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Giuliana Muscio

Biographic Data

ID1121022
NAMEGiuliana Muscio
GIVEN NAMESGiuliana
FAMILY NAMEMuscio
SIGNATUREMUSCIO G
ORCID0000-0002-7100-168X
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS2
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR1991
LATEST PUBLICATION YEAR2020
H-INDEX1
  • East Coast/West Coast

    Open Access•Giuliana Muscio•ARTICLE•California Italian Studies•2020

    This article discusses the role of the immigrant stage in representing, imagining, exporting and importing, the Italian identity. In particular the essay examines the differences between the Italian Diasporic communities on the east Coast and in California and the diverse culture dello spettacolo they proposed to both American and Italian audiences

  • Napoli/New York/Hollywood

    Open Access•Giuliana Muscio•BOOK•Napoli/New York/Hollywood•2018

  • Hollywood's New Deal

    Elizabeth Fones-Wolf, Elizabeth Fones‐wolf et al.•ARTICLE•Contemporary Sociology A Journal…•1998

  • Hollywood's New Deal

    Richard Batman, Giuliana Muscio•ARTICLE•Western Historical Quarterly•1998

    Journal Article Hollywood's New Deal Get access Hollywood's New Deal. By Muscio Giuliana. (Philadelphia: Temple University Press, 1997. x + 259 pp. Notes, index. $59.95, cloth; $22.95, paper.) Richard Batman Richard Batman San Francisco State University Search for other works by this author on: Oxford Academic Google Scholar Western Historical Quarterly, Volume 29, Issue 1, Spring 1998, Page 118, https://doi.org/10.2307/970840 Published: 01 Febru…

  • Pordenone Silent Film Festival, 9-16 October 1993

    Giuliana Muscio•ARTICLE•Screen•1994

    Journal Article Pordenone Silent Film Festival, 9–16 October 1993 Get access Giuliana Muscio Giuliana Muscio Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 35, Issue 3, Autumn 1994, Pages 300–304, https://doi.org/10.1093/screen/35.3.300 Published: 01 October 1994

  • Th Pordenone Silent Film Festival, 11-18 October 1992

    Giuliana Muscio•ARTICLE•Screen•1993

    Journal Article 11th Pordenone Silent Film Festival, 11–18 October 1992 Get access Giuliana Muscio Giuliana Muscio Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 34, Issue 3, Autumn 1993, Pages 285–287, https://doi.org/10.1093/screen/34.3.285 Published: 01 October 1993

  • La Casa Bianca e le sette majors. Cinema e mass media negli anni del New Deal

    Remy Pithon, Giuliana Muscio•ARTICLE•Vingtième Siècle Revue d histoire•1992

  • Francesco Casetti and Italian Film Semiotics

    Giuliana Muscio, Roberto Zemignan•ARTICLE•Cinema Journal•1991•Cited by: 2

    On the American film studies scene, Italian film theory is not as well-known and as discussed as are, for example, theoretical contributions from France. Due to the lack of timely and systematic translations of Italian theoretical work, and also to the particular circumstances in which film theory is produced in Italy (different disciplinary approaches to film, a long history of cultural fragmentation, and so on), the American film scholar would …

  • Francesco Casetti and Italian Film Semiotics

    Giuliana Muscio, Roberto Zemignan•ARTICLE•Cinema Journal•1991•Cited by: 2

    On the American film studies scene, Italian film theory is not as well-known and as discussed as are, for example, theoretical contributions from France. Due to the lack of timely and systematic translations of Italian theoretical work, and also to the particular circumstances in which film theory is produced in Italy (different disciplinary approaches to film, a long history of cultural fragmentation, and so on), the American film scholar would …

  • Francesco Casetti and Italian Film Semiotics

    Giuliana Muscio, Roberto Zemignan•ARTICLE•Cinema Journal•1991•Cited by: 2

    On the American film studies scene, Italian film theory is not as well-known and as discussed as are, for example, theoretical contributions from France. Due to the lack of timely and systematic translations of Italian theoretical work, and also to the particular circumstances in which film theory is produced in Italy (different disciplinary approaches to film, a long history of cultural fragmentation, and so on), the American film scholar would …

  • La Casa Bianca e le sette majors. Cinema e mass media negli anni del New Deal

    Remy Pithon, Giuliana Muscio•ARTICLE•Vingtième Siècle Revue d histoire•1992

  • Th Pordenone Silent Film Festival, 11-18 October 1992

    Giuliana Muscio•ARTICLE•Screen•1993

    Journal Article 11th Pordenone Silent Film Festival, 11–18 October 1992 Get access Giuliana Muscio Giuliana Muscio Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 34, Issue 3, Autumn 1993, Pages 285–287, https://doi.org/10.1093/screen/34.3.285 Published: 01 October 1993

  • Pordenone Silent Film Festival, 9-16 October 1993

    Giuliana Muscio•ARTICLE•Screen•1994

    Journal Article Pordenone Silent Film Festival, 9–16 October 1993 Get access Giuliana Muscio Giuliana Muscio Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 35, Issue 3, Autumn 1994, Pages 300–304, https://doi.org/10.1093/screen/35.3.300 Published: 01 October 1994

  • Hollywood's New Deal

    Elizabeth Fones-Wolf, Elizabeth Fones‐wolf et al.•ARTICLE•Contemporary Sociology A Journal…•1998

  • Hollywood's New Deal

    Richard Batman, Giuliana Muscio•ARTICLE•Western Historical Quarterly•1998

    Journal Article Hollywood's New Deal Get access Hollywood's New Deal. By Muscio Giuliana. (Philadelphia: Temple University Press, 1997. x + 259 pp. Notes, index. $59.95, cloth; $22.95, paper.) Richard Batman Richard Batman San Francisco State University Search for other works by this author on: Oxford Academic Google Scholar Western Historical Quarterly, Volume 29, Issue 1, Spring 1998, Page 118, https://doi.org/10.2307/970840 Published: 01 Febru…

  • Napoli/New York/Hollywood

    Open Access•Giuliana Muscio•BOOK•Napoli/New York/Hollywood•2018

  • East Coast/West Coast

    Open Access•Giuliana Muscio•ARTICLE•California Italian Studies•2020

    This article discusses the role of the immigrant stage in representing, imagining, exporting and importing, the Italian identity. In particular the essay examines the differences between the Italian Diasporic communities on the east Coast and in California and the diverse culture dello spettacolo they proposed to both American and Italian audiences

Art (7 works) · History (5 works) · Italian Fascism and Post-war Society (5 works) · Art history (4 works) · Cinema and Media Studies (3 works) · Hollywood (3 works) · Media studies (3 works) · Sociology (3 works) · Advertising (2 works) · Business (2 works)

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