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H D F Kitto

Biographic Data

ID1108763
NAMEH D F Kitto
GIVEN NAMESH D F
FAMILY NAMEKitto
SIGNATUREKITTO H D F
AFFILIATIONSUniversity of Bristol
VERIFIEDNo
TOTAL WORKS24
TOTAL CITATIONS37
AUTHOR COUNT20
EDITOR COUNT3
FIRST PUBLICATION YEAR1933
LATEST PUBLICATION YEAR2017
H-INDEX3
  • The Greeks

    H D F Kitto•BOOK•Greeks•2017

    Most ancient cultures disappeared with scarcely a trace, their effect upon our modern way of life of little consequence. The Greeks, however, continue to influence contemporary man through their drama, philosophy and art, their political cognizance and knowledge of science.There are many books introducing the Greek world to the modern reader, but this volume was recognized as a classic in the field upon its publication by Penguin Books. It now ap…

  • Oxford World's Classics: Sophocles: Antigone; Oedipus the King; Electra

    Sophocles Sophocles, Sophocles et al.•BOOK•Antigone•2008

    Love and loyalty, hatred and revenge, fear, deprivation, and political ambition: these are the motives which thrust the characters portrayed in these three Sophoclean masterpieces on to their collision course with catastrophe

  • Electra

    Sophocles, H D F Kitto et al.•CHAPTER•Antigone•2008

    "Electra" published on by null.

  • The Athenian Woman

    H D F Kitto•CHAPTER•Sex and Difference in Ancient…•2003

  • The Athenian Woman

    H D F Kitto•CHAPTER•Sex and Difference in Ancient…•2003

    This chapter focuses on the position of women in Athens. It is the accepted view that the Athenian woman lived in an almost Oriental seclusion, regarded with indifference, even contempt. The evidence is partly the direct evidence of literature, partly the inferior legal status of women. Literature shows us a wholly masculine society: domestic life plays no part. It is orthodox to compare the repression of women in Athens with the freedom and resp…

  • Greek Tragedy: A Literary Study

    H D F Kitto•BOOK•Greek Tragedy•2002

  • Antigone, Oedipus the King, Electra

    Open Access•Sophocles Sophocles, Edith Hall et al.•BOOK•Antigone, Oedipus the King,…•1994

    Love and loyalty, hatred and revenge, fear, deprivation, and political ambition: these are the motives which thrust the characters portrayed in these three Sophoclean masterpieces on to their collision course with catastrophe. Recognized in his own day as perhaps the greatest of the Greek tragedians, Sophocles' reputation has remained undimmed for two and a half thousand years. His greatest innovation in the tragic medium was his development of a…

  • Poiesis: Structure and Thought

    Richmond Lattimore, H D F Kitto•ARTICLE•Phoenix•1967

  • Poiesis: Structure and Thought

    Ethyle R Wolfe, H D F Kitto•ARTICLE•The Classical World•1966

  • Rhetoric and poetic

    H D F Kitto•ARTICLE•Quarterly Journal of Speech•1966

    PAPERS IN RHETORIC AND POETIC. Edited by Donald C. Bryant. Iowa City: University of Iowa Press, 1965; pp. vii+96. $2.95; paper $1.95

  • The House, the City, and the Judge: The Growth of Moral Awareness in the Oresteia

    H D F Kitto, Richard Kuhns•ARTICLE•The Classical World•1964

  • Sophocles, Three Tragedies: Antigone, Oedipus the King, Electra. Translated into English Verse

    Peter D Arnott, Sophocles Sophocles et al.•ARTICLE•The Classical World•1962

  • Greek Tragedy and Dionysus

    Open Access•H D F Kitto•ARTICLE•Theatre Survey•1960

    It has become a firm article of belief that tragic drama, in Greece, grew out of the worship of Dionysus; that is to say, out of ideas and rites connected with the circling year, the mysteries of death and rebirth, alternating joy and sorrow, the sufferings and the triumph of the god, and so on. No doubt this might have happened; it sounds plausible. But did it happen? I think there are good reasons for being very sceptical about the whole theory

