Elizabeth Garrels
Biographic Data
| ID | 1112783 |
|---|---|
| NAME | Elizabeth Garrels |
| GIVEN NAMES | Elizabeth |
| FAMILY NAME | Garrels |
| SIGNATURE | GARRELS E |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1982 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 0 |
Horace, Leroux, or Lamartine? Sarmiento’s Epigraph for Part II, Chapter X, of the Facundo
Horace, Leroux, or Lamartine? Sarmiento’s Epigraph for Part II, Chapter X, of the Facundo Elizabeth Garrels In the chapter “Gobierno Unitario” (II, X), the Facundo (1845) gives its reader the closest thing he or she can expect to a portrait of the Argentine dictator Juan Manuel de Rosas.1 Appropriately, this chapter’s epigraph, attributed to Lamartine, is meant to be read as a lurid allusion to the true--and still very much alive--object of the a…
Between Civilization and Barbarism
Las grietas de la ternura
Traducir a America
Debate
Debate
Elizabeth Garrels, , Hugo Achugar, George Yudice, John Beverley, Nelson Osorio, Debate, Revista de Crítica Literaria Latinoamericana, Año 15, No. 29, Actas del Simposio: "Latinoamerica: Nuevas Direcciones en Teoria y Critica Literarias" (Dartmouth, abril de 1988) (1989), pp. 207-216
Mariategui y la Argentina
Mariátegui y la Argentina
No prominent works on this page.
Mariátegui y la Argentina
Mariategui y la Argentina
Debate
Elizabeth Garrels, , Hugo Achugar, George Yudice, John Beverley, Nelson Osorio, Debate, Revista de Crítica Literaria Latinoamericana, Año 15, No. 29, Actas del Simposio: "Latinoamerica: Nuevas Direcciones en Teoria y Critica Literarias" (Dartmouth, abril de 1988) (1989), pp. 207-216
Traducir a America
Debate
Between Civilization and Barbarism
Las grietas de la ternura
Horace, Leroux, or Lamartine? Sarmiento’s Epigraph for Part II, Chapter X, of the Facundo
Horace, Leroux, or Lamartine? Sarmiento’s Epigraph for Part II, Chapter X, of the Facundo Elizabeth Garrels In the chapter “Gobierno Unitario” (II, X), the Facundo (1845) gives its reader the closest thing he or she can expect to a portrait of the Argentine dictator Juan Manuel de Rosas.1 Appropriately, this chapter’s epigraph, attributed to Lamartine, is meant to be read as a lurid allusion to the true--and still very much alive--object of the a…
Art (7 works) · Cultural and Social Studies in Latin America (3 works) · Humanities (3 works) · Latin American Literature Analysis (2 works) · Literature (2 works) · Philosophy (2 works) · Photographic and Visual Arts (2 works) · Allusion (1 work) · Archaeology (1 work) · Argentine historical studies (1 work)