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Hilary Gatti

Biographic Data

ID1120309
NAMEHilary Gatti
GIVEN NAMESHilary
FAMILY NAMEGatti
SIGNATUREGATTI H
AFFILIATIONSSapienza University of Rome
VERIFIEDNo
TOTAL WORKS17
TOTAL CITATIONS0
WORKS AS AUTHOR17
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1991
LATEST PUBLICATION YEAR2025
H-INDEX0
  • Divisions of Knowledge in the European Renaissance

    Hilary Gatti•ARTICLE•History of Humanities•2025

    A broad distinction between “the sciences” and “the humanities” is not only essential to our sense of knowledge today but also foundational to the structure of our academic institutions. We find from the earliest of times an idea of separate disciplines that operate within the overall spectrum of knowledge. The different ways in which this separation of disciplines is conceived over time and how it guides our idea of knowledge is the subject of t…

  • Ideas of Liberty in Early Modern Europe

    Hilary Gatti, Jeffrey Collins•ARTICLE•Renaissance and Reformation•2018

    Gatti, Hilary. Ideas of Liberty in Early Modern Europe: From Machiavelli to Milton. An article from journal Renaissance and Reformation / Renaissance et Réforme (Piety and Conflict in the Early Reformation), on Érudit

  • Il cuore di cristallo

    Open Access•Hilary Gatti•ARTICLE•Renaissance Quarterly•2011

    Lina Bolzoni. Il cuore di cristallo: Ragionamenti d’amore, poesia e ritratto nel Rinascimento. Saggi 914. Turin: Giulio Einaudi editore, 2010. 375 pp. + 54 color and 26 b/w pls. €34. ISBN: 978–88–06–18828–3. - Volume 64 Issue 3

  • The Renaissance Drama of Knowledge

    Hilary Gatti, Germaine Warkentin•ARTICLE•Renaissance and Reformation•2009

    Benedetto Varchi as well.This discussion lacks a context and is perhaps overly dependent on Bernard Weinberg as a

  • Poesia e ritratto nel Rinascimento

    Open Access•Hilary Gatti•ARTICLE•Renaissance Quarterly•2008

    Lina Bolzoni. Poesia e ritratto nel Rinascimento. Collezione storica. Rome: Editori Laterza, 2008. 288 pp. + 25 color and 5 b/w pls. index. illus. bibl. €38. ISBN: 978–88–420–8487–7. - Volume 61 Issue 4

  • Cabala Parva

    Open Access•Hilary Gatti•ARTICLE•Renaissance Quarterly•2007

    Fabrizio Meroi. Cabala Parva: La filosofia de Giordano Bruno fra tradizione cristiana e pensiero moderno. Istituto Nazionale di Studi sul Rinascimento. Rome : Edizioni di Storia e Letteratura, 2006. xii + 230 pp. index. €32. ISBN: 88-8498-305-3. - Volume 60 Issue 3

  • Opere mnemotecniche

    Open Access•Hilary Gatti•ARTICLE•Renaissance Quarterly•2005

    Giordano Bruno. Opere mnemotecniche. Eds. Marco Matteoli, Rita Sturlese, and Nicoletta Tirinnanzi. Vol. 1. Classici 71. Milan: Adelphi Edizioni, 2004. xcviii + 840 pp. index. illus. bibl. €80. ISBN: 88-459-1924-2. - Volume 58 Issue 4

  • L’arte di Giordano Bruno

    Open Access•Hilary Gatti•ARTICLE•Renaissance Quarterly•2005

    Simonetta Bassi. L’arte di Giordano Bruno: Memoria, furore, magia. Istituto nazionale di studi sul Rinascimento: Studi e testi 44. Florence : Leo S. Olschki, 2004. xiii + 238 pp. index. €25. ISBN: 88-222-5339-6. - Volume 58 Issue 3

  • La rete delle immaginie

    Open Access•Hilary Gatti•ARTICLE•Renaissance Quarterly•2004

    Lina Bolzoni. La rete delle immaginie: Predicazione in volgare dalla origine a Bernardino da Siena. Turin: Giulio Einaudi Editore, 2002. xxx + 250 pp. €22. ISBN: 8-806-15011-1. - Lina Bolzoni. The Web of Images: Vernacular Preaching from its Origins to St Bernardino of Siena. Aldershot, England and Burlington, VT: Ashgate, 2004. 220 pp. $104.95. ISBN: 0-7546-0551-5. - Volume 57 Issue 2

  • The Cabala of Pegasus

    Open Access•Hilary Gatti•ARTICLE•Renaissance Quarterly•2004

    Giordano Bruno. The Cabala of Pegasus. Trans. Sidney Sondergard and Madison U. Sowell. New Haven: Yale University Press, 2002. xlix + 203 pp. index. append. bibl. $40. ISBN: 0-300-09217-2. - Volume 57 Issue 1

