H D F Kitto
Biographic Data
| ID | 1108763 |
|---|---|
| NAME | H D F Kitto |
| GIVEN NAMES | H D F |
| FAMILY NAME | Kitto |
| SIGNATURE | KITTO H D F |
| AFFILIATIONS | University of Bristol |
| VERIFIED | No |
| TOTAL WORKS | 24 |
| TOTAL CITATIONS | 37 |
| AUTHOR COUNT | 20 |
| EDITOR COUNT | 3 |
| FIRST PUBLICATION YEAR | 1933 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 3 |
The Greeks
Most ancient cultures disappeared with scarcely a trace, their effect upon our modern way of life of little consequence. The Greeks, however, continue to influence contemporary man through their drama, philosophy and art, their political cognizance and knowledge of science.There are many books introducing the Greek world to the modern reader, but this volume was recognized as a classic in the field upon its publication by Penguin Books. It now ap…
Oxford World's Classics: Sophocles: Antigone; Oedipus the King; Electra
Love and loyalty, hatred and revenge, fear, deprivation, and political ambition: these are the motives which thrust the characters portrayed in these three Sophoclean masterpieces on to their collision course with catastrophe
Electra
"Electra" published on by null.
The Athenian Woman
The Athenian Woman
This chapter focuses on the position of women in Athens. It is the accepted view that the Athenian woman lived in an almost Oriental seclusion, regarded with indifference, even contempt. The evidence is partly the direct evidence of literature, partly the inferior legal status of women. Literature shows us a wholly masculine society: domestic life plays no part. It is orthodox to compare the repression of women in Athens with the freedom and resp…
Greek Tragedy: A Literary Study
Antigone, Oedipus the King, Electra
Love and loyalty, hatred and revenge, fear, deprivation, and political ambition: these are the motives which thrust the characters portrayed in these three Sophoclean masterpieces on to their collision course with catastrophe. Recognized in his own day as perhaps the greatest of the Greek tragedians, Sophocles' reputation has remained undimmed for two and a half thousand years. His greatest innovation in the tragic medium was his development of a…
Poiesis: Structure and Thought
Poiesis: Structure and Thought
Rhetoric and poetic
PAPERS IN RHETORIC AND POETIC. Edited by Donald C. Bryant. Iowa City: University of Iowa Press, 1965; pp. vii+96. $2.95; paper $1.95
The House, the City, and the Judge: The Growth of Moral Awareness in the Oresteia
Sophocles, Three Tragedies: Antigone, Oedipus the King, Electra. Translated into English Verse
Greek Tragedy and Dionysus
It has become a firm article of belief that tragic drama, in Greece, grew out of the worship of Dionysus; that is to say, out of ideas and rites connected with the circling year, the mysteries of death and rebirth, alternating joy and sorrow, the sufferings and the triumph of the god, and so on. No doubt this might have happened; it sounds plausible. But did it happen? I think there are good reasons for being very sceptical about the whole theory
A Study of Sophoclean Drama
Sophocles: Dramatist and Philosopher
Sophocles: Dramatist and Philosopher
Form and Meaning in Drama: A Study of Six Greek Plays and of Hamlet
La Notion du Divin Depuis Homère Jusqu'à Platon
The Greek Chorus
The Greeks: A Study of the Character and History of an Ancient Civilization, and of the People Who Created It
Greek Tragedy; A Literary Study
Provides illuminating answers to many questions: why did Sophocles develop character-drawing? How and why does it differ from that of Aeschylus? Why are some of Euripides' plots so bad and others so good
Greek Tragedy. A Literary Study
The Final Scenes of the Phoenissae
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
In the Mountains of Greece
Greek Tragedy. A Literary Study
Greek Tragedy; A Literary Study
Provides illuminating answers to many questions: why did Sophocles develop character-drawing? How and why does it differ from that of Aeschylus? Why are some of Euripides' plots so bad and others so good
Sophocles: Dramatist and Philosopher
The Final Scenes of the Phoenissae
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
In the Mountains of Greece
The Final Scenes of the Phoenissae
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Greek Tragedy; A Literary Study
Provides illuminating answers to many questions: why did Sophocles develop character-drawing? How and why does it differ from that of Aeschylus? Why are some of Euripides' plots so bad and others so good
Greek Tragedy. A Literary Study
The Greeks: A Study of the Character and History of an Ancient Civilization, and of the People Who Created It
The Greek Chorus
La Notion du Divin Depuis Homère Jusqu'à Platon
Form and Meaning in Drama: A Study of Six Greek Plays and of Hamlet
Sophocles: Dramatist and Philosopher
Sophocles: Dramatist and Philosopher
Greek Tragedy and Dionysus
It has become a firm article of belief that tragic drama, in Greece, grew out of the worship of Dionysus; that is to say, out of ideas and rites connected with the circling year, the mysteries of death and rebirth, alternating joy and sorrow, the sufferings and the triumph of the god, and so on. No doubt this might have happened; it sounds plausible. But did it happen? I think there are good reasons for being very sceptical about the whole theory
A Study of Sophoclean Drama
Sophocles, Three Tragedies: Antigone, Oedipus the King, Electra. Translated into English Verse
The House, the City, and the Judge: The Growth of Moral Awareness in the Oresteia
Poiesis: Structure and Thought
Rhetoric and poetic
PAPERS IN RHETORIC AND POETIC. Edited by Donald C. Bryant. Iowa City: University of Iowa Press, 1965; pp. vii+96. $2.95; paper $1.95
Poiesis: Structure and Thought
Antigone, Oedipus the King, Electra
Love and loyalty, hatred and revenge, fear, deprivation, and political ambition: these are the motives which thrust the characters portrayed in these three Sophoclean masterpieces on to their collision course with catastrophe. Recognized in his own day as perhaps the greatest of the Greek tragedians, Sophocles' reputation has remained undimmed for two and a half thousand years. His greatest innovation in the tragic medium was his development of a…
Greek Tragedy: A Literary Study
The Athenian Woman
The Athenian Woman
This chapter focuses on the position of women in Athens. It is the accepted view that the Athenian woman lived in an almost Oriental seclusion, regarded with indifference, even contempt. The evidence is partly the direct evidence of literature, partly the inferior legal status of women. Literature shows us a wholly masculine society: domestic life plays no part. It is orthodox to compare the repression of women in Athens with the freedom and resp…
Oxford World's Classics: Sophocles: Antigone; Oedipus the King; Electra
Love and loyalty, hatred and revenge, fear, deprivation, and political ambition: these are the motives which thrust the characters portrayed in these three Sophoclean masterpieces on to their collision course with catastrophe
Electra
"Electra" published on by null.
The Greeks
Most ancient cultures disappeared with scarcely a trace, their effect upon our modern way of life of little consequence. The Greeks, however, continue to influence contemporary man through their drama, philosophy and art, their political cognizance and knowledge of science.There are many books introducing the Greek world to the modern reader, but this volume was recognized as a classic in the field upon its publication by Penguin Books. It now ap…
Art (18 works) · Classical Antiquity Studies (16 works) · Literature (15 works) · Philosophy (14 works) · History (10 works) · History (7 works) · Aesthetics (5 works) · Classical Philosophy and Thought (5 works) · Philosophy (5 works) · Drama (3 works)