Spencer Golub
Biographic Data
| ID | 1120069 |
|---|---|
| NAME | Spencer Golub |
| GIVEN NAMES | Spencer |
| FAMILY NAME | Golub |
| SIGNATURE | GOLUB S |
| AFFILIATIONS | Brown University |
| VERIFIED | No |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 13 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1981 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
Heidegger and Future Presencing
The Mind-Body Stage: Passion and Interaction in the Cartesian Theater
In a rather uncharitable accounting, Leibniz wrote in a letter circa 1679 (Philosophical Essays, Indianapolis: Hackett, 1989), “Descartes himself had a rather limited mind. He excelled all people in speculation, but he discovered nothing useful for the portion of life which falls under the senses, and nothing useful in the practice of the arts” (241). Descartes was by the time of Leibniz's negative assessment nearly thirty years dead, and both hi…
Shakespeare in the Undiscovered Bourn: Les Kurbas, Ukrainian Modernism, and Early Soviet Cultural Politics (review)
Reviewed by: Shakespeare in the Undiscovered Bourn: Les Kurbas, Ukrainian Modernism, and Early Soviet Cultural Politics Spencer Golub Shakespeare in the Undiscovered Bourn: Les Kurbas, Ukrainian Modernism, and Early Soviet Cultural Politics. By Irene R. Makaryk. Toronto: University of Toronto Press, 2004; pp. xx + 257. $58.00 cloth. Western scholars who study Russian theatre have wondered for some time whether or not to include the Ukranian Les (…
Clockwise-Counterclockwise (The Vowelless Revolution)
This essay locates Russian revolutionary agency in a scenographic solution, specifically in Lyubov Popova's constructivist set for Vsevolod Meyerhold's 1922 production of The Magnanimous Cuckold. Filtering Crommelynck's tragifarce (which dramatizes the consequences of imagined marital infidelity) through a filter of formalist staging and design that featured geometric shapes and linguistic signs enabled Meyerhold to treat provocatively the postre…
The Recurrence of Fate: Theatre and Memory in Twentieth-Century Russia
Boris Godunov: Transpositions of a Russian Theme
The Semiotics of Russian Cultural History: Essays by Iurii M. Lotman, Lidiia Ia. Ginsburg, Boris A. Uspenskii
Evreinov: The Theatre of Paradox and Transformation
Evreinov, the Theatre of Paradox and Transformation
Chekhov: A Study of the Four Major Plays
Selected Plays of Aleksei Arbuzov
Russian Dramatic Theory from Pushkin to the Symbolists: An Anthology
Le monodrame, structure de base pour l'étude de Nicolas Evreinov
Golub Spencer, Parsons R., Abensour Gerard. Le monodrame, structure de base pour l'etude de Nicolas Evreinov. In: Revue des etudes slaves, tome 53, fascicule 1, 1981. Nicolas Evreinov : l'apotre russe de la theâtralite, sous la direction de Gerard Abensour. pp. 15-26
Clockwise-Counterclockwise (The Vowelless Revolution)
This essay locates Russian revolutionary agency in a scenographic solution, specifically in Lyubov Popova's constructivist set for Vsevolod Meyerhold's 1922 production of The Magnanimous Cuckold. Filtering Crommelynck's tragifarce (which dramatizes the consequences of imagined marital infidelity) through a filter of formalist staging and design that featured geometric shapes and linguistic signs enabled Meyerhold to treat provocatively the postre…
Boris Godunov: Transpositions of a Russian Theme
The Semiotics of Russian Cultural History: Essays by Iurii M. Lotman, Lidiia Ia. Ginsburg, Boris A. Uspenskii
Evreinov, the Theatre of Paradox and Transformation
Le monodrame, structure de base pour l'étude de Nicolas Evreinov
Golub Spencer, Parsons R., Abensour Gerard. Le monodrame, structure de base pour l'etude de Nicolas Evreinov. In: Revue des etudes slaves, tome 53, fascicule 1, 1981. Nicolas Evreinov : l'apotre russe de la theâtralite, sous la direction de Gerard Abensour. pp. 15-26
Russian Dramatic Theory from Pushkin to the Symbolists: An Anthology
Selected Plays of Aleksei Arbuzov
Evreinov: The Theatre of Paradox and Transformation
Evreinov, the Theatre of Paradox and Transformation
Chekhov: A Study of the Four Major Plays
The Semiotics of Russian Cultural History: Essays by Iurii M. Lotman, Lidiia Ia. Ginsburg, Boris A. Uspenskii
Boris Godunov: Transpositions of a Russian Theme
The Recurrence of Fate: Theatre and Memory in Twentieth-Century Russia
Clockwise-Counterclockwise (The Vowelless Revolution)
This essay locates Russian revolutionary agency in a scenographic solution, specifically in Lyubov Popova's constructivist set for Vsevolod Meyerhold's 1922 production of The Magnanimous Cuckold. Filtering Crommelynck's tragifarce (which dramatizes the consequences of imagined marital infidelity) through a filter of formalist staging and design that featured geometric shapes and linguistic signs enabled Meyerhold to treat provocatively the postre…
Shakespeare in the Undiscovered Bourn: Les Kurbas, Ukrainian Modernism, and Early Soviet Cultural Politics (review)
Reviewed by: Shakespeare in the Undiscovered Bourn: Les Kurbas, Ukrainian Modernism, and Early Soviet Cultural Politics Spencer Golub Shakespeare in the Undiscovered Bourn: Les Kurbas, Ukrainian Modernism, and Early Soviet Cultural Politics. By Irene R. Makaryk. Toronto: University of Toronto Press, 2004; pp. xx + 257. $58.00 cloth. Western scholars who study Russian theatre have wondered for some time whether or not to include the Ukranian Les (…
The Mind-Body Stage: Passion and Interaction in the Cartesian Theater
In a rather uncharitable accounting, Leibniz wrote in a letter circa 1679 (Philosophical Essays, Indianapolis: Hackett, 1989), “Descartes himself had a rather limited mind. He excelled all people in speculation, but he discovered nothing useful for the portion of life which falls under the senses, and nothing useful in the practice of the arts” (241). Descartes was by the time of Leibniz's negative assessment nearly thirty years dead, and both hi…
Heidegger and Future Presencing
Art (12 works) · Literature (6 works) · Theatre and Performance Studies (6 works) · Philosophy (5 works) · History (4 works) · History (4 works) · Russian Literature and Bakhtin Studies (4 works) · Folklore, Mythology, and Literature Studies (3 works) · Philosophy (3 works) · Aesthetics (2 works)