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Viktor Shklovsky

Biographic Data

ID1111746
NAMEViktor Shklovsky
GIVEN NAMESViktor
FAMILY NAMEShklovsky
SIGNATURESHKLOVSKY V
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS32
WORKS AS AUTHOR11
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1969
LATEST PUBLICATION YEAR2015
H-INDEX3
  • Art, as Device

    Viktor Shklovsky, Alexandra Berlina•ARTICLE•Poetics Today•2015•Cited by: 20•References: 4

    We get used to horrible things and stop fearing them. We get used to beautiful things and stop enjoying them. We get used to people and stop experiencing them as personalities. Art is a means to make things real again. These ideas, expressed by a very young and polemically minded Viktor Shklovsky almost a hundred years ago, are as relevant today as ever: current studies in cognition confirm his insights about the process of automatization and its…

  • Russian Short Stories from Pushkin to Buida

    Elizabeth M Sheynzon, Robert J Chandler et al.•ARTICLE•The Slavic and East European…•2006

    From the reign of the Tsars in the early 19th century to the collapse of the Soviet Union and beyond, the short story has long occupied a central place in Russian culture. Included are pieces from many of the acknowledged masters of Russian literature - including Pushkin, Turgenev, Dostoyevsky, Tolstoy, and Solzhenitsyn - alongside tales by long-suppressed figures such as the subversive Kryzhanowsky and the surrealist Shalamov. Whether written in…

  • Third Factory

    Lynne Ikach, Viktor Shklovsky et al.•ARTICLE•The Slavic and East European…•2003

  • Theory of Prose

    Viktor Shklovsky, Benjamin Sher•ARTICLE•Poetics Today•1992

  • On Poetry and Trans-Sense Language

    Viktor Shklovsky, Gerald Janecek et al.•ARTICLE•October•1985•Cited by: 3

    This essay originally appeared as O poezii i zaumnom yazyke, in Sborniki po teorii poeticheskogoyazyka, I (Petrograd, 1916), pp. 1-15 and, in the new orthography, in Poetika: Sbornikipo teorii poeticheskogoyazyka, I (Petrograd, 1916), pp. 13-26. The versions differ only in orthography and a few details of punctuation. [From this point, asterisks mark Shklovsky's own footnotes, as they did in the original. The numbered footnotes have been provided…

  • Mayakovsky and His Circle

    Richard Sheldon, Viktor Shklovsky et al.•ARTICLE•The Russian Review•1973•Cited by: 4

  • A Sentimental Journey

    R K Wilson, Viktor Shklovsky et al.•ARTICLE•The Slavic and East European…•1972

  • Zoo, or Letters not about Love

    Lauren G Leighton, Viktor Shklovsky et al.•ARTICLE•The Russian Review•1972•Cited by: 1

  • Zoo, or Letters Not about Love

    Maurice Friedberg, Viktor Shklovsky et al.•ARTICLE•The Slavic and East European…•1972•Cited by: 2

  • A Sentimental Journey. Memoirs, 1917-1922

    George Gibian, Viktor Shklovsky et al.•ARTICLE•The Russian Review•1970•Cited by: 1

  • Recent Works on Leo Tolstoy

    Kathryn B Feuer, Harry J Mooney et al.•ARTICLE•The Russian Review•1969•Cited by: 1

  • Art, as Device

    Viktor Shklovsky, Alexandra Berlina•ARTICLE•Poetics Today•2015•Cited by: 20•References: 4

    We get used to horrible things and stop fearing them. We get used to beautiful things and stop enjoying them. We get used to people and stop experiencing them as personalities. Art is a means to make things real again. These ideas, expressed by a very young and polemically minded Viktor Shklovsky almost a hundred years ago, are as relevant today as ever: current studies in cognition confirm his insights about the process of automatization and its…

  • Mayakovsky and His Circle

    Richard Sheldon, Viktor Shklovsky et al.•ARTICLE•The Russian Review•1973•Cited by: 4

  • On Poetry and Trans-Sense Language

    Viktor Shklovsky, Gerald Janecek et al.•ARTICLE•October•1985•Cited by: 3

    This essay originally appeared as O poezii i zaumnom yazyke, in Sborniki po teorii poeticheskogoyazyka, I (Petrograd, 1916), pp. 1-15 and, in the new orthography, in Poetika: Sbornikipo teorii poeticheskogoyazyka, I (Petrograd, 1916), pp. 13-26. The versions differ only in orthography and a few details of punctuation. [From this point, asterisks mark Shklovsky's own footnotes, as they did in the original. The numbered footnotes have been provided…

