Bernard Duyfhuizen
Biographic Data
| ID | 1108992 |
|---|---|
| NAME | Bernard Duyfhuizen |
| GIVEN NAMES | Bernard |
| FAMILY NAME | Duyfhuizen |
| SIGNATURE | DUYFHUIZEN B |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1983 |
| LATEST PUBLICATION YEAR | 2009 |
| H-INDEX | 0 |
"God Knows, Few of Us Are Strangers to Moral Ambiguity": Thomas Pynchon's Inherent Vice (review)
Reviewed by: "God Knows, Few of Us Are Strangers to Moral Ambiguity": Thomas Pynchon's Inherent Vice Bernard Duyfhuizen (bio) Thomas Pynchon, Inherent Vice. New York: The Penguin Press, 2009. With his seventh novel, Inherent Vice, Thomas Pynchon brings his readers back to late 1960s California for the third time—though the story is set in 1970. As with The Crying of Lot 49 (1966) and Vineland (1990), Pynchon is again exploring a particular moment…
"The Exact Degree of Fictitiousness": Thomas Pynchon's Against the Day
“The Exact Degree of Fictitiousness”: Thomas Pynchon’s Against the Day Bernard Duyfhuizen (bio) Review of: Pynchon, Thomas. Against the Day. New York: Penguin, 2006. With Against the Day, Thomas Pynchon has given us his sixth novel in the forty-three years since V. was published in 1963. With that auspicious beginning (V. won the William Faulkner Foundation Award for the best first novel of 1963), Pynchon set a high bar for his fiction, one he ra…
Framing Narrative
"A Suspension Forever at the Hinge of Doubt": The Reader-trap of Bianca in Gravity's Rainbow
“A Suspension Forever at the Hinge of Doubt”: The Reader-trap Of Bianca In Gravity’s Rainbow Bernard Duyfhuizen No matter how much we work on Gravity’s Rainbow, our most important interpretive discovery will be that it resists analysis—that is, being broken down into distinct units of meaning. To talk about Bianca is to talk about Ilse and Gottfried; to try to describe the Zone is to enumerate all the images of other times and places that are rep…
"That Which I Dare not Name": "Aphra Behn's "The Willing Mistress
Losing the Text: Readings in Literary Desire
Deconstruction and Feminist Literary Theory
Substance under Pressure: Artistic Coherence and Evolving Form in the Novels of Doris Lessing
Signs and Symptoms: Thomas Pynchon and the Contemporary World
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Signs and Symptoms: Thomas Pynchon and the Contemporary World
Deconstruction and Feminist Literary Theory
Substance under Pressure: Artistic Coherence and Evolving Form in the Novels of Doris Lessing
Losing the Text: Readings in Literary Desire
"A Suspension Forever at the Hinge of Doubt": The Reader-trap of Bianca in Gravity's Rainbow
“A Suspension Forever at the Hinge of Doubt”: The Reader-trap Of Bianca In Gravity’s Rainbow Bernard Duyfhuizen No matter how much we work on Gravity’s Rainbow, our most important interpretive discovery will be that it resists analysis—that is, being broken down into distinct units of meaning. To talk about Bianca is to talk about Ilse and Gottfried; to try to describe the Zone is to enumerate all the images of other times and places that are rep…
"That Which I Dare not Name": "Aphra Behn's "The Willing Mistress
Framing Narrative
"The Exact Degree of Fictitiousness": Thomas Pynchon's Against the Day
“The Exact Degree of Fictitiousness”: Thomas Pynchon’s Against the Day Bernard Duyfhuizen (bio) Review of: Pynchon, Thomas. Against the Day. New York: Penguin, 2006. With Against the Day, Thomas Pynchon has given us his sixth novel in the forty-three years since V. was published in 1963. With that auspicious beginning (V. won the William Faulkner Foundation Award for the best first novel of 1963), Pynchon set a high bar for his fiction, one he ra…
"God Knows, Few of Us Are Strangers to Moral Ambiguity": Thomas Pynchon's Inherent Vice (review)
Reviewed by: "God Knows, Few of Us Are Strangers to Moral Ambiguity": Thomas Pynchon's Inherent Vice Bernard Duyfhuizen (bio) Thomas Pynchon, Inherent Vice. New York: The Penguin Press, 2009. With his seventh novel, Inherent Vice, Thomas Pynchon brings his readers back to late 1960s California for the third time—though the story is set in 1970. As with The Crying of Lot 49 (1966) and Vineland (1990), Pynchon is again exploring a particular moment…
Art (9 works) · Literature (8 works) · Aesthetics (7 works) · Contemporary Literature and Criticism (5 works) · Narrative Theory and Analysis (4 works) · Art history (3 works) · History (3 works) · Philosophy (3 works) · Physics (3 works) · Psychology (3 works)