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Peter Haidu

Biographic Data

ID1117697
NAMEPeter Haidu
GIVEN NAMESPeter
FAMILY NAMEHaidu
SIGNATUREHAIDU P
AFFILIATIONSUniversity of Illinois System
VERIFIEDNo
TOTAL WORKS20
TOTAL CITATIONS2
AUTHOR COUNT20
EDITOR COUNT0
FIRST PUBLICATION YEAR1969
LATEST PUBLICATION YEAR2001
H-INDEX1
  • Formes littéraires et conscience historique aux origines de la littérature française (1100-1250) . Dominique Boutet

    Peter Haidu•ARTICLE•Speculum•2001

  • The "Chansons de geste" in the Age of Romance: Political Fictions. Sarah Kay

    Peter Haidu•ARTICLE•Speculum•1998

  • Chrétien de Troyes: Perceval (Le Conte du Graal). Keith Busby

    Peter Haidu•ARTICLE•Speculum•1996

  • The Subject of Violence. The "Song of Roland" and the Birth of the State

    Open Access•William H Huseman, Peter Haidu•ARTICLE•South Central Review•1995

  • Althusser Anonymous in the Middle Ages

    Peter Haidu•ARTICLE•Exemplaria•1995

  • Althusser Anonymous in the Middle Ages

    Peter Haidu•ARTICLE•Exemplaria•1995

  • Medieval Artistry and Exchange: Economic Institutions, Society, and Literary Form in Old French Narrative. Judith Kellogg

    Peter Haidu•ARTICLE•Speculum•1992

  • The Semiotics of Alterity: A Comparison with Hermeneutics

    Peter Haidu•ARTICLE•New Literary History•1990•Cited by: 1

    N SPITE of general suppositions about the nature of the semiotic enterprise, these comments will be situated, oriented, and exploratory. They are produced by a medievalist, a specialist of a domain whose problematic is far from being constituted exclusively by contemporary semiotics. This discourse, therefore, will be a displaced or a decentered discourse, undertaking a dialogue with a position other than that of semiotics, specifically a particu…

  • The Episode as Semiotic Module in Twelfth-Century Romance

    Peter Haidu•ARTICLE•Poetics Today•1983

  • Semiotics and history

    Open Access•Peter Haidu•ARTICLE•Semiotica•1982•Cited by: 1

  • Text and history: The semiosis of twelfth-century lyric as sociohistorical phenomenon (Chrétien de Troyes: ‘D’Amors qui m’a tolu’)

    Open Access•Peter Haidu•ARTICLE•Semiotica•1981

  • The Welsh Knight: Paradoxicality in Chrétien's "Conte del Graal" . Rupert T. Pickens

    Peter Haidu•ARTICLE•Speculum•1978

  • Repetition: Modern Reflections on Medieval Aesthetics

    Peter Haidu•ARTICLE•Modern Language Notes•1977

  • The Crossroad of Intentions: A Study of Symbolic Expression in the Poetry of Francois Villon

    Peter Haidu, Evelyn Birge Vitz•ARTICLE•Modern Language Notes•1976

  • Making It (New) in the Middle Ages: Towards a Problematics of Alterity

    Peter Haidu, Paul Zumthor•ARTICLE•diacritics•1974

  • Narrativity and Language in Some XIIth Century Romances

    Peter Haidu•ARTICLE•Yale French Studies•1974

  • The Theme of Love in the Romans d'Antiquité . Rosemarie Jones

    Peter Haidu•ARTICLE•Speculum•1974

  • Lion-queue-coupee: L'ecart symbolique chez Chretien de Troyes

    Grace Armstrong Savage, Peter Haidu•ARTICLE•Modern Language Notes•1974

  • Text, Pretextuality and Myth in the Folie Tristan d'Oxford

    Peter Haidu•ARTICLE•Modern Language Notes•1973

  • AEsthetic Distance in Chretien de Troyes: Irony and Comedy in Cliges and Perceval

