Eric H Newman
Biographic Data
| ID | 1116596 |
|---|---|
| NAME | Eric H Newman |
| GIVEN NAMES | Eric H |
| FAMILY NAME | Newman |
| SIGNATURE | NEWMAN E H |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
A Queer Romance
This essay argues that the queer romances at the margins of Claude McKay’s Romance in Marseille operate as sites of possibility for a happy, egalitarian social relation that is longed for but not otherwise accessible in the novel. The essay contends that this novel, read against Home to Harlem (1928) and Banjo (1929), offers one of the most sustained, nuanced representations of queer life in McKay’s archive and in early twentieth-century LGBT lit…
Ephemeral Utopias
Ephemeral Utopias:Queer Cruising, Literary Form, and Diasporic Imagination in Claude McKay’s Home to Harlem and Banjo Eric H. Newman (bio) In his oft-cited essay “The Black Man’s Burden,” Henry Louis Gates observes that the “usual roll call” of the Harlem Renaissance—a list that includes Langston Hughes, Claude McKay, Alain Locke, Countee Cullen, Wallace Thurman, and Richard Bruce Nugent—offers compelling evidence that the cultural movement was “…
Ephemeral Utopias
Ephemeral Utopias:Queer Cruising, Literary Form, and Diasporic Imagination in Claude McKay’s Home to Harlem and Banjo Eric H. Newman (bio) In his oft-cited essay “The Black Man’s Burden,” Henry Louis Gates observes that the “usual roll call” of the Harlem Renaissance—a list that includes Langston Hughes, Claude McKay, Alain Locke, Countee Cullen, Wallace Thurman, and Richard Bruce Nugent—offers compelling evidence that the cultural movement was “…
Ephemeral Utopias
Ephemeral Utopias:Queer Cruising, Literary Form, and Diasporic Imagination in Claude McKay’s Home to Harlem and Banjo Eric H. Newman (bio) In his oft-cited essay “The Black Man’s Burden,” Henry Louis Gates observes that the “usual roll call” of the Harlem Renaissance—a list that includes Langston Hughes, Claude McKay, Alain Locke, Countee Cullen, Wallace Thurman, and Richard Bruce Nugent—offers compelling evidence that the cultural movement was “…
A Queer Romance
This essay argues that the queer romances at the margins of Claude McKay’s Romance in Marseille operate as sites of possibility for a happy, egalitarian social relation that is longed for but not otherwise accessible in the novel. The essay contends that this novel, read against Home to Harlem (1928) and Banjo (1929), offers one of the most sustained, nuanced representations of queer life in McKay’s archive and in early twentieth-century LGBT lit…
Aesthetics (2 works) · Art (2 works) · Gender Studies (2 works) · Law (2 works) · Literature (2 works) · Politics (2 works) · Queer (2 works) · Sociology (2 works) · Appeal (1 work) · Art history (1 work)