  • Opere magiche

    Open Access•Hilary Gatti•ARTICLE•Renaissance Quarterly•2003

    Giordano Bruno. Opere magiche. Eds. Michele Ciliberto, Simonetta Bassi, Elisabetta Scapparone, and Nicoletta Tirinnanzi. (Classici, 67.) Milan: Adelphi, 2000. cxlii + 1590 pp. €103.29. ISBN: 88-459-1509-3. - Giordano Bruno. Corpus iconographicum: Le incisioni nelle opere a stampa. Ed. Mino Gabriele. (Classici, 69.) Milan: Adelphi, 2001. ciii + 618 pp. €77.47. ISBN: 88-459-1667-7. - Eugenio Canone, ed. Giordano Bruno 1548-1600: Mostrastorico docum…

  • Frances Yates's Hermetic Renaissance in the Documents Held in the Warburg Institute Archive

    Hilary Gatti•ARTICLE•Aries•2002

  • The State of Giordano Bruno Studies at the End of the Four-Hundredth Centenary of the Philosopher's Death

    Open Access•Hilary Gatti•ARTICLE•Renaissance Quarterly•2001

    The documents relating to Giordano Bruno's eight-year long trial for heresy at the hands of first the Venetian and then the Roman Inquisition, and to his execution in the Campo dei Fiori in Rome on 17 February 1600, have been gradually coming to light since Bruno's first Italian biographer, Domenico Berti, started to publish them in 1876. They were finally gathered together over a number of years in the second half of the twentieth century, and e…

  • Giordano Bruno

    Hilary Gatti•ARTICLE•Isis•2000

  • Giordano Bruno and Renaissance Science

    Hilary Gatti, Ian McAdam•ARTICLE•Renaissance and Reformation•1999

  • Giordano Bruno and the Stuart Court Masques

    Open Access•Hilary Gatti•ARTICLE•Renaissance Quarterly•1995•References: 1

    It has long been known that Bruno's fourth Italian dialogue, L 0 spaccio della bestia trionfante , written and published in London in 1584, was used as a source by Thomas Carew for his masque Coelum Britannicum. This was Carew's only masque; but it was by no means a minor event within the Stuart calendar of court entertainments. However, in spite of general agreement on the quality of Coelum Britannicum as one of the major entertainments of the S…

  • Il problema della conoscenza in Giordano Bruno

    Open Access•Hilary Gatti•ARTICLE•Renaissance Quarterly•1991

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

No prominent works on this page.

  • Il problema della conoscenza in Giordano Bruno

    Open Access•Hilary Gatti•ARTICLE•Renaissance Quarterly•1991

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Giordano Bruno and the Stuart Court Masques

    Open Access•Hilary Gatti•ARTICLE•Renaissance Quarterly•1995•References: 1

    It has long been known that Bruno's fourth Italian dialogue, L 0 spaccio della bestia trionfante , written and published in London in 1584, was used as a source by Thomas Carew for his masque Coelum Britannicum. This was Carew's only masque; but it was by no means a minor event within the Stuart calendar of court entertainments. However, in spite of general agreement on the quality of Coelum Britannicum as one of the major entertainments of the S…

  • Giordano Bruno and Renaissance Science

    Hilary Gatti, Ian McAdam•ARTICLE•Renaissance and Reformation•1999

  • Giordano Bruno

    Hilary Gatti•ARTICLE•Isis•2000

  • The State of Giordano Bruno Studies at the End of the Four-Hundredth Centenary of the Philosopher's Death

    Open Access•Hilary Gatti•ARTICLE•Renaissance Quarterly•2001

    The documents relating to Giordano Bruno's eight-year long trial for heresy at the hands of first the Venetian and then the Roman Inquisition, and to his execution in the Campo dei Fiori in Rome on 17 February 1600, have been gradually coming to light since Bruno's first Italian biographer, Domenico Berti, started to publish them in 1876. They were finally gathered together over a number of years in the second half of the twentieth century, and e…

  • Frances Yates's Hermetic Renaissance in the Documents Held in the Warburg Institute Archive

    Hilary Gatti•ARTICLE•Aries•2002

  • Opere magiche

    Open Access•Hilary Gatti•ARTICLE•Renaissance Quarterly•2003

    Giordano Bruno. Opere magiche. Eds. Michele Ciliberto, Simonetta Bassi, Elisabetta Scapparone, and Nicoletta Tirinnanzi. (Classici, 67.) Milan: Adelphi, 2000. cxlii + 1590 pp. €103.29. ISBN: 88-459-1509-3. - Giordano Bruno. Corpus iconographicum: Le incisioni nelle opere a stampa. Ed. Mino Gabriele. (Classici, 69.) Milan: Adelphi, 2001. ciii + 618 pp. €77.47. ISBN: 88-459-1667-7. - Eugenio Canone, ed. Giordano Bruno 1548-1600: Mostrastorico docum…

