R Beau Lotto
Biographic Data
| ID | 1109637 |
|---|---|
| NAME | R Beau Lotto |
| GIVEN NAMES | R Beau |
| FAMILY NAME | Lotto |
| SIGNATURE | LOTTO R B |
| AFFILIATIONS | R. Beau Lotto (educator), Lottolab Studio, University College London, 11-43 Bath Street, London, EC1V 9EL.. |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
Soma
Artists and scientists have long had an interest in the relationship between music and visual art, leading up to the present-day art form of correlated animation and music called visual music. Current live performance tools and paradigms for visual music, however, are subject to several limitations. The work reported here addresses these through a transdisciplinary integration of findings from several research areas, detailing the resulting ideas…
Code Bending
Creative coding, or artistic creation through the medium of program instructions, is constantly gaining traction, and there is a steady stream of new resources emerging to support it. However, the question of how creative coding is carried out still deserves more attention. In what ways may the act of program development be rendered conducive to artistic creativity? As one possible answer to this question, the authors present and discuss a new cr…
Harnessing the Enactive Knowledge of Musicians to Allow the Real-Time Performance of Correlated Music and Computer Graphics
February 01 2009 Harnessing the Enactive Knowledge of Musicians to Allow the Real-Time Performance of Correlated Music and Computer Graphics Ilias Bergstrom, Ilias Bergstrom Search for other works by this author on: This Site Google Scholar R. Beau Lotto R. Beau Lotto Search for other works by this author on: This Site Google Scholar Author and Article Information Ilias Bergstrom R. Beau Lotto Online ISSN: 1530-9282 Print ISSN: 0024-094X © 2009 M…
The empirical basis of color perception
Code Bending
Creative coding, or artistic creation through the medium of program instructions, is constantly gaining traction, and there is a steady stream of new resources emerging to support it. However, the question of how creative coding is carried out still deserves more attention. In what ways may the act of program development be rendered conducive to artistic creativity? As one possible answer to this question, the authors present and discuss a new cr…
The empirical basis of color perception
Harnessing the Enactive Knowledge of Musicians to Allow the Real-Time Performance of Correlated Music and Computer Graphics
February 01 2009 Harnessing the Enactive Knowledge of Musicians to Allow the Real-Time Performance of Correlated Music and Computer Graphics Ilias Bergstrom, Ilias Bergstrom Search for other works by this author on: This Site Google Scholar R. Beau Lotto R. Beau Lotto Search for other works by this author on: This Site Google Scholar Author and Article Information Ilias Bergstrom R. Beau Lotto Online ISSN: 1530-9282 Print ISSN: 0024-094X © 2009 M…
Code Bending
Creative coding, or artistic creation through the medium of program instructions, is constantly gaining traction, and there is a steady stream of new resources emerging to support it. However, the question of how creative coding is carried out still deserves more attention. In what ways may the act of program development be rendered conducive to artistic creativity? As one possible answer to this question, the authors present and discuss a new cr…
Soma
Artists and scientists have long had an interest in the relationship between music and visual art, leading up to the present-day art form of correlated animation and music called visual music. Current live performance tools and paradigms for visual music, however, are subject to several limitations. The work reported here addresses these through a transdisciplinary integration of findings from several research areas, detailing the resulting ideas…
Computer Science (4 works) · Music Technology and Sound Studies (3 works) · Psychology (3 works) · Art (2 works) · Multimedia (2 works) · Musical (2 works) · Neuroscience (2 works) · Neuroscience and Music Perception (2 works) · Visual arts (2 works) · Aesthetic Perception and Analysis (1 work)