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Maruška Svašek

Biographic Data

ID111362
NAMEMaruška Svašek
GIVEN NAMESMaruška
FAMILY NAMESvašek
SIGNATURESVAŠEK M
AFFILIATIONSQueen's University Belfast
ORCID0000-0002-1523-0445
VERIFIEDYes
TOTAL WORKS19
TOTAL CITATIONS191
AUTHOR COUNT14
EDITOR COUNT5
FIRST PUBLICATION YEAR1997
LATEST PUBLICATION YEAR2024
H-INDEX4
  • Lockdown Friend

    Open Access•Maruška Svašek•ARTICLE•Traditiones•2024•Cited by: 1•References: 5

    During the pandemic, confronted with the "crisolation" (Podjed, 2024) of the first lockdown, I turned like many others to Skype, Zoom, and Teams to connect with distant relatives, friends, and interlocutors (Podjed, 2021; Svašek, 2022). Experimenting with various modes of digital hanging out, I began to paint the computer-mediated interactions (Svašek, 2023a, 2023b). The paintings explored the online relationality of pandemic life and were realiz…

  • Ethnography as creative improvisation

    Open Access•Maruška Svašek•ARTICLE•Hau Journal of Ethnographic Theory•2023

    This article discusses the possibilities and limitations of digital creative methods developed by the author in response to lockdown and social distancing regulations. Building on prepandemic research, the analysis focuses on remote fieldwork in 2020 and 2021 with a small number of migrant women who live in Northern Ireland. It zooms in on three interlocutors and shows how long-distance painting, online walking interviews, and photo diaries have …

  • Pandemic times

    Open Access•Maruška Svašek•ARTICLE•Anthropology & Humanism•2023•Cited by: 2•References: 10

    A week before the lockdown I have to stay at home my head still full of touch and smell and bodies to be drawn a paper world some time to think and sketch and chew some bones what is this dread this sound? this choke? this white? this black? this smoke? her rattling breath blows lukewarm air we hold on cheek to cheek she slips and flies her flesh a thing and soon there is no more no car no train no bus no plane I have to find a way * a brush near…

  • Postsocialism

    Maruška Svašek•BOOK•Postsocialism•2022

    In many parts of post-socialist Europe the tumultuous political and economic developments have generated strong emotions, ranging from hope and euphoria to disappointment, envy, disillusionment, sorrow, loneliness, and hatred. Yet these aspects have been largely neglected in analyses of the profound transformations that have taken place in Central and Eastern Europe since 1990. Based on a wide variety of ethnographic case studies focusing on Russ…

  • Under the Skin

    Open Access•Maruška Svašek•ARTICLE•Lidé města•2022

    Under the Skin is a play that explores art production in state-socialist Czechoslovakia during the normalization period. It investigates the slippery meaning of the word politics in relation to totalitarianism and performance art, and discusses how internalized taken-for-granted social rules can be made evi­dent through artistic inquiry. The script offers insights into the improvisational nature of fieldwork, and invites producers and consumers o…

  • The Autobiographical Narrative Interview

    Maruška Svašek, Markieta Domecka•CHAPTER•Interview•2020

    This chapter critically explores the autobiographical narrative method developed by German sociologist Fritz Schutze. Schutze’s biographical method, used in the analysis in this chapter, provides clearly defined instructions regarding the autobiographical storytelling process. This chapter focuses on self-narratives by two migrant women, conducted as part of a large research project on identity formation in Europe, who at the time of the intervie…

  • Mixed Emotions

    Marushka Svasek, Kay Milton et al.•BOOK•Mixed Emotions•2020

    FINAL Introduction: Emotions in anthropology Maruska Svasek, Queen's University Belfast Chapter 1: Meaning, feeling and human ecology Kay Milton, Queen's Universiy Belfast Chapter 2: Darwin on the expression of the emotions: the eclipse of a research programme Peter Bowler, Queen's University Belfast Chapter 3: Being there: emotion and imagination in anthropologists' encounters Elizabeth Tonkin, Professor Emerita, Queen's University Belfast Chapt…

