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Boris Maslov

Biographic Data

ID1117580
NAMEBoris Maslov
GIVEN NAMESBoris
FAMILY NAMEMaslov
SIGNATUREMASLOV B
AFFILIATIONSUniversity of Oslo
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS5
AUTHOR COUNT7
EDITOR COUNT1
FIRST PUBLICATION YEAR2012
LATEST PUBLICATION YEAR2026
H-INDEX1
  • An Incorporate Fellowship? Antiphon, Thucydides, Beccaria, and Elizabeth Petrovna on the Death Penalty

    Boris Maslov•ARTICLE•Critical Inquiry•2026•References: 13

    Drawing on an unexplored archive of texts related to theories of punishment, ranging from Antiphon to Nietzsche, the article makes a case for rethinking transmission and propagation of ideas as a distinct mode of transhistorical community building. Incorporate fellowships cannot be conceived of either as sections of an amorphous intertext, à la Kristeva, or as traditions handed down within authoritative canons. They may include agents that are ps…

  • Feeding Upon the Double-Headed Eagle

    Open Access•Boris Maslov, Борис Маслов•ARTICLE•Slavic Review•2024

    Mikhail Kheraskov's (1733-1807) reputation has suffered a singular reversal-perhaps the most extreme and unfortunate peripety in Russian literary history. Toward the end of his life, Kheraskov's place at the very center of the national canon, in the minds of authors like Nikolai Karamzin and Andrei Turgenev, was beyond dispute. Today not even scholars of eighteenth-century Russian literature have a deep familiarity with his works; the Rossiad, Kh…

  • Aesthetic Republicanism in Shostakovich’s Fourteenth Symphony

    Open Access•Boris Maslov, Борис Маслов et al.•ARTICLE•The Russian Review•2023

    Dmitri Shostakovich’s Fourteenth symphony, marked by an experimental and politically charged libretto, is set to verses by four poets, including a piece by Wilhelm Küchelbecker that the composer discovered in Yuri Tynianov’s historical novel Kiukhlia: Story of a Decembrist . Considered in light of the manifold intellectual ties between Shostakovich and Tynianov, the use of Küchelbecker’s poem can be seen to have major implications for the idea of…

  • Republican Liberty and the Pindaric Genealogy of Modern Abstractions

    Boris Maslov•ARTICLE•Contributions to the History of…•2019•Cited by: 1

    Pindaric odes written around the time of the French Revolution have a penchant for abstractions. Apostrophized Liberty, Fortune, Virtue, and Joy, which replaced the monarch as the ode's addressee, attest to the numinous prehistory of distinctively modern concepts that Reinhart Koselleck termed "collective singulars." In particular, eighteenth-century Pindarics put forward representations of Liberty prevailing over an unenlightened past, which con…

  • How to Murder a Work of Art

    Boris Maslov, Борис Маслов•ARTICLE•Poetics Today•2017•Cited by: 1•References: 3

    Historical Poetics, while in many ways an ally of Russian Formalism, finds itself in an uneasy relationship with the empiricist mode of formalist enquiry inasmuch as the latter is seen as generally inimical to historical contextualization. On the other hand, representatives of both Historical Poetics and the morphological method have at different points been accused of favoring atomizing analysis over aesthetic appreciation. This putative inabili…

  • The Genealogy of the Muses

    Boris Maslov, Борис Маслов•ARTICLE•The American Journal of Philology•2016•Cited by: 3•References: 21

    This article puts forward a novel approach to the history of poetic forms in Archaic Greece. By investigating the evolution of the “diegetic frames” involving the figure of the Muse(s), it seeks to trace mutual influences between different genres (Homeric epic, catalogue poetry, the Homeric Hymns, early choral lyric) and, in the case of the Iliad and Hesiod’s Theogony, to identify distinct strata in the composition of one text. This genealogical …

  • Persistent Forms

    Open Access•Eric Hayot, Ilya Kliger et al.•BOOK•Persistent Forms•2015

  • The Real Life of the Genre of Prooimion

    Boris Maslov, Борис Маслов•ARTICLE•Classical Philology•2012

  • The Genealogy of the Muses

    Boris Maslov, Борис Маслов•ARTICLE•The American Journal of Philology•2016•Cited by: 3•References: 21

    This article puts forward a novel approach to the history of poetic forms in Archaic Greece. By investigating the evolution of the “diegetic frames” involving the figure of the Muse(s), it seeks to trace mutual influences between different genres (Homeric epic, catalogue poetry, the Homeric Hymns, early choral lyric) and, in the case of the Iliad and Hesiod’s Theogony, to identify distinct strata in the composition of one text. This genealogical …

