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Hans Maes

Biographic Data

ID1119370
NAMEHans Maes
GIVEN NAMESHans
FAMILY NAMEMaes
SIGNATUREMAES H
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS3
WORKS AS AUTHOR6
WORKS AS EDITOR4
FIRST PUBLICATION YEAR2004
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Peaks and Troughs

    Open Access•Hans Maes, Hans R V Maes•ARTICLE•The Journal of Value Inquiry•2023

    status: Published

  • Portraits and Philosophy

    Hans Maes•EDITOR•BOOK•Portraits and Philosophy•2019

  • Portraits and Philosophy

    Hans Maes•BOOK•Portraits and Philosophy•2019

    "Portraiture is one of the most well-established genres in art. One finds portraits not just in museums and galleries, but also in newspapers and magazines, in the homes of people and in the boardrooms of companies, on stamps and coins, and on millions of cell phones and computers. Despite its huge popularity, however, portraiture hasn't received much philosophical attention. While there are countless art historical studies of portraiture, includ…

  • Lady jane grey or queen kateryn parr? National portrait gallery painting 6804

    Open Access•Susan E James, Hans Maes•EDITOR•ARTICLE•Cogent Arts and Humanities•2018

    In October 2006, the National Portrait Gallery in London acquired a late sixteenth-century, three-quarters length panel portrait of a woman, NPG 6804, and concluded that this work was a copy taken from an original likeness of the elusive Lady Jane Grey (c.1537–1554), portraying her in 1553 during her brief reign as nine-day queen. Since then new historical research has been published which throws doubt on both this identification and on the datin…

  • What Is a Portrait

    Hans Maes, Hans R V Maes•ARTICLE•The British Journal of Aesthetics•2015•Cited by: 2

    In answering the title question this paper will aim for extensional adequacy, that is, it will aim to formulate an account that captures as much of the extension as possible of what we ordinarily think counts as a portrait. Two philosophers have recently, and independently from one another, embarked on the same project. Cynthia Freeland’s theory of portraiture, as it is developed in her book Portraits & Persons, is discussed in sections 1 and 2 o…

  • Pornographic Art and the Aesthetics of Pornography

    Hans R V Maes, Hans Maes•EDITOR•BOOK•Pornographic Art and the…•2013

  • Art and pornography

    Hans Maes, Jerrold Levinson•EDITOR•BOOK•Art and pornography•2012

    This book presents a series of essays which investigate the artistic status and aesthetic dimension of pornographic pictures, films, and literature, and explores the distinction, if there is any, between pornography and erotic art. Is there any overlap between art and pornography, or are the two mutually exclusive? If they are, why is that? If they are not, how might we characterize pornographic art or artistic pornography, and how might pornogra…

  • Drawing the Line

    Open Access•Hans Maes, Hans R V Maes•ARTICLE•Philosophy Compass•2011•Cited by: 1•References: 21

    Art and pornography are often thought to be mutually exclusive. The present article argues that this popular view is without adequate support. Section 1 looks at some of the classic ways of drawing the distinction between these two domains of representation. In Section 2, it is argued that the classic dichotomies (subjectivity versus objectification, the beautiful versus the smutty, contemplation versus arousal, the complex versus the one-dimensi…

  • Elephants, Microscopes and Free Beauty

    Hans Maes, Hans R V Maes•ARTICLE•The Philosophical Quarterly•2009

    According to Stephen Davies, there is no such thing as free beauty. Using actual and imaginary examples, he tries to show that our aesthetic evaluations of objects inevitably pay heed to the kinds to which they belong or in which we judge them to belong. His examples are not as compelling as he thinks, however. Furthermore, nature looked at through a microscope (or a telescope) provides us with a particular class of counter‐examples which have no…

  • Modesty, Asymmetry, and Hypocrisy

    Open Access•Hans Maes, Hans R V Maes•ARTICLE•The Journal of Value Inquiry•2004

  • What Is a Portrait

    Hans Maes, Hans R V Maes•ARTICLE•The British Journal of Aesthetics•2015•Cited by: 2

    In answering the title question this paper will aim for extensional adequacy, that is, it will aim to formulate an account that captures as much of the extension as possible of what we ordinarily think counts as a portrait. Two philosophers have recently, and independently from one another, embarked on the same project. Cynthia Freeland’s theory of portraiture, as it is developed in her book Portraits & Persons, is discussed in sections 1 and 2 o…