  • Creativity in Transition

    Maruška Svašek, Birgit Meyer•BOOK•Creativity in Transition•2016

  • Emotions and Human Mobility

    Maruška Svašek•BOOK•Emotions and Human Mobility•2013

  • On the Move

    Maruška Svašek•ARTICLE•New Community•2010•Cited by: 103•References: 27

    The introduction to this special issue of JEMS discusses some of the major developments in the study of emotions, and suggests ways in which various theories and perspectives can be relevant to the study of migration, in particular to the study of social interaction between migrants and members of local communities and to the study of interaction within transnational families. The paper addresses a series of questions. What are emotions? How are …

  • Who Cares? Families and Feelings in Movement

    Maruška Svašek•ARTICLE•Journal of Intercultural Studies•2008•Cited by: 63•References: 39

    This paper explores the emotional dimensions of human mobility and transnational family life. The author argues that while feelings of non-belonging are part and parcel of human nature and thus not restricted to migrants, experiences of loss and homelessness can be directly caused by migrant-specific predicaments. After a discussion of some of the recent debates around transnationalism and emotions, and an introduction of the major themes that li…

  • Passions and Powers

    Maruška Svašek, Zlatko Skrbis•ARTICLE•Identities•2007

    We thank Thomas Wilson and Jonathan Hill for their useful comments on an earlier version of this introduction. Notes 1. In the field of sociology, for example, the American Sociological Association has a section on emotions, the British Sociological Association has a study group on emotions, and the European Sociological Association hosts a research network on emotions. Anthropologists are no less institutionally committed to the study of emotion…

  • Postsocialism

    Maruška Svašek•BOOK•Postsocialism•2006

    In many parts of post-socialist Europe the tumultuous political and economic developments have generated strong emotions, ranging from hope and euphoria to disappointment, envy, disillusionment, sorrow, loneliness, and hatred. Yet these aspects have been largely neglected in analyses of the profound transformations that have taken place in Central and Eastern Europe since 1990. Based on a wide variety of ethnographic case studies focusing on Russ…

  • Postsocialism

    Maruška Svašek•BOOK•Postsocialism•2005

  • Contacts

    Open Access•Maruška Svašek•ARTICLE•Contemporary European History•2002•Cited by: 2

    This article analyses the strategic manipulation and use of contacts by artists and art historians in state-socialist Czechoslovakia, and focuses on the role of friendship, political favours, professional nepotism and bribery in this process. It criticises Howard Becker's belief that totalitarian regimes cannot partake in discourses of patronage common to Western democracies because of the lack of freedom of individuals. Instead, it argues that t…

  • Narratives of "Home" and "Homeland

    Maruška Svašek•ARTICLE•Identities•2002•Cited by: 15•References: 11

    Heimat, the most beautiful of all gifts, Given to us by the Lord, To no longer have a Heimat, Is the biggest grief in life 1

  • Borders and Emotions Hope and Fear in the Bohemian-Bavarian Frontier Zone

    Open Access•Maruška Svašek•ARTICLE•Ethnologia Europaea•2000•Cited by: 4

    Normal 0 21 false false false DE X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable{mso-style-name:"Normale Tabelle";mso-tstyle-rowband-size:0;mso-tstyle-colband-size:0;mso-style-noshow:yes;mso-style-priority:99;mso-style-parent:"";mso-padding-alt:0cm 5.4pt 0cm 5.4pt;mso-para-margin-top:0cm;mso-para-margin-right:0cm;mso-para-margin-bottom:8.0pt;mso-para-margin-left:0cm;line-height:107%;mso-pagination:widow-orphan;font-size:11.0pt;font-fam…

  • Les monuments à la gloire de l'Armée Rouge en Tchéquie. Histoire, mémoire et paysages

    Maruška Svašek•ARTICLE•Les Annales de la Recherche Urbaine•1999

    De l'après-guerre aux années 80, les statues ont fleuri dans les villes tchèques pour célébrer la libération du Peuple par l'Armée Rouge. Le changement de régime a provoqué des débats sur le devenir de ces monuments. A Hranice, les statues en l'honneur du grand frère soviétique ont été déplacées des lieux centraux, et la jeune génération préfère le végétal au minéral, la rencontre avec la nature à la commémoration des héros du passé

  • The Politics of Artistic Identity

    Open Access•Maruška Svašek•ARTICLE•Contemporary European History•1997•Cited by: 1•References: 4

