idea of the ‘political unconscious’, whereby every text can be read as a socially ‘symbolic act’, the author will argue that the poetic subject in Lorca’s New York poetry gives voice to a crisis of bourgeois selfhood, which is set against the backdrop of economic collapse and …

  • Ideology and Aesthetics in Cernuda's Un río, un Amor (1929)

    John A McCulloch, John McCulloch•ARTICLE•Bulletin of Spanish Studies•2015

    Luis Cernuda's poetic work has usually been divided into two main periods: the non-political poetry written prior to 1930, and the more heavily politicized poetry that was critical of the Primo de Rivera dictatorship thereafter. However, drawing on the work of Fredric Jameson, this article attempts to provide a ‘political’ reading of Luis Cernuda's landmark work of Un río, un amor (1929). Jameson argues that all literature is political, in the se…

  • The double death of the author

    John A McCulloch, John McCulloch•ARTICLE•Journal of Iberian & Latin…•2013•References: 3

    Federico García Lorca's Poeta en Nueva York continues to elicit considerable critical interest. Because of its avant-garde experimentation, it resists all reductive readings and lends itself to a plethora of interpretations on the part of critics and readers who appropriate Lorca for certain ends. My article shows that this process of appropriation is nothing new. In 1945, the Falangist philologist Joaquín de Entrambasaguas, writing during the ea…

  • Je vous souhaite d'être follement aimée’

    John A McCulloch, John McCulloch•ARTICLE•Journal of Iberian & Latin…•2010

    A woman I had loved for a long time, and a woman I shall call Aurelia, was lost to me. (Gerard de Nerval) Being no longer controlled by the powerful impulses of ‘common sense’ and the ‘normal’, the

No prominent works on this page.

  • Je vous souhaite d'être follement aimée’

    John A McCulloch, John McCulloch•ARTICLE•Journal of Iberian & Latin…•2010

    A woman I had loved for a long time, and a woman I shall call Aurelia, was lost to me. (Gerard de Nerval) Being no longer controlled by the powerful impulses of ‘common sense’ and the ‘normal’, the

  • The double death of the author

    John A McCulloch, John McCulloch•ARTICLE•Journal of Iberian & Latin…•2013•References: 3

    Federico García Lorca's Poeta en Nueva York continues to elicit considerable critical interest. Because of its avant-garde experimentation, it resists all reductive readings and lends itself to a plethora of interpretations on the part of critics and readers who appropriate Lorca for certain ends. My article shows that this process of appropriation is nothing new. In 1945, the Falangist philologist Joaquín de Entrambasaguas, writing during the ea…

  • Ideology and Aesthetics in Cernuda's Un río, un Amor (1929)

    John A McCulloch, John McCulloch•ARTICLE•Bulletin of Spanish Studies•2015

    Luis Cernuda's poetic work has usually been divided into two main periods: the non-political poetry written prior to 1930, and the more heavily politicized poetry that was critical of the Primo de Rivera dictatorship thereafter. However, drawing on the work of Fredric Jameson, this article attempts to provide a ‘political’ reading of Luis Cernuda's landmark work of Un río, un amor (1929). Jameson argues that all literature is political, in the se…

  • Reading the Text As a Socially Symbolic Act

    J R Mcculloch, John McCulloch•ARTICLE•Bulletin of Spanish Studies•2022

    This article examines a selection of poems from Federico García Lorca’s Poeta en Nueva York (1929), to consider the ideology that underpins it. Drawing on Fredric Jameson’s idea of the ‘political unconscious’, whereby every text can be read as a socially ‘symbolic act’, the author will argue that the poetic subject in Lorca’s New York poetry gives voice to a crisis of bourgeois selfhood, which is set against the backdrop of economic collapse and …

Art (4 works) · Spanish Literature and Culture Studies (4 works) · Humanities (3 works) · Law (3 works) · Law (3 works) · Literature (3 works) · Philosophy (3 works) · Philosophy (3 works) · Poetry (3 works) · Politics (3 works)

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