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Catherine Swietlicki

Biographic Data

ID1113481
NAMECatherine Swietlicki
GIVEN NAMESCatherine
FAMILY NAMESwietlicki
SIGNATURESWIETLICKI C
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS1
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR1987
LATEST PUBLICATION YEAR1994
H-INDEX1
  • Love and Death in the Renaissance

    Catherine Swietlicki, Catherine Connor Swietlicki et al.•ARTICLE•Italica•1994

  • Close Cultural Encounters

    Catherine Swietlicki•ARTICLE•Hispanic Review•1992•Cited by: 1

    tooL UENTEOVEJUNA may be the most read and most frequently performed of Lope de Vega's comedias as well as the one most studied by scholSiars and critics. Little noted, however, have been those aspects of the play that have to do with speech and writing, in general, and with the dyQ namic relationship between orality and textuality, in particular. Consequently, there are no studies of the ways in which the much discussed themes of the play-those …

  • "A Critical Introduction to "Don Quixote

    Catherine Swietlicki, L A Murillo•ARTICLE•Hispania•1990

  • In the Margins of Cervantes

    Catherine Swietlicki, John G Weiger•ARTICLE•Hispania•1989

  • "La Galatea" de Cervantes cuatrocientos anos despues (Cervantes y lo pastoril)

    Catherine Swietlicki, Juan Bautista Avalle-Arce•ARTICLE•Hispania•1988

  • Spanish Christian Cabala

    Joseph H Silverman, Catherine Swietlicki et al.•ARTICLE•Hispanic Review•1988

  • "Swietlicki's "Spanish Christian Cabala

    Moshe Idel, Catherine Swietlicki•ARTICLE•The Jewish Quarterly Review•1988

  • Luis de León y el enredo de las letras sagradas

    Catherine Swietlicki•ARTICLE•Bulletin Hispanique•1987

    La temática cristológica y la teoría lingüística de De los nombres de Cristo están íntimamente ligadas a la manipulación cabalística de las letras del sagrado alfabeto hebreo en la obra maestra luisiana. Fray Luis hace hincapié en los diversos secretos y significados de las letras y de los nombres hebreos para mostrar la divinidad del Mesías y las múltiples perfecciones de Cristo encarnado. Más que un mero enredo esotérico, el uso de la cabala cr…

  • Close Cultural Encounters

    Catherine Swietlicki•ARTICLE•Hispanic Review•1992•Cited by: 1

    tooL UENTEOVEJUNA may be the most read and most frequently performed of Lope de Vega's comedias as well as the one most studied by scholSiars and critics. Little noted, however, have been those aspects of the play that have to do with speech and writing, in general, and with the dyQ namic relationship between orality and textuality, in particular. Consequently, there are no studies of the ways in which the much discussed themes of the play-those …

  • Luis de León y el enredo de las letras sagradas

    Catherine Swietlicki•ARTICLE•Bulletin Hispanique•1987

    La temática cristológica y la teoría lingüística de De los nombres de Cristo están íntimamente ligadas a la manipulación cabalística de las letras del sagrado alfabeto hebreo en la obra maestra luisiana. Fray Luis hace hincapié en los diversos secretos y significados de las letras y de los nombres hebreos para mostrar la divinidad del Mesías y las múltiples perfecciones de Cristo encarnado. Más que un mero enredo esotérico, el uso de la cabala cr…

  • "La Galatea" de Cervantes cuatrocientos anos despues (Cervantes y lo pastoril)

    Catherine Swietlicki, Juan Bautista Avalle-Arce•ARTICLE•Hispania•1988

  • Spanish Christian Cabala

    Joseph H Silverman, Catherine Swietlicki et al.•ARTICLE•Hispanic Review•1988

  • "Swietlicki's "Spanish Christian Cabala

    Moshe Idel, Catherine Swietlicki•ARTICLE•The Jewish Quarterly Review•1988

  • In the Margins of Cervantes

    Catherine Swietlicki, John G Weiger•ARTICLE•Hispania•1989

  • "A Critical Introduction to "Don Quixote

    Catherine Swietlicki, L A Murillo•ARTICLE•Hispania•1990

  • Close Cultural Encounters

    Catherine Swietlicki•ARTICLE•Hispanic Review•1992•Cited by: 1

    tooL UENTEOVEJUNA may be the most read and most frequently performed of Lope de Vega's comedias as well as the one most studied by scholSiars and critics. Little noted, however, have been those aspects of the play that have to do with speech and writing, in general, and with the dyQ namic relationship between orality and textuality, in particular. Consequently, there are no studies of the ways in which the much discussed themes of the play-those …

  • Love and Death in the Renaissance

    Catherine Swietlicki, Catherine Connor Swietlicki et al.•ARTICLE•Italica•1994

Art (6 works) · Philosophy (6 works) · Early Modern Spanish Literature (5 works) · History (2 works) · History (2 works) · Humanities (2 works) · Linguistics (2 works) · Literature (2 works) · Philosophy (2 works) · Psychology (2 works)

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