    Since the Czech 'revivalist' movement of the last century, Czech art – along with the roles assigned to its artists – has been undergoing a continual process of definition and redefinition. The question of what constituted and what should constitute Czech artistic identity has often proved politically charged, with artists and art historians on opposing sides attacking each other for their political views. More often than not, debates on the issu…

  • On the Move

    Maruška Svašek•ARTICLE•New Community•2010•Cited by: 103•References: 27

    The introduction to this special issue of JEMS discusses some of the major developments in the study of emotions, and suggests ways in which various theories and perspectives can be relevant to the study of migration, in particular to the study of social interaction between migrants and members of local communities and to the study of interaction within transnational families. The paper addresses a series of questions. What are emotions? How are …

  • Who Cares? Families and Feelings in Movement

    Maruška Svašek•ARTICLE•Journal of Intercultural Studies•2008•Cited by: 63•References: 39

    This paper explores the emotional dimensions of human mobility and transnational family life. The author argues that while feelings of non-belonging are part and parcel of human nature and thus not restricted to migrants, experiences of loss and homelessness can be directly caused by migrant-specific predicaments. After a discussion of some of the recent debates around transnationalism and emotions, and an introduction of the major themes that li…

  • Narratives of "Home" and "Homeland

    Maruška Svašek•ARTICLE•Identities•2002•Cited by: 15•References: 11

    Heimat, the most beautiful of all gifts, Given to us by the Lord, To no longer have a Heimat, Is the biggest grief in life 1

  • Borders and Emotions Hope and Fear in the Bohemian-Bavarian Frontier Zone

    Open Access•Maruška Svašek•ARTICLE•Ethnologia Europaea•2000•Cited by: 4

    Normal 0 21 false false false DE X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable{mso-style-name:"Normale Tabelle";mso-tstyle-rowband-size:0;mso-tstyle-colband-size:0;mso-style-noshow:yes;mso-style-priority:99;mso-style-parent:"";mso-padding-alt:0cm 5.4pt 0cm 5.4pt;mso-para-margin-top:0cm;mso-para-margin-right:0cm;mso-para-margin-bottom:8.0pt;mso-para-margin-left:0cm;line-height:107%;mso-pagination:widow-orphan;font-size:11.0pt;font-fam…

  • Pandemic times

    Open Access•Maruška Svašek•ARTICLE•Anthropology & Humanism•2023•Cited by: 2•References: 10

    A week before the lockdown I have to stay at home my head still full of touch and smell and bodies to be drawn a paper world some time to think and sketch and chew some bones what is this dread this sound? this choke? this white? this black? this smoke? her rattling breath blows lukewarm air we hold on cheek to cheek she slips and flies her flesh a thing and soon there is no more no car no train no bus no plane I have to find a way * a brush near…

  • Contacts

    Open Access•Maruška Svašek•ARTICLE•Contemporary European History•2002•Cited by: 2

    This article analyses the strategic manipulation and use of contacts by artists and art historians in state-socialist Czechoslovakia, and focuses on the role of friendship, political favours, professional nepotism and bribery in this process. It criticises Howard Becker's belief that totalitarian regimes cannot partake in discourses of patronage common to Western democracies because of the lack of freedom of individuals. Instead, it argues that t…

  • Lockdown Friend

    Open Access•Maruška Svašek•ARTICLE•Traditiones•2024•Cited by: 1•References: 5

    During the pandemic, confronted with the "crisolation" (Podjed, 2024) of the first lockdown, I turned like many others to Skype, Zoom, and Teams to connect with distant relatives, friends, and interlocutors (Podjed, 2021; Svašek, 2022). Experimenting with various modes of digital hanging out, I began to paint the computer-mediated interactions (Svašek, 2023a, 2023b). The paintings explored the online relationality of pandemic life and were realiz…

  • The Politics of Artistic Identity

    Open Access•Maruška Svašek•ARTICLE•Contemporary European History•1997•Cited by: 1•References: 4

    Since the Czech 'revivalist' movement of the last century, Czech art – along with the roles assigned to its artists – has been undergoing a continual process of definition and redefinition. The question of what constituted and what should constitute Czech artistic identity has often proved politically charged, with artists and art historians on opposing sides attacking each other for their political views. More often than not, debates on the issu…