  • Zoo, or Letters Not about Love

    Maurice Friedberg, Viktor Shklovsky et al.•ARTICLE•The Slavic and East European…•1972•Cited by: 2

  • Zoo, or Letters not about Love

    Lauren G Leighton, Viktor Shklovsky et al.•ARTICLE•The Russian Review•1972•Cited by: 1

  • A Sentimental Journey. Memoirs, 1917-1922

    George Gibian, Viktor Shklovsky et al.•ARTICLE•The Russian Review•1970•Cited by: 1

  • Recent Works on Leo Tolstoy

    Kathryn B Feuer, Harry J Mooney et al.•ARTICLE•The Russian Review•1969•Cited by: 1

  • Recent Works on Leo Tolstoy

    Kathryn B Feuer, Harry J Mooney et al.•ARTICLE•The Russian Review•1969•Cited by: 1

  • A Sentimental Journey. Memoirs, 1917-1922

    George Gibian, Viktor Shklovsky et al.•ARTICLE•The Russian Review•1970•Cited by: 1

  • A Sentimental Journey

    R K Wilson, Viktor Shklovsky et al.•ARTICLE•The Slavic and East European…•1972

  • Zoo, or Letters not about Love

    Lauren G Leighton, Viktor Shklovsky et al.•ARTICLE•The Russian Review•1972•Cited by: 1

  • Zoo, or Letters Not about Love

    Maurice Friedberg, Viktor Shklovsky et al.•ARTICLE•The Slavic and East European…•1972•Cited by: 2

  • Mayakovsky and His Circle

    Richard Sheldon, Viktor Shklovsky et al.•ARTICLE•The Russian Review•1973•Cited by: 4

  • On Poetry and Trans-Sense Language

    Viktor Shklovsky, Gerald Janecek et al.•ARTICLE•October•1985•Cited by: 3

    This essay originally appeared as O poezii i zaumnom yazyke, in Sborniki po teorii poeticheskogoyazyka, I (Petrograd, 1916), pp. 1-15 and, in the new orthography, in Poetika: Sbornikipo teorii poeticheskogoyazyka, I (Petrograd, 1916), pp. 13-26. The versions differ only in orthography and a few details of punctuation. [From this point, asterisks mark Shklovsky's own footnotes, as they did in the original. The numbered footnotes have been provided…

  • Theory of Prose

    Viktor Shklovsky, Benjamin Sher•ARTICLE•Poetics Today•1992

  • Third Factory

    Lynne Ikach, Viktor Shklovsky et al.•ARTICLE•The Slavic and East European…•2003

  • Russian Short Stories from Pushkin to Buida

    Elizabeth M Sheynzon, Robert J Chandler et al.•ARTICLE•The Slavic and East European…•2006

    From the reign of the Tsars in the early 19th century to the collapse of the Soviet Union and beyond, the short story has long occupied a central place in Russian culture. Included are pieces from many of the acknowledged masters of Russian literature - including Pushkin, Turgenev, Dostoyevsky, Tolstoy, and Solzhenitsyn - alongside tales by long-suppressed figures such as the subversive Kryzhanowsky and the surrealist Shalamov. Whether written in…

  • Art, as Device

    Viktor Shklovsky, Alexandra Berlina•ARTICLE•Poetics Today•2015•Cited by: 20•References: 4

    We get used to horrible things and stop fearing them. We get used to beautiful things and stop enjoying them. We get used to people and stop experiencing them as personalities. Art is a means to make things real again. These ideas, expressed by a very young and polemically minded Viktor Shklovsky almost a hundred years ago, are as relevant today as ever: current studies in cognition confirm his insights about the process of automatization and its…

Art (8 works) · Literature (4 works) · Philosophy (4 works) · Computer Science (3 works) · Linguistics (3 works) · Russian Literature and Bakhtin Studies (3 works) · Education, Literature, Philosophy Research (2 works) · Geographies of human-animal interactions (2 works) · History (2 works) · Literature, Language, and Rhetoric Studies (2 works)

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