  • Republican Liberty and the Pindaric Genealogy of Modern Abstractions

    Boris Maslov•ARTICLE•Contributions to the History of…•2019•Cited by: 1

    Pindaric odes written around the time of the French Revolution have a penchant for abstractions. Apostrophized Liberty, Fortune, Virtue, and Joy, which replaced the monarch as the ode's addressee, attest to the numinous prehistory of distinctively modern concepts that Reinhart Koselleck termed "collective singulars." In particular, eighteenth-century Pindarics put forward representations of Liberty prevailing over an unenlightened past, which con…

  • How to Murder a Work of Art

    Boris Maslov, Борис Маслов•ARTICLE•Poetics Today•2017•Cited by: 1•References: 3

    Historical Poetics, while in many ways an ally of Russian Formalism, finds itself in an uneasy relationship with the empiricist mode of formalist enquiry inasmuch as the latter is seen as generally inimical to historical contextualization. On the other hand, representatives of both Historical Poetics and the morphological method have at different points been accused of favoring atomizing analysis over aesthetic appreciation. This putative inabili…

  • The Real Life of the Genre of Prooimion

    Boris Maslov, Борис Маслов•ARTICLE•Classical Philology•2012

  • Persistent Forms

    Open Access•Eric Hayot, Ilya Kliger et al.•BOOK•Persistent Forms•2015

  • The Genealogy of the Muses

    Boris Maslov, Борис Маслов•ARTICLE•The American Journal of Philology•2016•Cited by: 3•References: 21

    This article puts forward a novel approach to the history of poetic forms in Archaic Greece. By investigating the evolution of the “diegetic frames” involving the figure of the Muse(s), it seeks to trace mutual influences between different genres (Homeric epic, catalogue poetry, the Homeric Hymns, early choral lyric) and, in the case of the Iliad and Hesiod’s Theogony, to identify distinct strata in the composition of one text. This genealogical …

  • How to Murder a Work of Art

    Boris Maslov, Борис Маслов•ARTICLE•Poetics Today•2017•Cited by: 1•References: 3

    Historical Poetics, while in many ways an ally of Russian Formalism, finds itself in an uneasy relationship with the empiricist mode of formalist enquiry inasmuch as the latter is seen as generally inimical to historical contextualization. On the other hand, representatives of both Historical Poetics and the morphological method have at different points been accused of favoring atomizing analysis over aesthetic appreciation. This putative inabili…

  • Republican Liberty and the Pindaric Genealogy of Modern Abstractions

    Boris Maslov•ARTICLE•Contributions to the History of…•2019•Cited by: 1

    Pindaric odes written around the time of the French Revolution have a penchant for abstractions. Apostrophized Liberty, Fortune, Virtue, and Joy, which replaced the monarch as the ode's addressee, attest to the numinous prehistory of distinctively modern concepts that Reinhart Koselleck termed "collective singulars." In particular, eighteenth-century Pindarics put forward representations of Liberty prevailing over an unenlightened past, which con…

  • Aesthetic Republicanism in Shostakovich’s Fourteenth Symphony

    Open Access•Boris Maslov, Борис Маслов et al.•ARTICLE•The Russian Review•2023

    Dmitri Shostakovich’s Fourteenth symphony, marked by an experimental and politically charged libretto, is set to verses by four poets, including a piece by Wilhelm Küchelbecker that the composer discovered in Yuri Tynianov’s historical novel Kiukhlia: Story of a Decembrist . Considered in light of the manifold intellectual ties between Shostakovich and Tynianov, the use of Küchelbecker’s poem can be seen to have major implications for the idea of…

  • Feeding Upon the Double-Headed Eagle

    Open Access•Boris Maslov, Борис Маслов•ARTICLE•Slavic Review•2024

    Mikhail Kheraskov's (1733-1807) reputation has suffered a singular reversal-perhaps the most extreme and unfortunate peripety in Russian literary history. Toward the end of his life, Kheraskov's place at the very center of the national canon, in the minds of authors like Nikolai Karamzin and Andrei Turgenev, was beyond dispute. Today not even scholars of eighteenth-century Russian literature have a deep familiarity with his works; the Rossiad, Kh…

  • An Incorporate Fellowship? Antiphon, Thucydides, Beccaria, and Elizabeth Petrovna on the Death Penalty

    Boris Maslov•ARTICLE•Critical Inquiry•2026•References: 13

    Drawing on an unexplored archive of texts related to theories of punishment, ranging from Antiphon to Nietzsche, the article makes a case for rethinking transmission and propagation of ideas as a distinct mode of transhistorical community building. Incorporate fellowships cannot be conceived of either as sections of an amorphous intertext, à la Kristeva, or as traditions handed down within authoritative canons. They may include agents that are ps…

Art (6 works) · Philosophy (5 works) · Literature (4 works) · Philosophy (4 works) · History (3 works) · Medieval Literature and History (3 works) · Poetry (3 works) · Classical Antiquity Studies (2 works) · Computer Science (2 works) · Epistemology (2 works)

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