  • The Politics of Artistic Identity

    Open Access•Maruška Svašek•ARTICLE•Contemporary European History•1997•Cited by: 1•References: 4

    Since the Czech 'revivalist' movement of the last century, Czech art – along with the roles assigned to its artists – has been undergoing a continual process of definition and redefinition. The question of what constituted and what should constitute Czech artistic identity has often proved politically charged, with artists and art historians on opposing sides attacking each other for their political views. More often than not, debates on the issu…

  • Les monuments à la gloire de l'Armée Rouge en Tchéquie. Histoire, mémoire et paysages

    Maruška Svašek•ARTICLE•Les Annales de la Recherche Urbaine•1999

    De l'après-guerre aux années 80, les statues ont fleuri dans les villes tchèques pour célébrer la libération du Peuple par l'Armée Rouge. Le changement de régime a provoqué des débats sur le devenir de ces monuments. A Hranice, les statues en l'honneur du grand frère soviétique ont été déplacées des lieux centraux, et la jeune génération préfère le végétal au minéral, la rencontre avec la nature à la commémoration des héros du passé

  • Borders and Emotions Hope and Fear in the Bohemian-Bavarian Frontier Zone

    Open Access•Maruška Svašek•ARTICLE•Ethnologia Europaea•2000•Cited by: 4

    Normal 0 21 false false false DE X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable{mso-style-name:"Normale Tabelle";mso-tstyle-rowband-size:0;mso-tstyle-colband-size:0;mso-style-noshow:yes;mso-style-priority:99;mso-style-parent:"";mso-padding-alt:0cm 5.4pt 0cm 5.4pt;mso-para-margin-top:0cm;mso-para-margin-right:0cm;mso-para-margin-bottom:8.0pt;mso-para-margin-left:0cm;line-height:107%;mso-pagination:widow-orphan;font-size:11.0pt;font-fam…

  • Contacts

    Open Access•Maruška Svašek•ARTICLE•Contemporary European History•2002•Cited by: 2

    This article analyses the strategic manipulation and use of contacts by artists and art historians in state-socialist Czechoslovakia, and focuses on the role of friendship, political favours, professional nepotism and bribery in this process. It criticises Howard Becker's belief that totalitarian regimes cannot partake in discourses of patronage common to Western democracies because of the lack of freedom of individuals. Instead, it argues that t…

  • Narratives of "Home" and "Homeland

    Maruška Svašek•ARTICLE•Identities•2002•Cited by: 15•References: 11

    Heimat, the most beautiful of all gifts, Given to us by the Lord, To no longer have a Heimat, Is the biggest grief in life 1

  • Postsocialism

    Maruška Svašek•BOOK•Postsocialism•2005

  • Postsocialism

    Maruška Svašek•BOOK•Postsocialism•2006

    In many parts of post-socialist Europe the tumultuous political and economic developments have generated strong emotions, ranging from hope and euphoria to disappointment, envy, disillusionment, sorrow, loneliness, and hatred. Yet these aspects have been largely neglected in analyses of the profound transformations that have taken place in Central and Eastern Europe since 1990. Based on a wide variety of ethnographic case studies focusing on Russ…

  • Passions and Powers

    Maruška Svašek, Zlatko Skrbis•ARTICLE•Identities•2007

    We thank Thomas Wilson and Jonathan Hill for their useful comments on an earlier version of this introduction. Notes 1. In the field of sociology, for example, the American Sociological Association has a section on emotions, the British Sociological Association has a study group on emotions, and the European Sociological Association hosts a research network on emotions. Anthropologists are no less institutionally committed to the study of emotion…

  • Who Cares? Families and Feelings in Movement

    Maruška Svašek•ARTICLE•Journal of Intercultural Studies•2008•Cited by: 63•References: 39

    This paper explores the emotional dimensions of human mobility and transnational family life. The author argues that while feelings of non-belonging are part and parcel of human nature and thus not restricted to migrants, experiences of loss and homelessness can be directly caused by migrant-specific predicaments. After a discussion of some of the recent debates around transnationalism and emotions, and an introduction of the major themes that li…

