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Fredric Lieberman

Biographic Data

ID111305
NAMEFredric Lieberman
GIVEN NAMESFredric
FAMILY NAMELieberman
SIGNATURELIEBERMAN F
VERIFIEDNo
TOTAL WORKS21
TOTAL CITATIONS0
AUTHOR COUNT21
EDITOR COUNT0
FIRST PUBLICATION YEAR1968
LATEST PUBLICATION YEAR1999
H-INDEX0
  • Lou Harrison

    Denise Von Glahn, Laura E Miller et al.•ARTICLE•American Music•1999

  • Lou Harrison and the American Gamelan

    Laura E Miller, LETA E MILLER et al.•ARTICLE•American Music•1999

    Since the inception of the first Indonesian music performance program in the United States in the 1950s, the number of gamelan in America has mushroomed. A gamelan-the word translates roughly as orchestra-is an ensemble comprising primarily pitched percussion. The main instruments of the ensemble are keyed metallophones with trough or tubular resonators, and knobbed gongs, some of which are suspended and some of which are laid horizontally on rop…

  • Tall Mountains and Flowing Waters

    Fredric Lieberman, Stephen Addi et al.•ARTICLE•Ethnomusicology•1988

  • A Chinese Zither Tutor

    Bell Yung, Fredric Lieberman•ARTICLE•Asian Music•1985

  • Chinese Music

    Han Kuo-Huang, Fredric Lieberman•ARTICLE•Ethnomusicology•1982

  • Music of the Whole Earth

    Fredric Lieberman, David B Reck et al.•ARTICLE•Ethnomusicology•1980

  • Chinese Music; An Annotated Bibliography

    Lindy Li Mark, Fredric Lieberman•ARTICLE•Asian Music•1979

  • Doctoral Dissertations on China, 1971-1975

    Fredric Lieberman, Frank Joseph Shulman•ARTICLE•Ethnomusicology•1979

  • Zur Geschichte des buddhistischen Ritualgesangs in Japan

    Fredric Lieberman, Walter Giesen•ARTICLE•Asian Music•1978

  • The Golden Age of Chinese Drama

    Fredric Lieberman, Chung-Wen Shih•ARTICLE•Asian Music•1977

  • Texted Tunes in the Mei-An Ch'in-P'u

    Fredric Lieberman•ARTICLE•Asian Music•1975

    Players of the Chinese long zither ch'in today do not sing while they play. Nevertheless, even in contemporary ch'in handbooks, some of the shorter tunes are printed with accompanying texts. At one time, singing to the ch'in may have been a common practice, and in certain schools it was cultivated as a specialty (Liang 1972: 113f); however most ch'in players nowadays agree that the main purpose of the text is for the player to recite silently to …

  • Chinese Music

    Laurence Picken, Fredric Lieberman•ARTICLE•Ethnomusicology•1974

  • The Music of China

    Fu-Yen Chen, Fredric Lieberman•ARTICLE•Asian Music•1973

  • Chinese Music

    Fredric Lieberman•ARTICLE•Asian Music•1973

  • Cents Frequency Period

    Fredric Lieberman, Hans-Peter Reinecke•ARTICLE•Ethnomusicology•1973

  • The Music of China, Vol. 1

    Rulan Chao Pian, Fredric Lieberman•ARTICLE•Ethnomusicology•1971

  • "Music in "The Tale of Genji

    Fredric Lieberman•ARTICLE•Asian Music•1971

    The Tale of Genji (Genji Monogatari) is a novel in six books, written during the first decades of the tenth century by Lady Murasaki, a Japanese noblewoman. Dealing with the life and times of a certain fictional Prince Genji, the novel is one of the great works of Japanese literature; its characters are presented with such forcefullness and skill, however, that it easily transcends the barriers of time and culture to cecome a member of that compa…

  • Sonq Dynasty Musical Sources and Their Interpretation

    Open Access•Fredric Lieberman, Rulan Chao Pian•ARTICLE•Notes•1969

  • Tibetan Folk and Minstrel Music

    Fredric Lieberman, Peter Crossley-Holland•ARTICLE•Ethnomusicology•1969

  • Robert Hans Van Gulik

    Fredric Lieberman•ARTICLE•Asian Music•1968

  • Music of Cheng--Chinese 16-Stringed Zither

    Fredric Lieberman, Tsai-Ping Liang•ARTICLE•Ethnomusicology•1968

No prominent works on this page.

