Irena Sever Globan
Biographic Data
| ID | 1111176 |
|---|---|
| NAME | Irena Sever Globan |
| GIVEN NAMES | Irena Sever |
| FAMILY NAME | Globan |
| SIGNATURE | GLOBAN I S |
| AFFILIATIONS | Catholic University of Croatia |
| ORCID | 0000-0001-6214-9124 |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Believing Women
Contemporary cinema increasingly portrays believing women as active moral agents rather than passive figures confined by patriarchal or religious stereotypes. However, scholarship on religion and film has predominantly focused on male religious figures, leaving the representation of believing women comparatively underexplored, especially in films directed by women in the twenty-first century. This paper addresses this gap by examining how female …
Is God a Woman? Female Faces of God in Contemporary Cinema
Film, as a medium, serves not only as a significant source of entertainment but also as a powerful instrument in shaping attitudes, beliefs, behaviours, social norms, and identities. Since its inception, cinematic art has been closely intertwined with religious themes, with many film narratives drawing implicitly or explicitly from biblical texts and religious traditions. Consequently, theologians and ecclesiastical authorities were quick to iden…
Children as a Reflection of Transcendence in the Filmography of Andrei Tarkovsky
Andrej Tarkovsky is a Russian film author who has indebted the entire world's cinematography with his cinematic style. His (auto)biography and filmography give us a hint that he was a deeply religious man who believed that art should serve to deepen man's spirituality. By watching and analyzing the author's films, we came to the hypothesis that Tarkovsky uses the characters of children to express something supernatural, and therefore, we wanted t…
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Children as a Reflection of Transcendence in the Filmography of Andrei Tarkovsky
Andrej Tarkovsky is a Russian film author who has indebted the entire world's cinematography with his cinematic style. His (auto)biography and filmography give us a hint that he was a deeply religious man who believed that art should serve to deepen man's spirituality. By watching and analyzing the author's films, we came to the hypothesis that Tarkovsky uses the characters of children to express something supernatural, and therefore, we wanted t…
Is God a Woman? Female Faces of God in Contemporary Cinema
Film, as a medium, serves not only as a significant source of entertainment but also as a powerful instrument in shaping attitudes, beliefs, behaviours, social norms, and identities. Since its inception, cinematic art has been closely intertwined with religious themes, with many film narratives drawing implicitly or explicitly from biblical texts and religious traditions. Consequently, theologians and ecclesiastical authorities were quick to iden…
Believing Women
Contemporary cinema increasingly portrays believing women as active moral agents rather than passive figures confined by patriarchal or religious stereotypes. However, scholarship on religion and film has predominantly focused on male religious figures, leaving the representation of believing women comparatively underexplored, especially in films directed by women in the twenty-first century. This paper addresses this gap by examining how female …
Movie theater (3 works) · Art (2 works) · Art history (2 works) · Aesthetics (1 work) · Agency (philosophy) (1 work) · Anthropological Studies and Insights (1 work) · Biography (1 work) · Filmography (1 work) · Identity, Memory, and Therapy (1 work) · Islamic Studies and History (1 work)