  • On the Move

    Maruška Svašek•ARTICLE•New Community•2010•Cited by: 103•References: 27

    The introduction to this special issue of JEMS discusses some of the major developments in the study of emotions, and suggests ways in which various theories and perspectives can be relevant to the study of migration, in particular to the study of social interaction between migrants and members of local communities and to the study of interaction within transnational families. The paper addresses a series of questions. What are emotions? How are …

  • Emotions and Human Mobility

    Maruška Svašek•BOOK•Emotions and Human Mobility•2013

  • Creativity in Transition

    Maruška Svašek, Birgit Meyer•BOOK•Creativity in Transition•2016

  • The Autobiographical Narrative Interview

    Maruška Svašek, Markieta Domecka•CHAPTER•Interview•2020

    This chapter critically explores the autobiographical narrative method developed by German sociologist Fritz Schutze. Schutze’s biographical method, used in the analysis in this chapter, provides clearly defined instructions regarding the autobiographical storytelling process. This chapter focuses on self-narratives by two migrant women, conducted as part of a large research project on identity formation in Europe, who at the time of the intervie…

  • Mixed Emotions

    Marushka Svasek, Kay Milton et al.•BOOK•Mixed Emotions•2020

    FINAL Introduction: Emotions in anthropology Maruska Svasek, Queen's University Belfast Chapter 1: Meaning, feeling and human ecology Kay Milton, Queen's Universiy Belfast Chapter 2: Darwin on the expression of the emotions: the eclipse of a research programme Peter Bowler, Queen's University Belfast Chapter 3: Being there: emotion and imagination in anthropologists' encounters Elizabeth Tonkin, Professor Emerita, Queen's University Belfast Chapt…

  • Postsocialism

    Maruška Svašek•BOOK•Postsocialism•2022

    In many parts of post-socialist Europe the tumultuous political and economic developments have generated strong emotions, ranging from hope and euphoria to disappointment, envy, disillusionment, sorrow, loneliness, and hatred. Yet these aspects have been largely neglected in analyses of the profound transformations that have taken place in Central and Eastern Europe since 1990. Based on a wide variety of ethnographic case studies focusing on Russ…

  • Under the Skin

    Open Access•Maruška Svašek•ARTICLE•Lidé města•2022

    Under the Skin is a play that explores art production in state-socialist Czechoslovakia during the normalization period. It investigates the slippery meaning of the word politics in relation to totalitarianism and performance art, and discusses how internalized taken-for-granted social rules can be made evi­dent through artistic inquiry. The script offers insights into the improvisational nature of fieldwork, and invites producers and consumers o…

  • Ethnography as creative improvisation

    Open Access•Maruška Svašek•ARTICLE•Hau Journal of Ethnographic Theory•2023

    This article discusses the possibilities and limitations of digital creative methods developed by the author in response to lockdown and social distancing regulations. Building on prepandemic research, the analysis focuses on remote fieldwork in 2020 and 2021 with a small number of migrant women who live in Northern Ireland. It zooms in on three interlocutors and shows how long-distance painting, online walking interviews, and photo diaries have …

  • Pandemic times

    Open Access•Maruška Svašek•ARTICLE•Anthropology & Humanism•2023•Cited by: 2•References: 10

    A week before the lockdown I have to stay at home my head still full of touch and smell and bodies to be drawn a paper world some time to think and sketch and chew some bones what is this dread this sound? this choke? this white? this black? this smoke? her rattling breath blows lukewarm air we hold on cheek to cheek she slips and flies her flesh a thing and soon there is no more no car no train no bus no plane I have to find a way * a brush near…

  • Lockdown Friend

    Open Access•Maruška Svašek•ARTICLE•Traditiones•2024•Cited by: 1•References: 5

    During the pandemic, confronted with the "crisolation" (Podjed, 2024) of the first lockdown, I turned like many others to Skype, Zoom, and Teams to connect with distant relatives, friends, and interlocutors (Podjed, 2021; Svašek, 2022). Experimenting with various modes of digital hanging out, I began to paint the computer-mediated interactions (Svašek, 2023a, 2023b). The paintings explored the online relationality of pandemic life and were realiz…

Art (7 works) · Law (6 works) · Psychology (6 works) · Eastern European Communism and Reforms (5 works) · Political science (5 works) · Sociology (5 works) · Computer Science (4 works) · Law (4 works) · Migration, Refugees, and Integration (4 works) · Philosophy (4 works)

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