  • A Study of Sophoclean Drama

    Cedric H Whitman, G M Kirkwood et al.•ARTICLE•Phoenix•1960

  • Sophocles: Dramatist and Philosopher

    Herbert Musurillo, H D F Kitto•ARTICLE•The American Journal of Philology•1959

  • Sophocles: Dramatist and Philosopher

    John E Rexine, John Ε Rexine et al.•ARTICLE•The Classical World•1959•Cited by: 3

  • Form and Meaning in Drama: A Study of Six Greek Plays and of Hamlet

    G M Kirkwood, H D F Kitto•ARTICLE•Phoenix•1958

  • La Notion du Divin Depuis Homère Jusqu'à Platon

    Leonard Woodbury, H J Rose et al.•ARTICLE•Phoenix•1957

  • The Greek Chorus

    H D F Kitto•ARTICLE•Educational Theatre Journal•1956

  • The Greeks: A Study of the Character and History of an Ancient Civilization, and of the People Who Created It

    Larue Van Hook, H D F Kitto•ARTICLE•The Classical Weekly•1952

  • Greek Tragedy; A Literary Study

    Alfred Cary Schlesinger, H D F Kitto•ARTICLE•The American Journal of Philology•1942•Cited by: 9

    Provides illuminating answers to many questions: why did Sophocles develop character-drawing? How and why does it differ from that of Aeschylus? Why are some of Euripides' plots so bad and others so good

  • Greek Tragedy. A Literary Study

    Gilbert Highet, H D F Kitto•ARTICLE•The Classical Weekly•1942•Cited by: 24

  • The Final Scenes of the Phoenissae

    Open Access•H D F Kitto•ARTICLE•The Classical Review•1939•Cited by: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • In the Mountains of Greece

    Макарова О Л, H D F Kitto et al.•ARTICLE•Geographical Journal•1933

  • Greek Tragedy. A Literary Study

    Gilbert Highet, H D F Kitto•ARTICLE•The Classical Weekly•1942•Cited by: 24

  • Greek Tragedy; A Literary Study

    Alfred Cary Schlesinger, H D F Kitto•ARTICLE•The American Journal of Philology•1942•Cited by: 9

    Provides illuminating answers to many questions: why did Sophocles develop character-drawing? How and why does it differ from that of Aeschylus? Why are some of Euripides' plots so bad and others so good

  • Sophocles: Dramatist and Philosopher

    John E Rexine, John Ε Rexine et al.•ARTICLE•The Classical World•1959•Cited by: 3

  • The Final Scenes of the Phoenissae

    Open Access•H D F Kitto•ARTICLE•The Classical Review•1939•Cited by: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • In the Mountains of Greece

    Макарова О Л, H D F Kitto et al.•ARTICLE•Geographical Journal•1933

  • The Final Scenes of the Phoenissae

    Open Access•H D F Kitto•ARTICLE•The Classical Review•1939•Cited by: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Greek Tragedy; A Literary Study

    Alfred Cary Schlesinger, H D F Kitto•ARTICLE•The American Journal of Philology•1942•Cited by: 9

    Provides illuminating answers to many questions: why did Sophocles develop character-drawing? How and why does it differ from that of Aeschylus? Why are some of Euripides' plots so bad and others so good

  • Greek Tragedy. A Literary Study

    Gilbert Highet, H D F Kitto•ARTICLE•The Classical Weekly•1942•Cited by: 24

  • The Greeks: A Study of the Character and History of an Ancient Civilization, and of the People Who Created It

