Gerardine Meaney
Biographic Data
| ID | 1110197 |
|---|---|
| NAME | Gerardine Meaney |
| GIVEN NAMES | Gerardine |
| FAMILY NAME | Meaney |
| SIGNATURE | MEANEY G |
| AFFILIATIONS | University College Dublin |
| ORCID | 0000-0002-5412-5007 |
| VERIFIED | Yes |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 17 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 2 |
| FIRST PUBLICATION YEAR | 1941 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 2 |
A Disruptive Modernist
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Reading the Irish Woman
Reading the Irish Woman
In 1700 few Irishwomen were literate. Most lived in a rural environment, rarely encountered a book or a play or ventured much beyond their own domestic space. By 1960 literacy was universal, all Irishwomen attended primary school, had access to a variety of books, magazines, newspapers and other forms of popular media and the wider world was now part of their every-day life. This study seeks to examine the cultural encounters and exchanges inhere…
Gender, Ireland and Cultural Change
This book analyzes the roots of Irish social and sexual conservatism and the dramatic change in one of the most basic areas of human experience: how we understand our roles as men and women. It looks at the relationship between sexual and cultural dissent and the long, slow role of culture in generating change. Meaney offers the first major study that sets the relationship between national and gender identities in the context of analysis of Irish…
Regendering modernism
The period between 1922 and 1960 is often characterized as one of social and cultural stagnation in Ireland. Irish fiction was dominated by an avant-garde writing in exile and the local dominance of the short story. Attention to the non-canonical fiction of women during the period, however, reveals a literature that exceeds this paradigm. Meaney focuses on two novels, The Troubled House by Rosamond Jacob and As Music and Splendour by Kate O’Brien…
The Field Day Anthology of Irish Writing, Volume V
The Field Day Anthology of Irish Writing, Volume IV
Landscapes of desire
(1998). Landscapes of desire: Women and Ireland on film. Women: A Cultural Review: Vol. 9, No. 3, pp. 237-251
A Dozen Lips
Myth, history and the politics of subjectivity
1993). Myth, history and the politics of subjectivity: Eavan Boland and Irish women's writing. Women: A Cultural Review: Vol. 4, No. 2, pp. 136-153
Closed Wounds of the Chest, and the Physician's Place in a Chest Team.--I
The aim of this pamphlet is to challenge the assumptions\nmade by and about the women's movement in Ireland. It is\nto some extent a retrospective exercise, an attempt to\nanalyse and respond to some of the ideas put forward in\nprevious pamphlets in this series. It is, more importantly,\nan attempt to suggest directions in which Irish feminism\ncan move in the future, an attempt to learn from the\nreverses and successes of the 1980s and to ident…
Gender, Ireland and Cultural Change
This book analyzes the roots of Irish social and sexual conservatism and the dramatic change in one of the most basic areas of human experience: how we understand our roles as men and women. It looks at the relationship between sexual and cultural dissent and the long, slow role of culture in generating change. Meaney offers the first major study that sets the relationship between national and gender identities in the context of analysis of Irish…
Myth, history and the politics of subjectivity
1993). Myth, history and the politics of subjectivity: Eavan Boland and Irish women's writing. Women: A Cultural Review: Vol. 4, No. 2, pp. 136-153
Landscapes of desire
(1998). Landscapes of desire: Women and Ireland on film. Women: A Cultural Review: Vol. 9, No. 3, pp. 237-251
Closed Wounds of the Chest, and the Physician's Place in a Chest Team.--I
The aim of this pamphlet is to challenge the assumptions\nmade by and about the women's movement in Ireland. It is\nto some extent a retrospective exercise, an attempt to\nanalyse and respond to some of the ideas put forward in\nprevious pamphlets in this series. It is, more importantly,\nan attempt to suggest directions in which Irish feminism\ncan move in the future, an attempt to learn from the\nreverses and successes of the 1980s and to ident…
Myth, history and the politics of subjectivity
1993). Myth, history and the politics of subjectivity: Eavan Boland and Irish women's writing. Women: A Cultural Review: Vol. 4, No. 2, pp. 136-153
A Dozen Lips
Landscapes of desire
(1998). Landscapes of desire: Women and Ireland on film. Women: A Cultural Review: Vol. 9, No. 3, pp. 237-251
The Field Day Anthology of Irish Writing, Volume V
The Field Day Anthology of Irish Writing, Volume IV
Regendering modernism
The period between 1922 and 1960 is often characterized as one of social and cultural stagnation in Ireland. Irish fiction was dominated by an avant-garde writing in exile and the local dominance of the short story. Attention to the non-canonical fiction of women during the period, however, reveals a literature that exceeds this paradigm. Meaney focuses on two novels, The Troubled House by Rosamond Jacob and As Music and Splendour by Kate O’Brien…
Gender, Ireland and Cultural Change
This book analyzes the roots of Irish social and sexual conservatism and the dramatic change in one of the most basic areas of human experience: how we understand our roles as men and women. It looks at the relationship between sexual and cultural dissent and the long, slow role of culture in generating change. Meaney offers the first major study that sets the relationship between national and gender identities in the context of analysis of Irish…
Reading the Irish Woman
Reading the Irish Woman
In 1700 few Irishwomen were literate. Most lived in a rural environment, rarely encountered a book or a play or ventured much beyond their own domestic space. By 1960 literacy was universal, all Irishwomen attended primary school, had access to a variety of books, magazines, newspapers and other forms of popular media and the wider world was now part of their every-day life. This study seeks to examine the cultural encounters and exchanges inhere…
A Disruptive Modernist
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Irish and British Studies (10 works) · History (8 works) · Irish (8 works) · Philosophy (8 works) · Linguistics (7 works) · Art (6 works) · Gender Studies (5 works) · Sociology (5 works) · Gender Studies (3 works) · Literature (3 works)