    Karl D Uitti, Peter Haidu•ARTICLE•Modern Language Notes•1969

  • The Semiotics of Alterity: A Comparison with Hermeneutics

    Peter Haidu•ARTICLE•New Literary History•1990•Cited by: 1

    N SPITE of general suppositions about the nature of the semiotic enterprise, these comments will be situated, oriented, and exploratory. They are produced by a medievalist, a specialist of a domain whose problematic is far from being constituted exclusively by contemporary semiotics. This discourse, therefore, will be a displaced or a decentered discourse, undertaking a dialogue with a position other than that of semiotics, specifically a particu…

  • Semiotics and history

    Open Access•Peter Haidu•ARTICLE•Semiotica•1982•Cited by: 1

  • AEsthetic Distance in Chretien de Troyes: Irony and Comedy in Cliges and Perceval

    Karl D Uitti, Peter Haidu•ARTICLE•Modern Language Notes•1969

  • Text, Pretextuality and Myth in the Folie Tristan d'Oxford

    Peter Haidu•ARTICLE•Modern Language Notes•1973

  • Making It (New) in the Middle Ages: Towards a Problematics of Alterity

    Peter Haidu, Paul Zumthor•ARTICLE•diacritics•1974

  • Narrativity and Language in Some XIIth Century Romances

    Peter Haidu•ARTICLE•Yale French Studies•1974

  • The Theme of Love in the Romans d'Antiquité . Rosemarie Jones

    Peter Haidu•ARTICLE•Speculum•1974

  • Lion-queue-coupee: L'ecart symbolique chez Chretien de Troyes

    Grace Armstrong Savage, Peter Haidu•ARTICLE•Modern Language Notes•1974

  • The Crossroad of Intentions: A Study of Symbolic Expression in the Poetry of Francois Villon

    Peter Haidu, Evelyn Birge Vitz•ARTICLE•Modern Language Notes•1976

  • Repetition: Modern Reflections on Medieval Aesthetics

    Peter Haidu•ARTICLE•Modern Language Notes•1977

  • The Welsh Knight: Paradoxicality in Chrétien's "Conte del Graal" . Rupert T. Pickens

    Peter Haidu•ARTICLE•Speculum•1978

  • Text and history: The semiosis of twelfth-century lyric as sociohistorical phenomenon (Chrétien de Troyes: ‘D’Amors qui m’a tolu’)

    Open Access•Peter Haidu•ARTICLE•Semiotica•1981

  • Semiotics and history

    Open Access•Peter Haidu•ARTICLE•Semiotica•1982•Cited by: 1

  • The Episode as Semiotic Module in Twelfth-Century Romance

    Peter Haidu•ARTICLE•Poetics Today•1983

  • The Semiotics of Alterity: A Comparison with Hermeneutics

    Peter Haidu•ARTICLE•New Literary History•1990•Cited by: 1

    N SPITE of general suppositions about the nature of the semiotic enterprise, these comments will be situated, oriented, and exploratory. They are produced by a medievalist, a specialist of a domain whose problematic is far from being constituted exclusively by contemporary semiotics. This discourse, therefore, will be a displaced or a decentered discourse, undertaking a dialogue with a position other than that of semiotics, specifically a particu…

  • Medieval Artistry and Exchange: Economic Institutions, Society, and Literary Form in Old French Narrative. Judith Kellogg

    Peter Haidu•ARTICLE•Speculum•1992

  • The Subject of Violence. The "Song of Roland" and the Birth of the State

    Open Access•William H Huseman, Peter Haidu•ARTICLE•South Central Review•1995

  • Althusser Anonymous in the Middle Ages

    Peter Haidu•ARTICLE•Exemplaria•1995

  • Althusser Anonymous in the Middle Ages

    Peter Haidu•ARTICLE•Exemplaria•1995

  • Chrétien de Troyes: Perceval (Le Conte du Graal). Keith Busby

    Peter Haidu•ARTICLE•Speculum•1996

  • The "Chansons de geste" in the Age of Romance: Political Fictions. Sarah Kay

    Peter Haidu•ARTICLE•Speculum•1998

  • Formes littéraires et conscience historique aux origines de la littérature française (1100-1250) . Dominique Boutet

    Peter Haidu•ARTICLE•Speculum•2001

Art (17 works) · Medieval Literature and History (12 works) · Philosophy (12 works) · History (9 works) · Literature (9 works) · Medieval European Literature and History (8 works) · History (7 works) · Humanities (6 works) · Computer Science (5 works) · Linguistics (5 works)

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