John Matthias
Biographic Data
| ID | 1109113 |
|---|---|
| NAME | John Matthias |
| GIVEN NAMES | John |
| FAMILY NAME | Matthias |
| SIGNATURE | MATTHIAS J |
| AFFILIATIONS | University of Plymouth |
| VERIFIED | No |
| TOTAL WORKS | 17 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 15 |
| WORKS AS EDITOR | 2 |
| FIRST PUBLICATION YEAR | 1977 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
The Oxford Handbook of Sound Art
The Oxford Handbook of Sound Art is a collection of new essays by artists and thinkers exploring the uses of sound in contemporary arts practice. Between them these chapters bring together a wide variety of perspectives and practices from around the world into the six overarching themes of Space, Time, Things, Fabric, Senses, and Relationality that form the structure of the book. These themes were chosen to represent some of the key areas of deba…
Plasticities and Ghosts
This paper examines aspects of neurological memory, rhythm and time within the works Ghost (Jane Grant) and Plasticity (Jane Grant, John Matthias, Nick Ryan and Kin)
Cloud Chamber
‘Cloud Chamber’ - a composition by Alexis Kirke, Antonino Chiaramonte, and Anna Troisi - is a live performance in which the invisible quantum world becomes visible as a violinist and subatomic particle tracks interact together. An electronic instrument was developed which can be “played” live by radioactive atomic particles. Electronic circuitry was developed enabling a violin to create a physical force field that directly affects the ions genera…
Notre Dame Review
Music Neurotechnology for Sound Synthesis
Music neurotechnology is a new research area emerging at the crossroads of neurobiology, engineering sciences and music. Examples of ongoing research into this new area include the development of brain-computer interfaces to control music systems and systems for automatic classification of sounds informed by the neurobiology of the human auditory apparatus. The authors introduce neurogranular sampling, a new sound synthesis technique based on spi…
Cortical Songs
Northern Summer
The Castle
Pied-a-Terre
The Mine
A Voice
A Prince
A Queen
Kirkcaldy
Ossian, etc
[And I Stare Quizzically at What I've Written Here]
The World of the Naam Moh Lo
The Oxford Handbook of Sound Art
The Oxford Handbook of Sound Art is a collection of new essays by artists and thinkers exploring the uses of sound in contemporary arts practice. Between them these chapters bring together a wide variety of perspectives and practices from around the world into the six overarching themes of Space, Time, Things, Fabric, Senses, and Relationality that form the structure of the book. These themes were chosen to represent some of the key areas of deba…
The World of the Naam Moh Lo
The Castle
Pied-a-Terre
The Mine
A Voice
A Prince
A Queen
Kirkcaldy
Ossian, etc
[And I Stare Quizzically at What I've Written Here]
Northern Summer
Cortical Songs
Notre Dame Review
Music Neurotechnology for Sound Synthesis
Music neurotechnology is a new research area emerging at the crossroads of neurobiology, engineering sciences and music. Examples of ongoing research into this new area include the development of brain-computer interfaces to control music systems and systems for automatic classification of sounds informed by the neurobiology of the human auditory apparatus. The authors introduce neurogranular sampling, a new sound synthesis technique based on spi…
Plasticities and Ghosts
This paper examines aspects of neurological memory, rhythm and time within the works Ghost (Jane Grant) and Plasticity (Jane Grant, John Matthias, Nick Ryan and Kin)
Cloud Chamber
‘Cloud Chamber’ - a composition by Alexis Kirke, Antonino Chiaramonte, and Anna Troisi - is a live performance in which the invisible quantum world becomes visible as a violinist and subatomic particle tracks interact together. An electronic instrument was developed which can be “played” live by radioactive atomic particles. Electronic circuitry was developed enabling a violin to create a physical force field that directly affects the ions genera…
The Oxford Handbook of Sound Art
The Oxford Handbook of Sound Art is a collection of new essays by artists and thinkers exploring the uses of sound in contemporary arts practice. Between them these chapters bring together a wide variety of perspectives and practices from around the world into the six overarching themes of Space, Time, Things, Fabric, Senses, and Relationality that form the structure of the book. These themes were chosen to represent some of the key areas of deba…
Art (7 works) · History (6 works) · History (5 works) · Computer Science (4 works) · Psychology (4 works) · Acoustics (3 works) · Advanced Memory and Neural Computing (3 works) · Neural dynamics and brain function (3 works) · Neuroscience (3 works) · Philosophy (3 works)