  • La rete delle immaginie

    Open Access•Hilary Gatti•ARTICLE•Renaissance Quarterly•2004

    Lina Bolzoni. La rete delle immaginie: Predicazione in volgare dalla origine a Bernardino da Siena. Turin: Giulio Einaudi Editore, 2002. xxx + 250 pp. €22. ISBN: 8-806-15011-1. - Lina Bolzoni. The Web of Images: Vernacular Preaching from its Origins to St Bernardino of Siena. Aldershot, England and Burlington, VT: Ashgate, 2004. 220 pp. $104.95. ISBN: 0-7546-0551-5. - Volume 57 Issue 2

  • The Cabala of Pegasus

    Open Access•Hilary Gatti•ARTICLE•Renaissance Quarterly•2004

    Giordano Bruno. The Cabala of Pegasus. Trans. Sidney Sondergard and Madison U. Sowell. New Haven: Yale University Press, 2002. xlix + 203 pp. index. append. bibl. $40. ISBN: 0-300-09217-2. - Volume 57 Issue 1

  • Opere mnemotecniche

    Open Access•Hilary Gatti•ARTICLE•Renaissance Quarterly•2005

    Giordano Bruno. Opere mnemotecniche. Eds. Marco Matteoli, Rita Sturlese, and Nicoletta Tirinnanzi. Vol. 1. Classici 71. Milan: Adelphi Edizioni, 2004. xcviii + 840 pp. index. illus. bibl. €80. ISBN: 88-459-1924-2. - Volume 58 Issue 4

  • L’arte di Giordano Bruno

    Open Access•Hilary Gatti•ARTICLE•Renaissance Quarterly•2005

    Simonetta Bassi. L’arte di Giordano Bruno: Memoria, furore, magia. Istituto nazionale di studi sul Rinascimento: Studi e testi 44. Florence : Leo S. Olschki, 2004. xiii + 238 pp. index. €25. ISBN: 88-222-5339-6. - Volume 58 Issue 3

  • Cabala Parva

    Open Access•Hilary Gatti•ARTICLE•Renaissance Quarterly•2007

    Fabrizio Meroi. Cabala Parva: La filosofia de Giordano Bruno fra tradizione cristiana e pensiero moderno. Istituto Nazionale di Studi sul Rinascimento. Rome : Edizioni di Storia e Letteratura, 2006. xii + 230 pp. index. €32. ISBN: 88-8498-305-3. - Volume 60 Issue 3

  • Poesia e ritratto nel Rinascimento

    Open Access•Hilary Gatti•ARTICLE•Renaissance Quarterly•2008

    Lina Bolzoni. Poesia e ritratto nel Rinascimento. Collezione storica. Rome: Editori Laterza, 2008. 288 pp. + 25 color and 5 b/w pls. index. illus. bibl. €38. ISBN: 978–88–420–8487–7. - Volume 61 Issue 4

  • The Renaissance Drama of Knowledge

    Hilary Gatti, Germaine Warkentin•ARTICLE•Renaissance and Reformation•2009

    Benedetto Varchi as well.This discussion lacks a context and is perhaps overly dependent on Bernard Weinberg as a

  • Il cuore di cristallo

    Open Access•Hilary Gatti•ARTICLE•Renaissance Quarterly•2011

    Lina Bolzoni. Il cuore di cristallo: Ragionamenti d’amore, poesia e ritratto nel Rinascimento. Saggi 914. Turin: Giulio Einaudi editore, 2010. 375 pp. + 54 color and 26 b/w pls. €34. ISBN: 978–88–06–18828–3. - Volume 64 Issue 3

  • Ideas of Liberty in Early Modern Europe

    Hilary Gatti, Jeffrey Collins•ARTICLE•Renaissance and Reformation•2018

    Gatti, Hilary. Ideas of Liberty in Early Modern Europe: From Machiavelli to Milton. An article from journal Renaissance and Reformation / Renaissance et Réforme (Piety and Conflict in the Early Reformation), on Érudit

  • Divisions of Knowledge in the European Renaissance

    Hilary Gatti•ARTICLE•History of Humanities•2025

    A broad distinction between “the sciences” and “the humanities” is not only essential to our sense of knowledge today but also foundational to the structure of our academic institutions. We find from the earliest of times an idea of separate disciplines that operate within the overall spectrum of knowledge. The different ways in which this separation of disciplines is conceived over time and how it guides our idea of knowledge is the subject of t…

Art (13 works) · Humanities (9 works) · Renaissance and Early Modern Studies (8 works) · Art history (7 works) · History (7 works) · History (6 works) · Philosophy (6 works) · Classics (4 works) · Philosophy (4 works) · The Renaissance (4 works)

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