Oksana Sarkisova
Biographic Data
| ID | 1120565 |
|---|---|
| NAME | Oksana Sarkisova |
| GIVEN NAMES | Oksana |
| FAMILY NAME | Sarkisova |
| SIGNATURE | SARKISOVA O |
| AFFILIATIONS | Central European University |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 7 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 2 |
Alison Griffiths, Nomadic Cinema
Let's Sharpen Our Optic Nerves
Screening Soviet Nationalities
Filmmakers in the early decades of the Soviet Union sought to create a cinematic map of the new state by portraying its land and peoples on screen. Such films created blueprints of the Soviet domain's scenic, cultural and ethnographic perimeters and brought together - in many ways disparate - nations under one umbrella. Categorised as kulturfilms, they served as experimental grounds for developing the cinematic formulae of a multiethnic, multinat…
Taming the frontier
This article explores the imagery of the Soviet Far East and its indigenous inhabitants in the films of Aleksandr Litvinov, who played a prominent role in establishing the expedition film practice in the Soviet Union. Analysing his early travelogues, I revisit the Soviet debate about the standards of cinematic authenticity and demonstrate a deep interconnectedness of cinematographic and literary representational practices. Contextual analysis of …
Between Elias and Foucault
Past for the Eyes
How do museums and cinema shape the image of the Communist past in today's Central and Eastern Europe? This volume is the first systematic analysis of how visual techniques are used to understand and put into context the former regimes.
Across One Sixth of the World
July 01 2007 Across One Sixth of the World: Dziga Vertov, Travel Cinema, and Soviet Patriotism Oksana Sarkisova Oksana Sarkisova Oksana Sarkisova holds a doctoral degree in history from Central European University, Budapest. Her publications include “Cine-intellectuals or Cine-proletariat? Ideological Allegiances and Professional Identities in Early Soviet Cinema” (2005) and “Inter-national Loyalties: A/Olexander Dovzhenko's Films in the Context …
Between Elias and Foucault
Across One Sixth of the World
July 01 2007 Across One Sixth of the World: Dziga Vertov, Travel Cinema, and Soviet Patriotism Oksana Sarkisova Oksana Sarkisova Oksana Sarkisova holds a doctoral degree in history from Central European University, Budapest. Her publications include “Cine-intellectuals or Cine-proletariat? Ideological Allegiances and Professional Identities in Early Soviet Cinema” (2005) and “Inter-national Loyalties: A/Olexander Dovzhenko's Films in the Context …
Across One Sixth of the World
July 01 2007 Across One Sixth of the World: Dziga Vertov, Travel Cinema, and Soviet Patriotism Oksana Sarkisova Oksana Sarkisova Oksana Sarkisova holds a doctoral degree in history from Central European University, Budapest. Her publications include “Cine-intellectuals or Cine-proletariat? Ideological Allegiances and Professional Identities in Early Soviet Cinema” (2005) and “Inter-national Loyalties: A/Olexander Dovzhenko's Films in the Context …
Past for the Eyes
How do museums and cinema shape the image of the Communist past in today's Central and Eastern Europe? This volume is the first systematic analysis of how visual techniques are used to understand and put into context the former regimes.
Between Elias and Foucault
Taming the frontier
This article explores the imagery of the Soviet Far East and its indigenous inhabitants in the films of Aleksandr Litvinov, who played a prominent role in establishing the expedition film practice in the Soviet Union. Analysing his early travelogues, I revisit the Soviet debate about the standards of cinematic authenticity and demonstrate a deep interconnectedness of cinematographic and literary representational practices. Contextual analysis of …
Screening Soviet Nationalities
Filmmakers in the early decades of the Soviet Union sought to create a cinematic map of the new state by portraying its land and peoples on screen. Such films created blueprints of the Soviet domain's scenic, cultural and ethnographic perimeters and brought together - in many ways disparate - nations under one umbrella. Categorised as kulturfilms, they served as experimental grounds for developing the cinematic formulae of a multiethnic, multinat…
Let's Sharpen Our Optic Nerves
Alison Griffiths, Nomadic Cinema
History (4 works) · Sociology (4 works) · Ideology (3 works) · Law (3 works) · Political science (3 works) · Art history (2 works) · European history and politics (2 works) · Gender Studies (2 works) · Italian Fascism and Post-war Society (2 works) · Medicine (2 works)