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Ntozake Shange

Biographic Data

ID1113158
NAMENtozake Shange
GIVEN NAMESNtozake
FAMILY NAMEShange
SIGNATURESHANGE N
AFFILIATIONSGirls Incorporated
VERIFIEDNo
TOTAL WORKS13
TOTAL CITATIONS27
AUTHOR COUNT13
EDITOR COUNT0
FIRST PUBLICATION YEAR1975
LATEST PUBLICATION YEAR2014
H-INDEX1
  • An Interview with Ntozake Shange

    Marlon B Ro, Marlon B Ross et al.•ARTICLE•Callaloo•2014

    An Interview with Ntozake Shange Marlon B. Ross (bio) and Ntozake Shange (bio) The interview was conducted on March 25, 2014, by phone between Charlottesville, VA, and Cheverly, MD. ROSS: What do you see as the lasting legacy of Baraka? SHANGE: The lasting legacy of Baraka. Cullud brilliance! Let’s see... one of the most important, I think, is his... his fifty-year dialogue with African American history. Even in the poetry there are references to…

  • For colored girls who have considered suicide when the rainbow is enuf

    Ntozake Shange•BOOK•For colored girls who have…•1997

    First published in 1975, Shange's choreopoem has been read and performed because it truly revealed what it meant to be of color and female in the twentieth century. Here is the complete text, with stage directions of the dramatic prose poem that resonates with unusual beauty in its fierce message to the world

  • For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf

    Catherine Wiley, Ntozake Shange•ARTICLE•Theatre Journal•1991•Cited by: 26

  • Betsey Brown

    Peggy Phelan, Ntozake Shange et al.•ARTICLE•Theatre Journal•1991

  • Ntozake Shange

    Sona Osman, Ntozake Shange•ARTICLE•Feminist Review•1984

  • Is not so gd to be born a girl (I), otherwise i would think it odd to have rape prevention month (2)

    Ntozake Shange•ARTICLE•The Black Scholar•1982

    Additional informationNotes on contributorsNtozake ShangeNtozake Shange is the author of the hit play For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf

  • Poetry

    Sonia Sanchez, Pinkie Gordon Lane et al.•ARTICLE•The Black Scholar•1981

  • Unrecovered Losses/Black Theatre Traditions

    Ntozake Shange•ARTICLE•The Black Scholar•1979•Cited by: 1

    sa poet in american theater/ i find dmost activity that takes place on our stages overwhelmingly shallow/ stilted & imitative, that is probably one of the reasons i insist on calling myself a poet or writer/ rather than a playwright/ i am interested solely in the poetry of a moment/ the emotional & aesthetic impact of a character or a line/ for too long now afro-americans in theatre have been duped by the same artificial aesthetics that plague ou…

  • The Black Scholar Reader's Forum on Black Male/Female Relationships

    Audre Lorde, Kalamu Ya Salaam et al.•ARTICLE•The Black Scholar•1979

  • Black & White Two-Dimensional Planes

    Ntozake Shange•ARTICLE•Callaloo•1979

  • Oh she gotta head fulla hair

    Ntozake Shange•ARTICLE•The Black Scholar•1978

  • When Every Cloud is Drained of Sorrow and Anger

    Paulette S Johnson, Ntozake Shange•ARTICLE•Callaloo•1978

  • Poetry

    Ntozake Shange•ARTICLE•The Black Scholar•1975

  • For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf

    Catherine Wiley, Ntozake Shange•ARTICLE•Theatre Journal•1991•Cited by: 26

  • Unrecovered Losses/Black Theatre Traditions

    Ntozake Shange•ARTICLE•The Black Scholar•1979•Cited by: 1

    sa poet in american theater/ i find dmost activity that takes place on our stages overwhelmingly shallow/ stilted & imitative, that is probably one of the reasons i insist on calling myself a poet or writer/ rather than a playwright/ i am interested solely in the poetry of a moment/ the emotional & aesthetic impact of a character or a line/ for too long now afro-americans in theatre have been duped by the same artificial aesthetics that plague ou…

  • Poetry

    Ntozake Shange•ARTICLE•The Black Scholar•1975

  • Oh she gotta head fulla hair

    Ntozake Shange•ARTICLE•The Black Scholar•1978

  • When Every Cloud is Drained of Sorrow and Anger

    Paulette S Johnson, Ntozake Shange•ARTICLE•Callaloo•1978

  • Unrecovered Losses/Black Theatre Traditions

    Ntozake Shange•ARTICLE•The Black Scholar•1979•Cited by: 1

    sa poet in american theater/ i find dmost activity that takes place on our stages overwhelmingly shallow/ stilted & imitative, that is probably one of the reasons i insist on calling myself a poet or writer/ rather than a playwright/ i am interested solely in the poetry of a moment/ the emotional & aesthetic impact of a character or a line/ for too long now afro-americans in theatre have been duped by the same artificial aesthetics that plague ou…

  • The Black Scholar Reader's Forum on Black Male/Female Relationships

    Audre Lorde, Kalamu Ya Salaam et al.•ARTICLE•The Black Scholar•1979

  • Black & White Two-Dimensional Planes

    Ntozake Shange•ARTICLE•Callaloo•1979

  • Poetry

    Sonia Sanchez, Pinkie Gordon Lane et al.•ARTICLE•The Black Scholar•1981

  • Is not so gd to be born a girl (I), otherwise i would think it odd to have rape prevention month (2)

    Ntozake Shange•ARTICLE•The Black Scholar•1982

    Additional informationNotes on contributorsNtozake ShangeNtozake Shange is the author of the hit play For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf

  • Ntozake Shange

    Sona Osman, Ntozake Shange•ARTICLE•Feminist Review•1984

  • For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf

    Catherine Wiley, Ntozake Shange•ARTICLE•Theatre Journal•1991•Cited by: 26

  • Betsey Brown

    Peggy Phelan, Ntozake Shange et al.•ARTICLE•Theatre Journal•1991

  • For colored girls who have considered suicide when the rainbow is enuf

    Ntozake Shange•BOOK•For colored girls who have…•1997

    First published in 1975, Shange's choreopoem has been read and performed because it truly revealed what it meant to be of color and female in the twentieth century. Here is the complete text, with stage directions of the dramatic prose poem that resonates with unusual beauty in its fierce message to the world

  • An Interview with Ntozake Shange

    Marlon B Ro, Marlon B Ross et al.•ARTICLE•Callaloo•2014

    An Interview with Ntozake Shange Marlon B. Ross (bio) and Ntozake Shange (bio) The interview was conducted on March 25, 2014, by phone between Charlottesville, VA, and Cheverly, MD. ROSS: What do you see as the lasting legacy of Baraka? SHANGE: The lasting legacy of Baraka. Cullud brilliance! Let’s see... one of the most important, I think, is his... his fifty-year dialogue with African American history. Even in the poetry there are references to…

Art (7 works) · Literature (4 works) · Poetry (4 works) · Psychology (4 works) · Sociology (4 works) · Anthropology (3 works) · Colored (3 works) · Optics (3 works) · Physics (3 works) · Rainbow (3 works)

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