  • Robert Hans Van Gulik

    Fredric Lieberman•ARTICLE•Asian Music•1968

  • Music of Cheng--Chinese 16-Stringed Zither

    Fredric Lieberman, Tsai-Ping Liang•ARTICLE•Ethnomusicology•1968

  • Sonq Dynasty Musical Sources and Their Interpretation

    Open Access•Fredric Lieberman, Rulan Chao Pian•ARTICLE•Notes•1969

  • Tibetan Folk and Minstrel Music

    Fredric Lieberman, Peter Crossley-Holland•ARTICLE•Ethnomusicology•1969

  • The Music of China, Vol. 1

    Rulan Chao Pian, Fredric Lieberman•ARTICLE•Ethnomusicology•1971

  • "Music in "The Tale of Genji

    Fredric Lieberman•ARTICLE•Asian Music•1971

    The Tale of Genji (Genji Monogatari) is a novel in six books, written during the first decades of the tenth century by Lady Murasaki, a Japanese noblewoman. Dealing with the life and times of a certain fictional Prince Genji, the novel is one of the great works of Japanese literature; its characters are presented with such forcefullness and skill, however, that it easily transcends the barriers of time and culture to cecome a member of that compa…

  • The Music of China

    Fu-Yen Chen, Fredric Lieberman•ARTICLE•Asian Music•1973

  • Chinese Music

    Fredric Lieberman•ARTICLE•Asian Music•1973

  • Cents Frequency Period

    Fredric Lieberman, Hans-Peter Reinecke•ARTICLE•Ethnomusicology•1973

  • Chinese Music

    Laurence Picken, Fredric Lieberman•ARTICLE•Ethnomusicology•1974

  • Texted Tunes in the Mei-An Ch'in-P'u

    Fredric Lieberman•ARTICLE•Asian Music•1975

    Players of the Chinese long zither ch'in today do not sing while they play. Nevertheless, even in contemporary ch'in handbooks, some of the shorter tunes are printed with accompanying texts. At one time, singing to the ch'in may have been a common practice, and in certain schools it was cultivated as a specialty (Liang 1972: 113f); however most ch'in players nowadays agree that the main purpose of the text is for the player to recite silently to …

  • The Golden Age of Chinese Drama

    Fredric Lieberman, Chung-Wen Shih•ARTICLE•Asian Music•1977

  • Zur Geschichte des buddhistischen Ritualgesangs in Japan

    Fredric Lieberman, Walter Giesen•ARTICLE•Asian Music•1978

  • Chinese Music; An Annotated Bibliography

    Lindy Li Mark, Fredric Lieberman•ARTICLE•Asian Music•1979

  • Doctoral Dissertations on China, 1971-1975

    Fredric Lieberman, Frank Joseph Shulman•ARTICLE•Ethnomusicology•1979

  • Music of the Whole Earth

    Fredric Lieberman, David B Reck et al.•ARTICLE•Ethnomusicology•1980

  • Chinese Music

    Han Kuo-Huang, Fredric Lieberman•ARTICLE•Ethnomusicology•1982

  • A Chinese Zither Tutor

    Bell Yung, Fredric Lieberman•ARTICLE•Asian Music•1985

  • Tall Mountains and Flowing Waters

    Fredric Lieberman, Stephen Addi et al.•ARTICLE•Ethnomusicology•1988

  • Lou Harrison

    Denise Von Glahn, Laura E Miller et al.•ARTICLE•American Music•1999

  • Lou Harrison and the American Gamelan

    Laura E Miller, LETA E MILLER et al.•ARTICLE•American Music•1999

    Since the inception of the first Indonesian music performance program in the United States in the 1950s, the number of gamelan in America has mushroomed. A gamelan-the word translates roughly as orchestra-is an ensemble comprising primarily pitched percussion. The main instruments of the ensemble are keyed metallophones with trough or tubular resonators, and knobbed gongs, some of which are suspended and some of which are laid horizontally on rop…

Art (15 works) · History (11 works) · Diverse Musicological Studies (9 works) · Musicology and Musical Analysis (9 works) · Asian Culture and Media Studies (6 works) · Bibliography (6 works) · Chinese history and philosophy (6 works) · Literature (6 works) · Computer Science (5 works) · Library science (5 works)

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