  • Drawing the Line

    Open Access•Hans Maes, Hans R V Maes•ARTICLE•Philosophy Compass•2011•Cited by: 1•References: 21

    Art and pornography are often thought to be mutually exclusive. The present article argues that this popular view is without adequate support. Section 1 looks at some of the classic ways of drawing the distinction between these two domains of representation. In Section 2, it is argued that the classic dichotomies (subjectivity versus objectification, the beautiful versus the smutty, contemplation versus arousal, the complex versus the one-dimensi…

  • Modesty, Asymmetry, and Hypocrisy

    Open Access•Hans Maes, Hans R V Maes•ARTICLE•The Journal of Value Inquiry•2004

  • Elephants, Microscopes and Free Beauty

    Hans Maes, Hans R V Maes•ARTICLE•The Philosophical Quarterly•2009

    According to Stephen Davies, there is no such thing as free beauty. Using actual and imaginary examples, he tries to show that our aesthetic evaluations of objects inevitably pay heed to the kinds to which they belong or in which we judge them to belong. His examples are not as compelling as he thinks, however. Furthermore, nature looked at through a microscope (or a telescope) provides us with a particular class of counter‐examples which have no…

  • Drawing the Line

    Open Access•Hans Maes, Hans R V Maes•ARTICLE•Philosophy Compass•2011•Cited by: 1•References: 21

    Art and pornography are often thought to be mutually exclusive. The present article argues that this popular view is without adequate support. Section 1 looks at some of the classic ways of drawing the distinction between these two domains of representation. In Section 2, it is argued that the classic dichotomies (subjectivity versus objectification, the beautiful versus the smutty, contemplation versus arousal, the complex versus the one-dimensi…

  • Art and pornography

    Hans Maes, Jerrold Levinson•EDITOR•BOOK•Art and pornography•2012

    This book presents a series of essays which investigate the artistic status and aesthetic dimension of pornographic pictures, films, and literature, and explores the distinction, if there is any, between pornography and erotic art. Is there any overlap between art and pornography, or are the two mutually exclusive? If they are, why is that? If they are not, how might we characterize pornographic art or artistic pornography, and how might pornogra…

  • Pornographic Art and the Aesthetics of Pornography

    Hans R V Maes, Hans Maes•EDITOR•BOOK•Pornographic Art and the…•2013

  • What Is a Portrait

    Hans Maes, Hans R V Maes•ARTICLE•The British Journal of Aesthetics•2015•Cited by: 2

    In answering the title question this paper will aim for extensional adequacy, that is, it will aim to formulate an account that captures as much of the extension as possible of what we ordinarily think counts as a portrait. Two philosophers have recently, and independently from one another, embarked on the same project. Cynthia Freeland’s theory of portraiture, as it is developed in her book Portraits & Persons, is discussed in sections 1 and 2 o…

  • Lady jane grey or queen kateryn parr? National portrait gallery painting 6804

    Open Access•Susan E James, Hans Maes•EDITOR•ARTICLE•Cogent Arts and Humanities•2018

    In October 2006, the National Portrait Gallery in London acquired a late sixteenth-century, three-quarters length panel portrait of a woman, NPG 6804, and concluded that this work was a copy taken from an original likeness of the elusive Lady Jane Grey (c.1537–1554), portraying her in 1553 during her brief reign as nine-day queen. Since then new historical research has been published which throws doubt on both this identification and on the datin…

  • Portraits and Philosophy

    Hans Maes•EDITOR•BOOK•Portraits and Philosophy•2019

  • Portraits and Philosophy

    Hans Maes•BOOK•Portraits and Philosophy•2019

    "Portraiture is one of the most well-established genres in art. One finds portraits not just in museums and galleries, but also in newspapers and magazines, in the homes of people and in the boardrooms of companies, on stamps and coins, and on millions of cell phones and computers. Despite its huge popularity, however, portraiture hasn't received much philosophical attention. While there are countless art historical studies of portraiture, includ…

  • Peaks and Troughs

    Open Access•Hans Maes, Hans R V Maes•ARTICLE•The Journal of Value Inquiry•2023

    status: Published

Art (7 works) · Epistemology (5 works) · Philosophy (5 works) · Aesthetics (4 works) · Philosophy (4 works) · Psychoanalysis (4 works) · Psychology (4 works) · Aesthetics (3 works) · Art (3 works) · Computer Science (3 works)

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