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Judith Blezzard

Biographic Data

ID1112045
NAMEJudith Blezzard
GIVEN NAMESJudith
FAMILY NAMEBlezzard
SIGNATUREBLEZZARD J
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS2
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1971
LATEST PUBLICATION YEAR2000
H-INDEX1
  • King Henry VIII

    Open Access•Judith Blezzard, F W Morton Palmer et al.•ARTICLE•The Antiquaries Journal•2000•Cited by: 1•References: 9

    King Henry VIII's court provided a musically rich and diverse environment, in which the King was apparently an active participant, although care is needed in interpreting evidence for this. He played instruments, sang and composed music, promoted its performance and learning, and employed numerous English and foreign musicians as well as maintaining an accomplished Chapel Royal. Evidence from the Inventory of 1547 points to him having possessed v…

  • Monsters and Messages

    Open Access•Judith Blezzard•ARTICLE•The Antiquaries Journal•1995•Cited by: 1•References: 10

    The Willmott and Braikenridge manuscripts (1591) are the survivors from five partbooks containing twenty-seven pieces of Latin church music. Nine composers, most of them English, are represented. The source transmits entire pieces rather than only particular sections. It follows no conventional copying scheme reflecting derivation from other sources, from liturgical or seasonal use, or from groupings by composer, text or number of voiceparts. The…

  • German Romantic Partsongs

    Richard Drakeford, Judith Blezzard et al.•ARTICLE•The Musical Times•1993

  • Excerpts from German Romantic Partsongs

    Judith Blezzard, Emanuel Geibel et al.•ARTICLE•The Musical Times•1993

  • New Choral Music

    Judith Blezzard•ARTICLE•The Musical Times•1986

  • New Choral Music

    Judith Blezzard•ARTICLE•The Musical Times•1985

  • New Church Music

    Judith Blezzard•ARTICLE•The Musical Times•1981

  • Benedictus

    Thomas Tallis, Judith Blezzard•ARTICLE•The Musical Times•1971

  • King Henry VIII

    Open Access•Judith Blezzard, F W Morton Palmer et al.•ARTICLE•The Antiquaries Journal•2000•Cited by: 1•References: 9

    King Henry VIII's court provided a musically rich and diverse environment, in which the King was apparently an active participant, although care is needed in interpreting evidence for this. He played instruments, sang and composed music, promoted its performance and learning, and employed numerous English and foreign musicians as well as maintaining an accomplished Chapel Royal. Evidence from the Inventory of 1547 points to him having possessed v…

  • Monsters and Messages

    Open Access•Judith Blezzard•ARTICLE•The Antiquaries Journal•1995•Cited by: 1•References: 10

    The Willmott and Braikenridge manuscripts (1591) are the survivors from five partbooks containing twenty-seven pieces of Latin church music. Nine composers, most of them English, are represented. The source transmits entire pieces rather than only particular sections. It follows no conventional copying scheme reflecting derivation from other sources, from liturgical or seasonal use, or from groupings by composer, text or number of voiceparts. The…

  • Benedictus

    Thomas Tallis, Judith Blezzard•ARTICLE•The Musical Times•1971

  • New Church Music

    Judith Blezzard•ARTICLE•The Musical Times•1981

  • New Choral Music

    Judith Blezzard•ARTICLE•The Musical Times•1985

  • New Choral Music

    Judith Blezzard•ARTICLE•The Musical Times•1986

  • German Romantic Partsongs

    Richard Drakeford, Judith Blezzard et al.•ARTICLE•The Musical Times•1993

  • Excerpts from German Romantic Partsongs

    Judith Blezzard, Emanuel Geibel et al.•ARTICLE•The Musical Times•1993

  • Monsters and Messages

    Open Access•Judith Blezzard•ARTICLE•The Antiquaries Journal•1995•Cited by: 1•References: 10

    The Willmott and Braikenridge manuscripts (1591) are the survivors from five partbooks containing twenty-seven pieces of Latin church music. Nine composers, most of them English, are represented. The source transmits entire pieces rather than only particular sections. It follows no conventional copying scheme reflecting derivation from other sources, from liturgical or seasonal use, or from groupings by composer, text or number of voiceparts. The…

  • King Henry VIII

    Open Access•Judith Blezzard, F W Morton Palmer et al.•ARTICLE•The Antiquaries Journal•2000•Cited by: 1•References: 9

    King Henry VIII's court provided a musically rich and diverse environment, in which the King was apparently an active participant, although care is needed in interpreting evidence for this. He played instruments, sang and composed music, promoted its performance and learning, and employed numerous English and foreign musicians as well as maintaining an accomplished Chapel Royal. Evidence from the Inventory of 1547 points to him having possessed v…

Art (7 works) · History (3 works) · Literature (3 works) · Musicology and Musical Analysis (3 works) · Philosophy (3 works) · Psychology (3 works) · Reformation and Early Modern Christianity (3 works) · Visual arts (3 works) · Choir (2 works) · German (2 works)

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