    Larue Van Hook, H D F Kitto•ARTICLE•The Classical Weekly•1952

  • The Greek Chorus

    H D F Kitto•ARTICLE•Educational Theatre Journal•1956

  • La Notion du Divin Depuis Homère Jusqu'à Platon

    Leonard Woodbury, H J Rose et al.•ARTICLE•Phoenix•1957

  • Form and Meaning in Drama: A Study of Six Greek Plays and of Hamlet

    G M Kirkwood, H D F Kitto•ARTICLE•Phoenix•1958

  • Sophocles: Dramatist and Philosopher

    Herbert Musurillo, H D F Kitto•ARTICLE•The American Journal of Philology•1959

  • Sophocles: Dramatist and Philosopher

    John E Rexine, John Ε Rexine et al.•ARTICLE•The Classical World•1959•Cited by: 3

  • Greek Tragedy and Dionysus

    Open Access•H D F Kitto•ARTICLE•Theatre Survey•1960

    It has become a firm article of belief that tragic drama, in Greece, grew out of the worship of Dionysus; that is to say, out of ideas and rites connected with the circling year, the mysteries of death and rebirth, alternating joy and sorrow, the sufferings and the triumph of the god, and so on. No doubt this might have happened; it sounds plausible. But did it happen? I think there are good reasons for being very sceptical about the whole theory

  • A Study of Sophoclean Drama

    Cedric H Whitman, G M Kirkwood et al.•ARTICLE•Phoenix•1960

  • Sophocles, Three Tragedies: Antigone, Oedipus the King, Electra. Translated into English Verse

    Peter D Arnott, Sophocles Sophocles et al.•ARTICLE•The Classical World•1962

  • The House, the City, and the Judge: The Growth of Moral Awareness in the Oresteia

    H D F Kitto, Richard Kuhns•ARTICLE•The Classical World•1964

  • Poiesis: Structure and Thought

    Ethyle R Wolfe, H D F Kitto•ARTICLE•The Classical World•1966

  • Rhetoric and poetic

    H D F Kitto•ARTICLE•Quarterly Journal of Speech•1966

    PAPERS IN RHETORIC AND POETIC. Edited by Donald C. Bryant. Iowa City: University of Iowa Press, 1965; pp. vii+96. $2.95; paper $1.95

  • Poiesis: Structure and Thought

    Richmond Lattimore, H D F Kitto•ARTICLE•Phoenix•1967

  • Antigone, Oedipus the King, Electra

    Open Access•Sophocles Sophocles, Edith Hall et al.•BOOK•Antigone, Oedipus the King,…•1994

    Love and loyalty, hatred and revenge, fear, deprivation, and political ambition: these are the motives which thrust the characters portrayed in these three Sophoclean masterpieces on to their collision course with catastrophe. Recognized in his own day as perhaps the greatest of the Greek tragedians, Sophocles' reputation has remained undimmed for two and a half thousand years. His greatest innovation in the tragic medium was his development of a…

  • Greek Tragedy: A Literary Study

    H D F Kitto•BOOK•Greek Tragedy•2002

  • The Athenian Woman

    H D F Kitto•CHAPTER•Sex and Difference in Ancient…•2003

  • The Athenian Woman

    H D F Kitto•CHAPTER•Sex and Difference in Ancient…•2003

    This chapter focuses on the position of women in Athens. It is the accepted view that the Athenian woman lived in an almost Oriental seclusion, regarded with indifference, even contempt. The evidence is partly the direct evidence of literature, partly the inferior legal status of women. Literature shows us a wholly masculine society: domestic life plays no part. It is orthodox to compare the repression of women in Athens with the freedom and resp…

  • Oxford World's Classics: Sophocles: Antigone; Oedipus the King; Electra

    Sophocles Sophocles, Sophocles et al.•BOOK•Antigone•2008

    Love and loyalty, hatred and revenge, fear, deprivation, and political ambition: these are the motives which thrust the characters portrayed in these three Sophoclean masterpieces on to their collision course with catastrophe

  • Electra

    Sophocles, H D F Kitto et al.•CHAPTER•Antigone•2008

    "Electra" published on by null.

  • The Greeks

    H D F Kitto•BOOK•Greeks•2017

    Most ancient cultures disappeared with scarcely a trace, their effect upon our modern way of life of little consequence. The Greeks, however, continue to influence contemporary man through their drama, philosophy and art, their political cognizance and knowledge of science.There are many books introducing the Greek world to the modern reader, but this volume was recognized as a classic in the field upon its publication by Penguin Books. It now ap…

Art (18 works) · Classical Antiquity Studies (16 works) · Literature (15 works) · Philosophy (14 works) · History (10 works) · History (7 works) · Aesthetics (5 works) · Classical Philosophy and Thought (5 works) · Philosophy (5 works) · Drama (3 works)

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